Sam uses the words ‘pretend’ and ‘fake’ to distinguish representations from real things. Since all movie ratings are specious, conflating the slangy use of curse words,...

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Always read the acknowledgments. These preliminary matters often say more about the real, sad, self-deluding and lonely life of the writer and scholar than any number of biographies: the...

Read more about A Susceptible Man: The Unhappy Laureate

Mon Charabia: Bad Duras

Olivier Todd, 4 March 1999

For twenty years or so – but particularly after she hit the jackpot with her Goncourt Prize and sold a million copies of her most conventional novel, The Lover (1984) – Marguerite...

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Empire of Signs: Joseph Roth

James Wood, 4 March 1999

With Joseph Roth, you begin – and end – with the prose. The great delight of this Austrian novelist, who wrote in the Twenties and Thirties, lies in his strange, nimble, curling...

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The major contribution of the English theatre to last year’s Brecht centenary was Lee Hall’s dazzling version of Mr Puntila and His Man Matti, presented by the Right Size, a touring...

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James Kelman’s style is so mesmerising that after a few hours’ immersion I find myself thinking in it – an experience which is both intriguing and infuriating, although the...

Read more about It makes yer head go: James Kelman and Gordon Legge

In Canto Four of Camões’s 16th-century epic, as Vasco da Gama and the men of his fleet prepare to embark on their conquest of the Golden East, ‘an old man of venerable...

Read more about African History without Africans: Portugal’s Empire

Pure TNT: Thom Jones

James Francken, 18 February 1999

Sonny Liston didn’t really have any friends. Not, at least, among the reporters covering his heavyweight title fight with Floyd Patterson in 1962. Intimidated by Listen’s criminal...

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We know you’ve got a thing about us, scuffing the earth at our feet, giving us a voice. Like this. We know about the groans we’ve heard, the yelps in moonlight, rumours of progeny....

Read more about Poem: ‘The Nine Ladies on Stanton Moor’

What We Have: Tarantinisation

David Bromwich, 4 February 1999

Post-Modernism entered the public mind as a fast-value currency in the late Seventies and early Eighties, in the field of architecture, where its association with gimmicky tropes of visual play...

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Two Poems

James Lasdun, 4 February 1999

Birch Tree with Chainsaw for Pia Five months; five cords of hardwood; ash mostly, hickory, oak; greying in the weather, by April starting to rot, outsides sodden by May, too crumbly even to...

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What the hell happened? Philip Roth

Alexander Star, 4 February 1999

Some time ago, Philip Roth remarked that his novels investigate ‘people in trouble’. Though much about his work has changed over the years, his fictional landscapes are still littered...

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Poem: ‘Epitaphs’

John Tranter, 4 February 1999

It seems so long ago – tell me, did you bring your family to our marriage of convenience and regret? I remember your hearty cousins fresh from the Home Counties, so pleased with their good...

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‘Not everyone can be Whitman,’ Borges said in an interview in London long ago. He paused, pretending to reflect. ‘Not even Whitman could be Whitman.’ We knew Borges was...

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Flickering Star: Iain Crichton Smith

Robert Crawford, 21 January 1999

Smile at that tiny poem and it will sparkle back at you. It is a novel the size of an egg-cup. The first in a sequence of individually numbered ‘Gaelic Stories’, its strength lies in...

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Story: ‘Inheritance: A Fragment’

Kwame Dawes, 21 January 1999

for D.W. I can see the smudge of light colours Spreading and drying quickly in the sun. The pulpy paper takes the water colour well, And this landscape, this cliché of sea And a fresh...

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Overflow: John Updike

Frank Kermode, 21 January 1999

That John Updike has a Trollopian fidelity to his characters is evident from the four books of the Rabbit series; this new book is the third of a sequence about the New York Jewish novelist Henry...

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Blackfell’s Scarlatti: Basil Bunting

August Kleinzahler, 21 January 1999

In 1964 Basil Bunting began writing his long poem Briggflatts on the train from Wylam to Newcastle, where he was in charge of the financial page of the Newcastle Evening Chronicle. In June that...

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