Two Poems

Alissa Quart, 24 January 2013

Protocol In Rome, they forget their time, though such forgetting is an error of sense. Forget an age of shoe bomber, of underwear detonator, of airplane null. Forget American Gosselin serialism:...

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Poem: ‘From the Dialysis Ward’

Hugo Williams, 24 January 2013

If I’m Early Every other day I follow the route of the Midland Railway to where it cuts through St Pancras Old Church Cemetery. I might go into the church and heave a sigh or two before...

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Poem: ‘Under the Lime Trees’

Mark Ford, 3 January 2013

All that glitters is not glass, but lots and lots of it is, mused the helmeted cyclist … o you fast- spinning tyres, so delicately ridged, so like the scales of a young crocodile –...

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The Hemingway Crush: Kevin Powers

Theo Tait, 3 January 2013

The book world has a tendency to go weak at the knees where men of action, and particularly soldiers, are concerned. If Dr Johnson was right that every man thinks meanly of himself for not having...

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‘Profonde Albertine’, the narrator writes close to the end of Proust’s novel. By ‘deep’ – profonde – he means ‘unreachable’. She was mostly...

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Poem: ‘Northeast Building’

John Ashbery, 6 December 2012

I tell myself I’m a minimalist. Not that it matters to the big guns who train their sights on us, who also know about tomorrow and their brothers, and had a pretty good run. It would be...

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Like a Failed Cake: Keith Ridgway

Edmund Gordon, 6 December 2012

Keith Ridgway used to be compared to John McGahern for his dourly lyrical stories of a changing Ireland. (‘Fr Devoy nodded his head and sipped his tea and waited. He watched the sky move...

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Anticipatory Plagiarism: Oulipo

Paul Grimstad, 6 December 2012

Robert Frost’s crack about free verse – that it’s tennis without a net – might be modified to describe Georges Perec’s novels: they’re tennis with nets...

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Chris Ware’s new book, Building Stories, isn’t a book at all. It’s a cardboard box, about the size of a board game, covered in bright, blocky illustrations and stuffed with...

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Ho Chi Minh in Love

Tariq Ali, 22 November 2012

A few weeks after leaving university many years ago, I was lunched by a publisher. ‘What book would you most like to write?’ he asked. The war in Indochina was beginning to escalate,...

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I, Lowborn Cur: Literary Names

Colin Burrow, 22 November 2012

When the keen birdwatcher Ian Fleming needed a name that sounded as ordinary as possible, he had to look no further than the title page of James Bond’s great work, Birds of the West Indies.

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Who needs a welfare state? The Little House Books

Deborah Friedell, 22 November 2012

After the Vietnam War – or so the story goes – a little girl whose parents had fought the Communists in Laos was resettled with her family in St Paul, Minnesota. They didn’t...

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Dirty Little Secret: The Programme Era

Fredric Jameson, 22 November 2012

The secret Mark McGurl discloses is the degree to which the richness of postwar American culture (we will here stick to the novel, for reasons to be explained) is the product of the university...

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Poem: ‘Here in a State of Tectonic Tension’

Lawrence Joseph, 22 November 2012

Its geography similar to Istanbul’s – read for Lake Huron, the Black Sea, for the St Clair River, the Bosporus, for Lake St Clair, the Sea of Marmara, for the Detroit River, the...

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Cloud-Brains: Mikhail Shishkin

James Meek, 22 November 2012

Most writers of fiction want to give their readers the sense of an alternative passage of time to the actual one. This, the narrative drive, comes through a combination of events following one...

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Poem: ‘The Warning’

Matthew Sweeney, 22 November 2012

I had Coltrane playing from the hallway / and was humming along. The black cat / was poking and hissing at the white cat, / when a crow landed a couple of feet away.

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Short Cuts: Handwriting

Jeremy Harding, 8 November 2012

Heidegger fretted energetically about the impersonal touch of the typewriter. Still, that’s no reason to set off for the Black Forest with a rucksack full of virgin postcards. Compositions at the...

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It starts with an itch: ‘People’

Alan Bennett, 8 November 2012

I sometimes think that my plays are just an excuse for the introductions with which they are generally accompanied.

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