{"footnote":"\u003Cp\u003E  In his own account of persistence in \u003Cem class=\u0022emphasisClass\u0022\u003EWhy Photography Matters as Art as Never Before\u003C\/em\u003E (2008), Michael Fried argued that the easel painting has returned in the guise of  contemporary photography, whose digital capabilities have reinvigorated pictorial concerns. For Nagel postmodernist art registers the defeat of the modern tableau, while for Fried postmodernist art  is in turn defeated by the modern tableau come again.\u003C\/p\u003E\n","audio":[],"video":[]}