I was invisible: Viet Thanh Nguyen

Christian Lorentzen, 18 November 2021

The narrator​ of Viet Thanh Nguyen’s pair of novels, The Sympathiser (2015) and The Committed, is one of the more irresistible characters in recent American fiction. He smokes, he drinks,...

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Orificial Events: ‘The Promise’

Adam Mars-Jones, 4 November 2021

It’s characteristic of the perverse workings of the novel that Damon Galgut should insist on providing a trivial continuity immediately after he has erased a necessary one. If​ the domestic realism...

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Story: ‘Mother of Nature’

Diane Williams, 4 November 2021

My brother’s words when I hear them these days seem not to go into my ears – but down some other deeper artery. He said, ‘It’s mother’s house and I just think of it...

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Poem: ‘Weeds’

Maureen N. McLane, 4 November 2021

all daypersonifying plantsEvil NettleFascist Weedboing boingI do not want youmatter out of placeI rip you outI favour the desiredthe useful to me to me to me!meanwhile stars doing themselvesin the...

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Story: ‘It Will Come Back to You’

Sigrid Nunez, 4 November 2021

As someone who once never had to write down an appointment or a phone number, I take the inevitable weakening of memory that comes with ageing hard. A common response to I forget is Don’t worry, if it’s...

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Always Somewhere Else: Anuk Arudpragasam

Blake Morrison, 4 November 2021

The war is over in A Passage North but its impact is still being felt; damaged limbs can be repaired or replaced with prosthetic ones but injuries to the mind persist. His character’s sufferings are...

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Fetch the Chopping Knife: Murder on Bankside

Charles Nicholl, 4 November 2021

The first true crime craze – the distant antecedent of our own docu-drama craze – proved to be an essentially Elizabethan phenomenon. I would place its high-water mark in the year 1599, when A Warning...

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On Gertrude Beasley

Elisabeth Ladenson, 21 October 2021

One​ of the last things Gertrude Beasley wrote before her disappearance in 1927 was an article called ‘I Was One of Thirteen Poor White Trash’. It came out in Hearst’s...

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Sex with Satan

Deborah Friedell, 21 October 2021

In essays and interviews, Jonathan Franzen acknowledged that his over-full sentences and abstruse metaphors were intended to impress graduate students and his father. Money, fame, the imprimatur of Oprah’s...

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I love grass: ‘Bewilderment’

Christian Lorentzen, 21 October 2021

It’s hard to think of Richard Powers’s Bewilderment as a political novel, since most of its politics will be innocuous to any imagined audience. If you aren’t in favour of killing endangered animals,...

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Ernaux hasn’t written about her life in a neat this-then-that sort of way. Reading her is like getting to know a friend, the way they tell you about themselves over long conversations that sometimes...

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On Cortney Lamar Charleston

Stephanie Burt, 21 October 2021

No one else of his generation can do as much as Cortney Lamar Charleston ​can with an XXL sentence or a series of puns. He revels in multiplicity, using hip-hop accelerations in one passage and gospel...

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Outside in the Bar: Ten Years in Sheerness

Patrick McGuinness, 21 October 2021

In Uwe Johnson’s work, perspective doesn’t come from a bird’s-eye view but from staying at eye level – from looking and never stopping. His characters are suspicious of any claim that there is...

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Pens and Heads: The Young Milton

Maggie Kilgour, 21 October 2021

Writing and rewriting the masque seems to have changed Milton’s idea of heaven. His early polemical works set a materialistic, selfish and appetitive clergy against the spiritual and chaste author, but...

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Ti tum ti tum ti tum: Chic Sport Shirker

Colin Burrow, 7 October 2021

If one suspects, at times, that one’s eye is being led on a dance, it is at least always a merry one, and Christopher Ricks is a fine enough critic to worry whether he might have crossed the invisible...

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Proust hasn’t found a voice here: he is a person writing out family legends and self-analysis rather than a novelist. Still, we do have the beginning of an answer to the astute question: ‘What was...

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Dead Ends: ‘Not a Novel’

Christopher Tayler, 7 October 2021

The archaeological quality of Jenny Erpenbeck’s imagination allows her to come at East Germany from unexpected angles. She writes of learning to roller-skate on a street that was free from traffic because...

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It’s difficult to grasp exactly what all this means or what it’s for. The novel’s 808 pages make a mockery of straitened attention spans, and the book is provocatively underedited. David Keenan wants...

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