Poem: ‘Monotheism’

Tom Leonard, 11 March 1993

(male) I think therefore I am I (male) think therefore I am I think (male) therefore I am I think therefore (male) I am I think therefore I (male) am I think therefore I am (male)

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The Numinous Moose

Helen Vendler, 11 March 1993

Brett Millier’s new biography of the American poet Elizabeth Bishop (1911-79) is a substantial one, adding extensively to the biographical material provided by David Kalstone in Becoming a...

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Poem: ‘The night Marlowe died’

Patricia Beer, 25 February 1993

Christopher Marlowe was a spy, it seems. His day of pleasure by the River Thames Should have brought him a handshake and a watch For faithful service. He had done as much For anyone who paid him...

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Poem: ‘Ovid: Metamorphoses’

Paul Muldoon, 25 February 1993

Book VI Lines 313-381 All the more reason, then, that men and women should go in fear of Leto, their vengeful, vindictive numen, and worship the mother of Apollo and Artemis all the more...

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Loving Dracula

Michael Wood, 25 February 1993

Bram Stoker’s Dracula (as distinct from Bram Stoker’s Dracula) begins with a canny bit of Orientalism. The English solicitor Jonathan Harker is travelling to the Carpathians to meet...

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Dependencies

Elizabeth Young, 25 February 1993

During the war Anna Kavan worked for nearly two years at the offices of Horizon. ‘Understandably, Connolly was never comfortable with Kavan,’ Michael Sheldon wrote in Friends of...

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Dogs

Ronan Bennett, 11 February 1993

Set in Beirut in the early Eighties, Oriana Fallaci’s novel opens at the moment when, on the morning of 23 October 1983, an Islamic Jihad militant drove a truck laden with explosives into...

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Hawkesbiz

Frank Kermode, 11 February 1993

Faithful readers of this journal will remember Terence Hawkes’s article ‘Bardbiz’, if only because it provoked, between March 1990 and September 1991, one of the most protracted...

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Sausages and Higher Things

Patrick Parrinder, 11 February 1993

‘It seems to me the further east you go the more unpunctual are the trains.’ Bram Stoker’s Dracula was the source for this epigraph to the best-known British novel of the...

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Four Poems

Hugo Williams, 11 February 1993

Later on, I sit down to supper with myself,/having opened a bottle of wine./I touch my glass to the TV screen/in a toast to the BBC./My house is your house, old friend!/Stay switched on all the time if...

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Manly Love

John Bayley, 28 January 1993

Demurely feline himself, and also the blandest of experts at suggesting but never revealing his own private life, the English writer Edmund Gosse enthused on the resemblance of the aged Walt...

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Were I a cloud

Patricia Beer, 28 January 1993

Ever since 1930, the year Bridges died, there has been a poet-shaped hole in English biography. Over the years we have been offered a few slight critical articles and studies and many significant...

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Ninjo

Penelope Fitzgerald, 28 January 1993

Banana Yoshimoto contributes a respectful preface to her book, dedicating it to her publisher, and thanking the manager of the restaurant where she supported herself while she was writing it and...

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I Ulva Cottage Hamilton Scotland 1 January 1869 Dear Mr Andersen, My name is Anna Mary, Last-born of Mary my mother, deceased Of the desert fever while I was but a ‘wee bairn’; I am...

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Nationalising English

Patrick Parrinder, 28 January 1993

Last September, at the very moment when hundreds of thousands of teenagers began to follow the first GCSE courses under the National Curriculum, the Education Minister John Patten infuriated the...

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At Sweetpea Mansions

C.K. Stead, 28 January 1993

Helen Garner’s Cosmo Cosmolino contains two short stories together with the novella that gives the book its title. There are connections between the three. Ursula, a friend of the unnamed...

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Blake’s Tone

E.P. Thompson, 28 January 1993

Just under forty years ago David Erdman provided for William Blake historical contexts in abundance in Blake: Prophet against Empire (1954). It was a remarkable work of literary detection, which...

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Eternal Feminine

Ian Gregson, 7 January 1993

The excitable, exuberant surface of Mark Ford’s poems makes them instantly attractive. They speak with a bewildered urgency: See, no hands! she cried Sailing down the turnpike, And flapped...

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