Why do the ivy and hawthorn glisten With an archaic light this morning? Why is their bending and shaking Under the easterly off the Pennines So much like a resigned bowing Under the buffets of...

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Diary: Little Magazines in Canberra

Ian Hamilton, 9 July 1987

I have already reported here, in verse, on my recent trip to a Conference on Literary Journals in Canberra, Australia, and on the death-struggle that did not take place there, but perhaps should...

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Shaggy Fellows

David Norbrook, 9 July 1987

‘In the gloom, gold gathers the light against it.’ In choosing this line from Pound’s 11th Canto as one of the epigraphs to his Collected Poems, Geoffrey Hill concentrates our...

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Two Poems

Peter Porter, 9 July 1987

The Story of U And now the track is snowed with words, The poor train of childhood followed, A good aunt picking out the thirds On an old piano, gutted, hollowed By years which left the trees the...

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Poem: ‘Making it’

Gareth Reeves, 9 July 1987

He taught me to say ‘blacks’ without blenching. At his party I was the only white but did my waspish best not to notice. Though a student in my Freshman class, he was seasoned. He...

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Looking after men

Nicholas Spice, 9 July 1987

A novel may have a coherent plot, passably differentiated characters, fluent dialogue, passages of well-turned prose, and still be worthless if it isn’t also about something that matters....

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Skinned alive

John Bayley, 25 June 1987

Amusing, and perhaps instructive, to think of great paintings whose voyage into mystery and meaning seems to depend, in the first instance, on a technical trick: a separation of planes so that...

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Jane Austen’s Word Process

Marilyn Butler, 25 June 1987

Why put the novels of Jane Austen onto a computer? The first thing that strikes you about Computation into Criticism is what it says about its Australian author’s dedication, or...

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Poem: ‘St Cyril Road, Bombay’

Amit Chaudhuri, 25 June 1987

Every city has its minority, with its ironical, tiny village fortressed against the barbarians, the giant ransacks and the pillage of the larger faith. In England, for instance, the...

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Poem: ‘I’ve worked it out’

Susanne Chowdhury, 25 June 1987

I’ve worked it out that when my parents parted some time at the end of ’43 I was about the size of a pea eroding the lining of mum’s womb. He had been on compassionate leave for...

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Just William

Doris Grumbach, 25 June 1987

Willa Cather is one of those American writers whose fictional accomplishments were both applauded and judged harshly when she was alive. Now, forty years after her death, they are the subject of...

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Poem: ‘An Alternative Agenda’

Ian Hamilton, 25 June 1987

Not actually spoken by the Convener of a Conference on Literary Journals held last month at the Australian National University at Canberra We’re gathered here today In Canberra To discourse...

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Michael Hofmann reads his father’s book

Michael Hofmann, 25 June 1987

After thirty years teaching German literature and writing radio plays, my father suddenly began to write fiction. Our Conquest was his fifth book in five years, and the second to be translated...

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Taken aback

Frank Kermode, 25 June 1987

William Golding’s Rites of Passage, which appeared seven years ago, purported to be an account, by a young toff, good-natured but still wet behind the ears, of a voyage to Australia, around...

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1. We live in a golden age of criticism. The dominant mode of literary expression in the late 20th century is not poetry, fiction, drama, film, but criticism and theory. By ‘dominant’...

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The Literature Man

Charles Nicholl, 25 June 1987

Malcolm Bradbury has what the political image-makers call ‘high definition’. We know who he is, where he’s coming from, what he stands for. As a novelist he belongs to a...

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The Mantle of Jehovah

Francis Spufford, 25 June 1987

To keep a single vision single, or perhaps to conserve their own energy, writers who deal in strong feelings and violent flavours most often choose narrow canvases. Not, however, A.S. Byatt. Her...

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Poem: ‘Shadow Detail’

John Tranter, 25 June 1987

You press the bakelite button, and wait, and wait. Presently the lift rattles down to the ground floor, and the attendant passes you something through the brass grille. The chlorine sifts down...

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