Hopi Mean Time: Jim Sallis

Iain Sinclair, 18 March 1999

Jim Sallis is the one who isn’t Bill Clinton’s official favourite purveyor of fiction, although his sequence of crime novels featuring the New Orleans polymath Lew Griffin (writer,...

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Untouched by Eliot: Jon Stallworthy

Denis Donoghue, 4 March 1999

‘Why should the parent of one or two legitimate poems make a public display of the illegitimate offspring of his apprentice years?’ Jon Stallworthy asks in the afterword to Singing...

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Poem: ‘I wish’

Mark Ford, 4 March 1999

you would please spare me your Western logocentrism! Isn’t it clear I’m the sort who rejoices when the Queen Mother chokes on a fish-bone? I’d shine a harsh, piercing light on...

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A to Z: Schmidt’s List

Ian Hamilton, 4 March 1999

Yalden, Hammond, Stepney, Fenton (Elijah) and Hughes (John): where are you now? Ten of the 52 poets represented in Samuel Johnson’s Lives of the Poets fail to make an appearance in the

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Sam uses the words ‘pretend’ and ‘fake’ to distinguish representations from real things. Since all movie ratings are specious, conflating the slangy use of curse words,...

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Always read the acknowledgments. These preliminary matters often say more about the real, sad, self-deluding and lonely life of the writer and scholar than any number of biographies: the...

Read more about A Susceptible Man: The Unhappy Laureate

Mon Charabia: Bad Duras

Olivier Todd, 4 March 1999

For twenty years or so – but particularly after she hit the jackpot with her Goncourt Prize and sold a million copies of her most conventional novel, The Lover (1984) – Marguerite...

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Empire of Signs: Joseph Roth

James Wood, 4 March 1999

With Joseph Roth, you begin – and end – with the prose. The great delight of this Austrian novelist, who wrote in the Twenties and Thirties, lies in his strange, nimble, curling...

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The major contribution of the English theatre to last year’s Brecht centenary was Lee Hall’s dazzling version of Mr Puntila and His Man Matti, presented by the Right Size, a touring...

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James Kelman’s style is so mesmerising that after a few hours’ immersion I find myself thinking in it – an experience which is both intriguing and infuriating, although the...

Read more about It makes yer head go: James Kelman and Gordon Legge

In Canto Four of Camões’s 16th-century epic, as Vasco da Gama and the men of his fleet prepare to embark on their conquest of the Golden East, ‘an old man of venerable...

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Pure TNT: Thom Jones

James Francken, 18 February 1999

Sonny Liston didn’t really have any friends. Not, at least, among the reporters covering his heavyweight title fight with Floyd Patterson in 1962. Intimidated by Listen’s criminal...

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We know you’ve got a thing about us, scuffing the earth at our feet, giving us a voice. Like this. We know about the groans we’ve heard, the yelps in moonlight, rumours of progeny....

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What We Have: Tarantinisation

David Bromwich, 4 February 1999

Post-Modernism entered the public mind as a fast-value currency in the late Seventies and early Eighties, in the field of architecture, where its association with gimmicky tropes of visual play...

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Two Poems

James Lasdun, 4 February 1999

Birch Tree with Chainsaw for Pia Five months; five cords of hardwood; ash mostly, hickory, oak; greying in the weather, by April starting to rot, outsides sodden by May, too crumbly even to...

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What the hell happened? Philip Roth

Alexander Star, 4 February 1999

Some time ago, Philip Roth remarked that his novels investigate ‘people in trouble’. Though much about his work has changed over the years, his fictional landscapes are still littered...

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Poem: ‘Epitaphs’

John Tranter, 4 February 1999

It seems so long ago – tell me, did you bring your family to our marriage of convenience and regret? I remember your hearty cousins fresh from the Home Counties, so pleased with their good...

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‘Not everyone can be Whitman,’ Borges said in an interview in London long ago. He paused, pretending to reflect. ‘Not even Whitman could be Whitman.’ We knew Borges was...

Read more about Productive Mischief: Borges and Borges and I