1662

D.A.N. Jones, 5 April 1984

There is a church in Fleet Street, almost opposite El Vino, where Richard Baxter used to preach in 1660. Baxter’s reconciling, ecumenical attitude toward churches and public worship is...

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Poem: ‘These Days’

Andrew Motion, 5 April 1984

It might be any night these days, when every night is like nothing on earth. Tired with drinking, we long for your riotous children to wear themselves out and shamble off to their beds.Make it be...

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Two Poems

Brian Oxley, 5 April 1984

Edwin Muir at Leuchars Junction I think of Edwin Muir in the darkness before dawn at Leuchars Junction commuting to the Food Office in Dundee. Where had he lost his way, the track of vision lost...

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Textual Harassment

Claude Rawson, 5 April 1984

In a recent review in this paper, Edward Said used the word ‘narrative’ about thirty times. This might have seemed a lot even in the present state of litcritspeak, and even in an...

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MacDiarmid’s Sticks

C.H. Sisson, 5 April 1984

Was Hugh MacDiarmid a great poet? Was he, as John MacQueen asserts in his Foreword to Catherine Kerrigan’s study, one of ‘the three greatest poets to use English in the 20th...

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Gosserie

J.I.M. Stewart, 5 April 1984

But for its background in Father and Son the life of Edmund Gosse would hold for us, I imagine, only minor interest today. Here would be simply a success story of a slightly teasing sort, in...

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Carry on writing

Stephen Bann, 15 March 1984

‘Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen...

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Power Systems

John Bayley, 15 March 1984

More than most artists, poets are free in their creations. Valéry commented that after – and only after – the poet has spoken does he know what he has said. It is also true, and...

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Diary: Francis Hope, and Tom and Vic

Ian Hamilton, 15 March 1984

On 4 March it will be ten years since the death of the writer Francis Hope – killed at 34 in the Turkish Airlines DC10 crash outside Paris – and this last week I have been going...

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Paul de Man’s Proverbs of Hell

Geoffrey Hartman, 15 March 1984

The death of Paul de Man at the age of 64 deprives us of a literary critic whose influence, already immense in the United States and on the Continent, was beginning to be received in England....

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Two Poems

Selima Hill, 15 March 1984

Outside a Tent at Babylon, 1909 ‘Are you ready?’ calls the German archaeologist, standing with his back to the sun. ‘We need to see the tent behind you.’ Gertrude Bell...

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Spicy

Nicholas Spice, 15 March 1984

In English nurseries little boys are known to be made of frogs and snails and puppy dogs’ tails. Little girls, as in my childhood I knew to my cost, are made of sugar and spice. And all...

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Brecht’s New Age

Margot Heinemann, 1 March 1984

It’s probably a good thing that we know so little about Shakespeare’s personal life. What biographical information we have concerns leases, wills, marriage lines, property. His...

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Inexhaustible Engines

Michael Holroyd, 1 March 1984

What is a bibliography? For Bernard Shaw it was a directory whose natural subscribers were to be found among librarians, biographers, critics and occasionally the authors themselves. He regarded...

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Poem: ‘Daffodils’

Ted Hughes, 1 March 1984

I’d bought a bit of wild ground. In March it surprised me. Suddenly I saw what I owned. A cauldron of daffodils, boiling gently. It was a gilding of the Deeds – treasure trove!...

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Apart possibly from waving hello to the cliff-divers Would the real Tarzan have ever touched Acapulco? Not with a one-hundred-foot vine. Jungle Jim maybe, but the Ape Man never. They played a...

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Chinaberry Pie

D.A.N. Jones, 1 March 1984

James Wilcox’s charming comedy is set in rural Louisiana, among people who read the Bible in an engagingly amateurish way, associating religion with the conventions about drinking and...

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Superplot

Frank Kermode, 1 March 1984

Even in the days of what is now called ‘classical realism’ it was understood that plot, as a human contrivance meant to suggest intelligible causal relations between history-like...

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