Seven Veils and Umpteen Versions

Maria Tippett, 30 January 1992

I recently attended a lavish production of Richard Strauss’s opera Salome at the Staatsoper in Vienna. Directed by Boleslav Barlog, sung by the diva Mara Zampieri, and staged, in keeping...

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Gesture as Language

David Trotter, 30 January 1992

According to Boswell, Johnson was so hostile to gesticulation that ‘when another gentleman thought he was giving additional force to what he uttered, by expressive movements of his hands,...

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Mongkut and I

Ruth Bernard Yeazell, 30 January 1992

In Rodgers and Hammerstein’s musical, The King and I, the English governess quarrels with her royal employer over his refusal to provide her with a separate house, outside the harem walls....

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Just off Lexham Gardens

John Bayley, 9 January 1992

Towards the end of his life (he died aged 58) Patrick Hamilton was taking the cure in some Metroland establishment while Malcolm Lowry was being dried out in another not far off. That was around...

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Poem: ‘Footbinding’

Patricia Beer, 9 January 1992

My grandmother had a small shelf of books Hanging in a shadow. One of them Was Foxe’s Book of Martyrs. All the rest Were works by missionaries who had served In China. They were handsome...

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Journal-writing and diary-keeping are a kind of secret exhibitionism, the genteel equivalent of scrawling on lavatory walls. This seems to be the message of ‘Mene, Mene, Tekel,...

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Preceding Backwardness

Margaret Anne Doody, 9 January 1992

Both of these books are on ‘women’s subjects’. That is to say, they deal with the major arrangements of a society in its (usually uneasy) dispositions of property and power,...

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The Whole Bustle

Siobhan Kilfeather, 9 January 1992

The editors of the Field Day Anthology make large claims for its importance as ‘the most comprehensive anthology of Irish writing ever published’. These three volumes, totalling over...

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Poem: ‘‘Expense of Spirit’’

Fiona Pitt-Kethley, 9 January 1992

‘Shakespeare’s a good psychologist,’ I’d said – a casual remark, post-mortemised by the historian I was talking to. ‘He couldn’t be –...

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Imagining the Suburbs

Stan Smith, 9 January 1992

Whole systems of thought have been founded on the French language’s inability to distinguish differing from deferring. Perhaps Napoleon is to blame (‘Not tonight, Josephine’)....

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Trollopiad

John Sutherland, 9 January 1992

Trollope is our most popular and reprinted Victorian novelist. His new companions in the Abbey – Dickens, George Eliot and Hardy – may sell more copies of individual novels, but they...

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Bardicide

Gary Taylor, 9 January 1992

Act Three, Scene Three of Julius Caesar ends with the murder of a poet. It begins with a stage direction: Enter Cinna the poet, and after him the Plebeians. This direction creates two...

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Poem: ‘The Metronomic Moon’

Michael Young, 9 January 1992

In other years I would say, how pretty they are, The cherries outside our house. This autumn I see the first leaves Writhe from the green into the yellow and From the yellow into what seems a...

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Heartlessness

Neal Ascherson, 19 December 1991

The war was finished – and so was the regime of occupation. Its most hated representatives had either fled or wound up in prison while their victims had been proclaimed martyrs. But all...

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Poem: ‘Saving the world’

D.J. Enright, 19 December 1991

At Christmas our father took us to his church, The Catholic, though he only went there then, When he thought we ought to see the famous crib, Its painted figures of animals and people. I felt at...

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On board the ‘Fiona’

Edward Said, 19 December 1991

Conrad enthusiasts subdivide into two categories. Both are convinced that so peculiar and haunting are his life and work, so utterly without precedents or successful emulators, that only an...

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Sorcerer’s Apprentice

E.S. Turner, 19 December 1991

There are rich pickings still to be had in the jungle of literature, where dead authors half-buried in brambles continue to yield abundant fruit. Hardly had the sequel to Gone with the Wind been...

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Dry Eyes

John Bayley, 5 December 1991

A Jane Austen of today is barely imaginable: but it one nonetheless imagines her, and locates her in South Africa, how would she be exercising her art? Could she find any subject other than the...

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