Family Values

Michael Wood, 17 October 1996

‘We were the last romantics,’ Yeats said, but he spoke too soon. We might feel the same about the situation proposed by the title of Mario Puzo’s new novel, now sitting...

Read more about Family Values

Post-Cullodenism

Robert Crawford, 3 October 1996

‘The Romantic awakening dates from the production of Ossian,’ Ezra Pound wrote, and he was right. One of James Macpherson’s great contributions to literature was the use of the...

Read more about Post-Cullodenism

Sweeney

Thomas Lynch, 3 October 1996

SWEENY: Ah! Now the gallows trap has opened that drops the strongest to the ground! LYNCHSEACHAN: Sweeney, now you are in my hands, I can heal these father’s wounds: your family has fed...

Read more about Sweeney

His Socks, His Silences

Adam Mars-Jones, 3 October 1996

Colm Tóibín’s frustrating new novel starts from a pleasingly skewed perspective: its narrator Richard Garay (less often, Ricardo) was brought up in Buenos Aires, child of an...

Read more about His Socks, His Silences

The Monster in the Milk Bowl

Richard Poirier, 3 October 1996

Melville began writing Pierre, or The Ambiguities in August 1851; he had just turned 33 and was already the author of six books. The most recent of these, Moby-Dick, was about to be published, and...

Read more about The Monster in the Milk Bowl

Three Poems

Matthew Sweeney, 3 October 1996

A Picnic on Ice For Tom Lynch Let’s go back to Mullett Lake in March and have a picnic on the ice. Let’s wrap up like Inuits, and meet three miles north of Indian River, where the...

Read more about Three Poems

Damp Souls

Tom Vanderbilt, 3 October 1996

In the United States, bestselling works of what is now called literary fiction tend to be aggressively regional – think of Jane Smiley’s Iowa, Jane Hamilton’s Midwest or E....

Read more about Damp Souls

Look here, Mr Goodwood

John Bayley, 19 September 1996

A learned, indeed an erudite little book; but also one that is so absorbing, so readable, so quietly and deftly humorous, that it shows up all the dull pretentiousness of nine-tenths of the stuff...

Read more about Look here, Mr Goodwood

Liberated by His Bite

Andrew Delbanco, 19 September 1996

In the early Sixties, when I was ten and first saw Tod Browning’s classic vampire film Dracula (1931) on television, I was impressed that the Count could walk past a mirror and cast no...

Read more about Liberated by His Bite

Poem: ‘The Makers’

David Harsent, 19 September 1996

It was pride and nothing else made me lift my head from the spit and sawdust of The Prospect of Oblivion, on my cheek a dark naevus that married a knobby knot in the planking. How long I’d...

Read more about Poem: ‘The Makers’

Under-Labourer

John Mullan, 19 September 1996

Any pushy, worldly man or woman of letters would like to find and befriend a Thomas Warton. The great 18th-century editor of Shakespeare, Edmond Malone, certainly recognised his usefulness....

Read more about Under-Labourer

Getting Even

Adam Phillips, 19 September 1996

We wouldn’t think of anything as a tragedy if we did not have a deeply ingrained sense of order already there to be affronted. Tragedy in life, and as art, exposes by violation our mostly...

Read more about Getting Even

Poem: ‘Auks in the Minch’

Alistair Elliot, 5 September 1996

The green and purple bergs of Scotland melt so slowly the millennia seem equal: on such a day Columba could have paddled      here in his coracle. In such light airs you...

Read more about Poem: ‘Auks in the Minch’

Why should you be the only ones that sin?

Colm Tóibín, 5 September 1996

All his life he kept his distance. At readings and concerts he would notice a young man, gaze at him, make his presence felt and understood, and later, in the semi-privacy of his diaries, record...

Read more about Why should you be the only ones that sin?

Misinformed about Paradise

Michael Wood, 5 September 1996

In the old times, long before the birth of the Irish Free State, a young woman called Brigid McLaughlin went down from Derry to work in southern Donegal. Her job was to look after two children, a...

Read more about Misinformed about Paradise

Confounding the Apes

P.N. Furbank, 22 August 1996

There are several different things one can be aiming at in a verse translation, leaving aside the genre known as ‘Imitation’, in which poets like Samuel Johnson, Ezra Pound and Robert...

Read more about Confounding the Apes

Diary: I ♥ Concordances

Ian Hamilton, 22 August 1996

What was T.S. Eliot’s favourite colour? Which season – summer, autumn, winter, spring – would you expect to feature most often in the works of Philip Larkin? And which of these...

Read more about Diary: I ♥ Concordances

Accidents of Priority

John Redmond, 22 August 1996

Famous poems, like faces, are a particularly memorable kind of introduction to the person they conceal. Like other kinds of introduction, they are often what we remember a person for, or what we...

Read more about Accidents of Priority