Protonymphet

Frank Kermode, 5 February 1987

This “long lost novel” isn’t a novel but a story of some twenty-five thousand words, here augmented by eight thousand from the pen of the translator, and by blank pages. The...

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Father Bosco to Africa

Walter Nash, 5 February 1987

Patrick McGinley’s pastoral parable, The Red Men, begins with Gulban Heron, rural overlord of a hotel, a shop and four sons. There is dark-haired Jack, capable, ruthless, dissolute, his...

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Two Poems

Matt Simpson, 5 February 1987

Getting the world right ‘Aye, once we get a Protestant Pope,’ my father cheeked shawlies in the snug, hard-nosed chars clattering gangplanks, early-morning mops. Next Door’s...

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Strange Fruit

Francis Spufford, 5 February 1987

Who would have suspected Hemingway’s resources as a food writer? Not me, at any rate. The Garden of Eden is studded with provincial delicacies Elizabeth David would be proud of...

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Criminal Elastic

Susannah Clapp, 5 February 1987

‘I too work hard, Mrs Oliphant,’ said Queen Victoria to the Scottish novelist. Mrs Oliphant was famous for her productivity. She published biographies of Edward Irving and the Comte de...

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Out of the Gothic

Tom Shippey, 5 February 1987

Sometimes, one has to say, Science Fiction just seems too crowded. Too many people have had too many ideas, and now they come too cheap.

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Great Fun

John Bayley, 22 January 1987

In Northanger Abbey we learn that nothing very awful in the way of immurement or assassination of wives, or any such Gothic goings-on, can occur in an English village, because of its...

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Poem: ‘The Great Plant Collector’

Alan Bold, 22 January 1987

i.m. David Douglas, 1798-1834 Accompanied by eagles, David Douglas trecked Through forests and rivers in search of seed. Wet or wounded, he remained undaunted: His roots in Scone, his crown...

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Poem: ‘Shops of the New Age’

George Hughes, 22 January 1987

The shop I shop at has a marble floor and almost nothing in it. It looks like a clean mortuary with narrow shelves for folded swathes of black and white and grey. My cowled adversary the...

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Everett’s English Poets

Frank Kermode, 22 January 1987

Faced with the average book of modern literary criticism, the reviewer may wisely resolve to say nothing about the author’s skills as a writer of prose. If they ever existed, they would...

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Diary: Fashionable Radicals

James MacGibbon, 22 January 1987

Looking back over more than fifty years of publishing, I count myself lucky to have begun by working for Constant Huntington, chairman of Putnam, a Bostonian of soldierly appearance, blessed with...

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Like a row of books by Faber

Peter Porter, 22 January 1987

It was the young Auden, writing at about the time he was composing his ‘Letter to Lord Byron’, who declared that you could tell if someone was going to be a poet by considering his...

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Poem: ‘Gethsemane’

Frederick Seidel, 22 January 1987

My life. I live with it. I look at it. My spied on, with malice. It’s my wife. It’s my husband. It sleeps with me. I wake with it. It doesn’t matter. If I’m unfaithful...

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Solomon Tuesday

Rosemary Ashton, 8 January 1987

Coleridge has always been our representative Romantic literary critic, and Matthew Arnold has long been thought of as the type of the Victorian critic. There is, perhaps, no need to topple Arnold...

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A New Verismo

John Bayley, 8 January 1987

It seems likely that critics in the future will see the literature of our age as being peculiarly obsessed with a perverse version of mimesis. They will have no trouble in classifying its...

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At the Beverly Wilshire

Ric Burns, 8 January 1987

Any boy scout strolling down Sunset Boulevard with his ears unwaxed these days could be forgiven for concluding that America invented Southern California in order to compensate Britain for the...

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Vous êtes belle

Penelope Fitzgerald, 8 January 1987

By the time he was 20 Henri Fournier wasn’t able to say whether it was the country itself that he missed – Epineuil-le-Fleuriel, in the heart of the old Berry province – or the...

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Different Stories

David Hoy, 8 January 1987

In the Birth of Tragedy Nietzsche maintains that life and the world are justifiable only aesthetically. The world is to be understood the way an artwork is, and life can become an artwork. If...

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