Chiara Ridolfi

C.K. Stead, 9 October 1986

Penelope Fitzgerald’s Innocence is set in Florence, the principal characters are Italian, and I kept asking myself: how is it done? She knows quite a lot about Italian society: but more...

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Women of Quality

E.S. Turner, 9 October 1986

Wider still and wider grows the span of authors’ acknowledgements. My forbearing husband/wife, my secretary who corrected my spelling, my patient editor and Lord Weidenfeld Whose Idea it...

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The Meaninglessness of Meaning

Michael Wood, 9 October 1986

A diary, Roland Barthes suggested, provokes in its writer not the tragic question, ‘Who am I?’ but the comic question: ‘Am I?’ This elegant and amused remark goes some way...

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Pushing on

John Bayley, 18 September 1986

‘The first thing a novelist must provide is a separate world.’ So Philip Larkin pronounced, and his two novels certainly provide one, as does his poetry. Is the same true of his...

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Cervantics

Robin Chapman, 18 September 1986

According to John Constable, the trouble with self-taught painters was that they had such bad teachers. Creative writing workshops notwithstanding, every novelist is self-taught. An enduring...

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Dialectical Satire

Paul Edwards, 18 September 1986

‘If I had been Lenin I would have introduced the concept “shit” instead of “matter”. Shit is primary. How does that sound?! But it’s not only primary....

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Poem: ‘The Seine at Asnières’

Ronald Gaskell, 18 September 1986

The minister has not been able to get away this weekend – cables from London, Bucharest, Berlin, St Petersburg. His secretary telephoned just before lunch: possibly on Sunday, probably not,...

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Night-Flights

D.A.N. Jones, 18 September 1986

There is an old belief still prevalent in West Africa that many women send forth their souls on night-flights while their bodies are peacefully sleeping: they meet other women’s souls,...

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Poem: ‘Virtuous Women’

Fiona Pitt-Kethley, 18 September 1986

Virtuous women are those who do not sell themselves too cheap or give themselves for free. In Solomon, the virtuous woman’s price is set far above rubies, we all know. What kind of rubies...

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Poetry Inc.

Christopher Reid, 18 September 1986

To read Donald Prater’s biography of Rilke in the hope of getting to know the poet in depth would be a tantalising exercise. Lack of information is not the problem. There is no shortage of...

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Making them think

J.I.M. Stewart, 18 September 1986

In a Foreword to this very substantial book Michael Ffinch says that G.K. Chesterton ‘was above all things a great champion of Liberty’. He goes on: ‘This being so, it has often...

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Howard’s End

John Sutherland, 18 September 1986

Howard Jacobson began writing novels late in life. As he tells it, the life was nothing much to write about. He was born in Manchester in 1942. His family was Jewish with a modest upward mobility...

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A Journey through Ruins

Patrick Wright, 18 September 1986

Douglas Oliver’s books have been appearing since 1969. Slim volumes published in tiny editions by marginal presses, they have escaped all but the slightest measure of attention. This may be...

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The End

Angela Carter, 18 September 1986

The situation in South Africa is such that, by the time this review appears in print, the two books with which it deals may already belong to the past, both in their different ways witnesses to...

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Poem: ‘Central Time’

Fleur Adcock, 4 September 1986

‘The time is nearly one o’clock, or half-past twelve in Adelaide’ – where the accents aren’t quite so ... Australian as in the other states, the ones that were...

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Ladies

John Bayley, 4 September 1986

‘Old people were rather in fashion at the time. Every week one or the other of the quality Sunday papers included a feature on the elderly, and if it could be shown that they were being...

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The publication of this work, following closely on Professor Leonie Kramer’s Oxford History of Australian Literature with its two supplementary anthologies, marks not only a new development...

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Poem: ‘Spiderwise’

Peter Porter, 4 September 1986

To Clive James Trapdoor The origin of metaphor is strange. As boys we used (but don’t let me forget I only watched, I wasn’t very brave) To put two spiders in a bottle, wave It over...

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