In Exciting Times, Naoise Dolan’s first book, the choice presented to bisexual women – surrender to the world’s expectations and get with a man, or follow your desires and risk forfeiting power and...
In Old God’s Time Tom Kettle, Barry’s hero, sees the moon rise behind Dalkey Island, and it feels like an eclipse; each time he looks at it, it’s in a different pane of the window. Wave or particle?...
Ulysses is haunted by the story of its own composition. As Joyce famously put it, ‘I’ve put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant,...
Early Works shows Alice Notley feeling her way past the dominant aesthetics of her period – she was a key figure in the downtown New York poetry scene before moving to Paris in 1992 – and discovering...
Fiction can do without all sorts of things that seemed essential to 19th-century novelists: it doesn’t need to comment on society, or provide descriptions of settings and scenery, or a linear chronology,...
Han Kang’s story is propelled by antinomies. Here is a dead language, Greek, and there is the ‘unbearably alive’ Korean. Here is a philosopher, there a poet; one unrequited love, another love one...
With her insistence on renegotiating power dynamics between the sexes, claiming her right to sexual pleasure, and earning her own money, Alysoun can sound not unlike a second-wave feminist. Yet she doesn’t...
Readers have thought that Waugh’s books divided on much more rudimentary lines: the good ones, which are funny, and the bad ones, which are pious. There is the string of brilliant, brittle social comedies...
Both sides of Edward Coke’s reputation have endured. Not long ago the benchers of the Inner Temple refused to name a new building after him because of his brutal prosecution of Walter Raleigh. Yet Coke’s...
All three of Jean Giono’s books are crowned, in their different ways, by killings, done by the hero or heroine and not against them or for them to tackle. An intriguing choice for a pacifist, and a choice...
Fashion, the It-girl Alexa Chung once said, is just what happens when you have been wearing one thing for ages, then get bored with it. Is this the reason Fleur Jaeggy has become so fashionable, because...
Lynne Tillman’s Mothercare shows us the end. Reading it, you feel Tillman’s clammy grip on your wrist reminding you not to waste time. She offers a writer’s prescription: examine the world closely,...
Three hundred characters in 260 pages. How do you possibly keep track of so many names, so much intrigue? It’s hard to imagine a reader of Camilo José Cela’s masterpiece, The Hive, who hasn’t...
We knew he was not benevolent exactly (well, some of us knew) but there was the sense that he was suffering on the same side as us. Why we believed we were reading him for moral instruction in the first...
Richard Ford’s Frank might be more low-key than other sequential protagonists in modern American fiction – Nathan Zuckerman, Harry Angstrom, Olive Kitteridge, Lucy Barton – and at the end of Be Mine...
For the past 25 years, Kamila Shamsie has been working on a vast scale. There's a thrill that comes with the grand sweep, the comparison between Western imperialist projects, but Shamsie writes best about...
Konstantin Paustovsky’s fiction tends to be set in public and among strangers, so that one is tempted to think: ‘Aha, the great frieze of society,’ or ‘Is this perhaps social realism?’ But that’s...
Unlike most realists, Marx does not see art as precious because it reflects reality. On the contrary, it is most relevant to humanity when it is an end in itself. Art is a critique of instrumental reason. In...