An American Romance

Edward Mendelson, 18 February 1982

Old Glory – the book written by Jonathan Raban – is an altogether different book from the Old Glory that was praised in the reviews, but it is no less wonderful for that. The book the...

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Lordly Accents

Claude Rawson, 18 February 1982

In Fielding’s Journey from this World to the Next the author comes upon Shakespeare in Elysium, standing between the actors Betterton and Booth, who are disputing about the exact emphasis...

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Anxiety of Influx

Tony Tanner, 18 February 1982

Of course Empire took its way westward, what other way was there but into those virgin sunsets to penetrate and to foul? Pynchon: Gravity’s Rainbow Near the end of The Great Gatsby Nick...

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Deciding Derrida

David Hoy, 18 February 1982

Of the essays collected and excellently translated in Dissemination, the best example of Derrida’s own practice of the deconstructive criticism he fathered is ‘Plato’s...

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Two Poems

Patricia Beer, 4 February 1982

Lost In town the storm loosened the bones of the cedar tree, Thrashed them out of its roaring green pelt And they lay clean white on the lawn next morning. ‘Worse troubles at sea’ my...

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Small Boys and Girls

Brigid Brophy, 4 February 1982

‘Ah, Jane Austen! He is such a great novelist!’ That was said to me by a Hungarian émigré, who, when I mildly queried the ‘he’, explained: ‘I find those...

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Romantic Ireland

Denis Donoghue, 4 February 1982

It is good to have the second volume of Sean O ‘Faolain’s short stories. The first brought together seven stories from Midsummer Night Madness (1932), 14 from A Purse of Coppers...

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Poetry and Christianity

Barbara Everett, 4 February 1982

‘Water-Music’ makes in itself a fine concept, through the delicate difference of its components, water being transparent though sometimes audible, music being always audible and...

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Poem: ‘Eclogue’

Michael Hofmann, 4 February 1982

Industry undressing in front of Agriculture – not a pretty sight. The subject for one of those allegorical Victorian sculptures. An energetic mismatch. But Pluto’s hell-holes...

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Jews’ Harps

Gabriel Josipovici, 4 February 1982

It is not often that a reviewer can say that the book under review has altered his entire conception of the past. Yet that is what I have to say about this book. It is, to begin with, the product...

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Mole

Salman Rushdie, 4 February 1982

Until recently, the only Saki story I had ever read was ‘Filboid Studge, the Story of a Mouse that Helped’. This is the one about the artist Mark Spayley who is wooing the daughter of...

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Nobody is God

Robert Taubman, 4 February 1982

Rabbit novels come out at the turn of each decade, like a series of reports on the state of America. Rabbit is rich, the third and latest, takes place in Brewster, Pennsylvania, from June 1979...

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Playing Fields, Flanders Fields

Paul Delany, 21 January 1982

When Vera Brittain’s Testament of Youth was published in 1933 it struck a deep chord among those in England who felt, as she did, that their youth had been ‘smashed up’ by the...

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Against Theory

Gerald Graff, 21 January 1982

In the noisy polemical atmosphere of contemporary literary criticism, Geoffrey Strickland’s quiet ‘thoughts on how we read’ may not have got a fair hearing. His book is an...

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‘Gwendolen Harleth’

F.R. Leavis, 21 January 1982

George Eliot called her last novel Daniel Deronda, so that to separate part of it off for publication* under another title than her own might seem to be challenging the judgment, the deliberate...

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Poem: ‘A Marxist visits Lewis’

Alasdair Maclean, 21 January 1982

Here they live and are themselves for there is nothing else to be; it is a land for gentlemen. They do not speak here of the beauty all around them, being labouring class and used to burdens. And...

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Playing with terror

Christopher Ricks, 21 January 1982

Ian McEwan’s tale is as economical as a shudder. It never itself shudders, which is one reason why it makes you do so. By staying cool in the face of the murderous madness which it...

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Aliens

John Sutherland, 21 January 1982

In his history of the genre, Brian Aldiss suggests that most SF is what he calls ‘prodromic’: we must read it less as a prophecy of the future than as symptomatic of the present. By...

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