Motiveless Malignity

D.A.N. Jones, 11 October 1990

Ever since 1958, when his play The Birthday Party opened in London, Harold Pinter has been admired by the judicious for the witty realism of his dialogue and the engrossing mystery of his...

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Two Poems

Fiona Pitt-Kethley, 11 October 1990

Blow Jobs You’d get more protein from the average egg; the taste’s a tepid, watery nothingness – skimmed milk? weak coffee? puréed cucumber? Fellation’s not a...

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In a Dry Place

Nicolas Tredell, 11 October 1990

Autobiography is an art of reticence as well as revelation. But the 20th century, reacting against supposed Victorian prudery, takes its cues from Rousseau and Freud to urge ‘frankness as...

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Kermode and Theory

Hayden White, 11 October 1990

Frank Kermode belongs to no sect of literary criticism, and he has founded no school. Like William Empson, whom he praises as a ‘genius’ of criticism, Kermode has always been more...

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Four Poems

Hugo Williams, 11 October 1990

The Age of Steam Remember porters? Weatherbeaten old boys with watery blue eyes who were never around when you wanted them? You had to find one before you could go anywhere in 1953. It was part...

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Two Poems

D.J. Enright, 27 September 1990

Seminar on Contemporary Chinese Writing Novels about peasants are generally good (In general the peasantry is good) They may sound rather boring But they are not One of them is entitled...

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Two Americas and a Scotland

Nicholas Everett, 27 September 1990

Whether in person or in print, self-consciousness is unsettling. Self-conscious writers, like self-conscious speakers, can’t help betraying that they’re more concerned with their...

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Poem: ‘Casting and Gathering’

Seamus Heaney, 27 September 1990

for Ted Hughes Years and years ago, these sounds took sides: On the left bank a green silk tapered cast Went whispering through the air, saying hush And lush, entirely free, no matter whether It...

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Poem: ‘Paradise for the Portuguese Queen’

Benjamin Ivry, 27 September 1990

The Queen of Portugal has gone mad. Her madness consists of thinking herself in heaven. But heaven is below what she expected. She wanders around muttering, ‘Hmph!’ Hugo, Things...

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Mary Swann’s Way

Danny Karlin, 27 September 1990

Jane Austen’s work seems, at first, hospitable to that literary parasite, pastiche: there isn’t much of it, so ersatz continuations or alternative narratives must satisfy the hunger...

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Saving the Streams of Story

Frank Kermode, 27 September 1990

No doubt it would be possible to apply to this exercise in magic irrealism the terminology of V. Propp’s Morphology of the Folktale, by way of demonstrating that Salman Rushdie’s...

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Enormities

C.H. Sisson, 27 September 1990

What sort of a poet is Donald Davie? The factual answer, as with all poets, is to be found only in a volume such as the Collected Poems which he now lays before the public, but Davie himself...

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A Terrible Bad Cold

John Sutherland, 27 September 1990

In the manner of old Hollywood movies, biographies like to open at a terminal point and then flash back to the start of things. It is a device that stakes out the territory while creating a sense...

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Mockmen

Stephen Wall, 27 September 1990

In his new novel William Boyd returns to Africa, the scene of his first successes, but not to the west of A Good Man in Africa or the east of An Ice-Cream War. Brazzaville Beach goes for the...

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The Great Mary

Dinah Birch, 13 September 1990

‘No Arnold can write a novel; if they could, I should have done it.’ That was Matthew Arnold’s reaction to his niece’s first significant attempt at fiction, Miss...

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Taken with Daisy

Peter Campbell, 13 September 1990

Penelope Fitzgerald’s new novel, like her last one, The Beginning of Spring, is set just before the First World War. Its locale, 1912 Cambridge, is not much less exotic than its...

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Conversions

Jonathan Coe, 13 September 1990

The terms ‘Catholic writers’ and ‘women writers’ were invented by critics to make their own lives easier, at the cost, no doubt, of making the lives of certain authors...

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Poem: ‘The Week’s Events’

John Hollander, 13 September 1990

She said, affably, ‘Calm next Mahnday,’ Indicating that his pants would be ready by then, But nonetheless unwittingly invoking a mysterious occasion, Which, on ultimate reflection,...

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