Success

Marilyn Butler, 18 November 1982

Byron is one of the first international successes of the literature industry. From the Renaissance on, sculptors and painters could get into the big money in any of the richer economies of Europe;...

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Poem: ‘The Mischievous Boy’

Gavin Ewart, 18 November 1982

Love jumped on us before we knew his name, twisted our arms at prep schools, hid up our mothers’ skirts, oh! we were bent by knitted bosoms and that ladylike scent! Love was a tyrant in his...

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Infante’s Inferno

G. Cabrera Infante, 18 November 1982

Sebastian Venable, the poet as pervert in Suddenly Last Summer, claimed as new and personal an old and decadent dictum now rephrased to suit the stage: ‘The life of the poet is the work of...

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Two Poems

Andrew Motion, 18 November 1982

Open Secrets ‘The first time father erupted that day was at Florrie rolling the dustbins downhill to their emptying-pit. From the upstairs landing I saw him arms crossed with his...

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Ediepus

Michael Neve, 18 November 1982

The town of Stockbridge, in Massachusetts, is weird. Not in the diminished, all-too-contemporary sense of merely odd, or strange, but weird as Shakespeare might have meant it: ‘having the...

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Really fantastic

A.D. Nuttall, 18 November 1982

If Christine Brooke-Rose had stayed in Oxford, instead of migrating to France, she might have been rather like Helen Gardner. Her new book is written with a crispness and a briskness which at...

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Bananas

Claude Rawson, 18 November 1982

In Genesis 6 God said: ‘I will destroy man whom I have created from the face of the earth.’ He was behaving like a certain kind of satirist, and an untutored reader might even suppose...

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Dark Places

John Sutherland, 18 November 1982

With Wise Virgin, A.N. Wilson continues his bleak investigation of trauma. The Healing Art (his most acclaimed novel so far) scrutinised human sensibility under the sentence of terminal cancer.

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The Old Corrector

Richard Altick, 4 November 1982

Once convicted, the greatest forgers of English literary documents have stayed convicted. In two famous cases, those of the 17-year-old Thomas Chatterton, who fabricated poems he attributed to a...

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Plots

Stephen Bann, 4 November 1982

You have only to glance at the icing-sugar pink dust-jacket of The Prince buys the Manor to realise that there is a factual basis for Elspeth Huxley’s ‘extravaganza’. There,...

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Pasternak and the Russians

John Bayley, 4 November 1982

The flowering of European Jewry in the days before 1914 is a cultural phenomenon comparable to the ‘golden’ periods of national art in Spain, France and England, even to the great...

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Poem: ‘The Lost Woman’

Patricia Beer, 4 November 1982

My mother went with no more warning Than a bright voice and a bad pain. Home from school on a June morning And where the brook goes under the lane I saw the back of a shocking white Ambulance...

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The Bible as Fiction

George Caird, 4 November 1982

When three distinguished literary figures are impelled to write about the Bible, it is clear that this strange library of books has lost nothing of its perennial fascination. All three grapple...

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Revolutionary Gaze

Mark Elvin, 4 November 1982

I remember very clearly a visit to the art college in Nanking in April 1976. The suffocating presence of Jiang Qing (Mao’s wife and aesthetic dictator of the day) could be felt almost...

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Larkin and Us

Barbara Everett, 4 November 1982

‘What are days for?’ asks a poem in The Whitsun Weddings. It’s a good opening line, with that abruptness and immediacy most Larkin openings have. And it’s a good question,...

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Poem: ‘The Argument at Great Tew’

Tom Paulin, 4 November 1982

‘… her measures are, how well Each syllabe answered, and was formed, how fair; These make the lines of life, and that’s her air. ’ Jonson A Lob accent pucking in the...

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Wild, Fierce Yale

Geoffrey Hartman, 21 October 1982

There are no Departments of Literary Criticism; and even proposals to have a Criticism question in official examinations can cause turbulence in academic circles. What is at stake? By now, of...

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Poem: ‘Mud’

Alan Hollinghurst, 21 October 1982

November was always mud. Crossing a ploughed field our feet grew footballs of clay; matted with leaves its crust dropped on bootroom floors. Its odour was sharp and cold as a rocket’s...

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