Poem: ‘A Bear’

Robert VanderMolen, 31 July 2014

As avidity circulated about the soccer game A bear lingered, nosing among the spruces, Under damp boughs, sampling scents, perching Briefly on a stump, while remaining curious, Until, on impulse,...

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Odd, unsettling somehow, visiting here again after so many years, travelling through town at this hour, the Baixa nearly deserted, then along the river, the lights of the bridge blurred by rain,...

Read more about Poem: ‘A History of Western Music: Chapter 74’

What a pleasure​ to return to Thomas Hardy. For about a hundred pages. Then the torment begins, and we’re not even halfway through. From now on each turn of the page will expose the...

Read more about Bitten by an Adder: ‘The Return of the Native’

Flub-Dub: Stephen Crane

Thomas Powers, 17 July 2014

The Red Badge of Courage​ is generally the only thing about Stephen Crane that readers remember now. The novel, first published in 1895 when Crane was only 23, is short and centres on the...

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Disruptors: Ned Beauman

Nick Richardson, 17 July 2014

At what point​ does Ned Beauman’s Glow become fantastical? There’s a kid from South London called Raf who likes drugs and raving. From a girl he meets at a party, Cherish, he learns...

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What does courtship look like in a world where people worry about breaking up in light of how much they’ve ‘invested’ in a relationship? In which the ‘market rate’ of everyone – women especially...

Read more about But I invested in you! How to Be an Asshole

He speaks too loud: Brecht

David Blackbourn, 3 July 2014

In​ his Svendborg Poems, written in exile in Denmark in the 1930s, Brecht wrote: ‘In the dark times/Will there also be singing? Yes, there will also be singing/About the dark...

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Poem: ‘Pain’

David Harsent, 3 July 2014

Let’s say a gallery. Let’s say ill weather. Let’s say you’ve movedfrom L’Arbre de Fluides to La Fenêtre. Let’s say you’re not Marie,not one of the

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A Family of Acrobats: Teju Cole

Adam Mars-Jones, 3 July 2014

It’s​ not entirely clear which of Teju Cole’s books, Open City or Every Day Is for the Thief, has seniority. Open City made a strong impression when it appeared in 2011, and now

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Losing the Plot: Nicola Barker

Francesca Wade, 3 July 2014

Writers​ who appear in their own fiction do so at their peril: it tends to make their characters pretty angry. Made to suffer cancer, Christie Malry warns B.S. Johnson that he will look stupid...

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Until​ quite recently, paper played a crucial role in the composition, and transmission to posterity, of most poems in English: they were written down on paper, or antecedents such as parchment...

Read more about Pomenvylopes: Emily Dickinson’s Manuscripts

Poem: ‘A Steady Light’

Lee Harwood, 19 June 2014

Mid-afternoon   a light breeze sways the worn blue curtain. Could this be Alexandria? – I think not – but some provincial city? seaport? And the year? In a...

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Poem: ‘Solarised’

Alissa Quart, 19 June 2014

Our serrated landscape so full of digits: dial, keloid, data, roseate. If trees are still ‘in’ we can thumb through not click-through. Books are so over though. All those chyrons...

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The Danish novelist​ Christian Jungersen writes topical novels with untopical frames, which appear to be of the moment though they look at the news askance. His second novel, The Exception,...

Read more about Frederik wasn’t himself: Christian Jungerson

John Donne​ is a modern rediscovery. His reputation, high among his contemporaries, fell after their time, along with those of other 17th-century metaphysical poets who would wait equally long...

Read more about Things the King Liked to Hear: Donne and Milton’s Prose

‘Ulysses’ and Its Wake

Tom McCarthy, 19 June 2014

How​ do you write after Ulysses? It isn’t just that Joyce writes better than anyone else (although he does), it’s the sense that Ulysses’s publication represents a kind of rapture for literature,...

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Poem: ‘The Albertine Workout’

Anne Carson, 5 June 2014

8. The problems of Albertine are (from the narrator’s point of view) a) lying b) lesbianism, and (from Albertine’s point of view) a) being imprisoned in the narrator’s house.

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In​ the early 1960s, around the time that Raymond Queneau was working on his choose-your-own-sonnet sequence, Cent mille milliards de poèmes, and Marc Saporta on Composition No. 1, a...

Read more about Short Cuts: Something Like a Dream of Meaning