One day they found him under the bed curled tight, pressed against the wall. For as long as they could remember he had been in the habit of hiding objects in boxes, in drawers, in holes he dug in...

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Long Goodbye

Derek Mahon, 20 November 1980

Why Brownlee left is Paul Muldoon’s third book of poems, and his most interesting so far. Whereas, in the earlier books, he didn’t do a great deal more than exercise the quirky,...

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Trained to silence

John Mepham, 20 November 1980

Having read some of Henry Brewster’s letters to Ethel Smyth, Virginia Woolf wrote to Ethel that she found them ‘very witty, easy, well written, full of sparks and faces and...

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Settling down

Karl Miller, 20 November 1980

‘Davies? Oh, he was a sort of natural, wasn’t he – like Clare?’ James Reeves’s Introduction to his Penguin anthology of Georgian poetry puts this absentminded...

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Poem: ‘The Renunciation’

Blake Morrison, 20 November 1980

Our lives were wasted but we never knew. There was such work to be done: the watch-chains And factories, the papers to sign In the study. Surrounded by brass How could we see what we amounted to...

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End of Story

Robert Taubman, 20 November 1980

‘In this unique fiction,’ say the publishers, ‘word and image meet with a richness scarcely seen since Blake.’ Certainly A Humument is no ordinary novel: but nor is it...

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Donne’s Reputation

Sarah Wintle, 20 November 1980

In his preface to this celebratory volume of essays presented to Dame Helen Gardner on her 70th birthday, John Carey apologises for the fact that the topics discussed are restricted to 16th and...

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No Fear of Fanny

Marilyn Butler, 20 November 1980

Erica Jong’s Fanny has had a long gestation. In 1961, as an undergraduate, she was taught by the late Professor James L. Clifford, Johnson’s biographer, who had the admirable policy...

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Moving in

Patricia Beer, 20 November 1980

Stephen Reynolds is coming back. There have been at least two indications of this recently. The prophet is no longer without honour in his own, adopted country, for a plaque has just been...

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English Fame and Irish Writers

Brian Moore, 20 November 1980

In Ireland it often seems that the great world is too little with us – that all issues are reduced to the level of the parish pump. Yet, as Patrick Kavanagh warned, Irish writers turn...

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The Duckworth School of Writers

Frank Kermode, 20 November 1980

The potter William de Morgan, finding himself at the age of 65 without a studio, decided not to look for another but instead to change his trade and become a novelist. Not so long ago the lucky...

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Poem: ‘Burden’

D.J. Enright, 6 November 1980

The grasshopper was a burden to me. It knew of something hurtful to me. In a dream I squashed the grasshopper. Why was the grasshopper such a burden? Its singing hindered me from sleeping, All...

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The Englishness of English

Roy Harris, 6 November 1980

England has never had an official body equivalent to the Académic Française or the Italian Accademia della Crusca. And that is no accident. For the Englishman has scant respect for...

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Fortunes of War

Graham Hough, 6 November 1980

The title of Olivia Manning’s last book, from Housman’s heroic-ironic epitaph on an earlier war, announces a summing-up: the last volume of a trilogy, the trilogy itself the...

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Tennyson’s Nerves

Frank Kermode, 6 November 1980

Robert Martin’s book is not one of those literary biographies that reshuffle a familiar narrative and perhaps add a few bits of new information or conjecture. It is a full-scale life,...

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What there is to tell

David Lodge, 6 November 1980

For most of his professional life, Graham Greene might have been described as the Greta Garbo of modern English letters. He preferred to be alone. A wartime Penguin edition of England made me in...

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Blistering Attacks

Claude Rawson, 6 November 1980

You wouldn’t guess it from Mr Grigson’s anthology, but satire was once a deadly activity. It literally killed, or was believed to, which sometimes had the same result. Robert...

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Men at Sea

Robert Taubman, 6 November 1980

William Golding’s working material, the stuff he lights upon and makes his novels out of – and which he regularly proceeds to subvert or transform to his purpose, introducing levels...

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