Poem: ‘Not Yourself’

Dennis O’Driscoll, 16 March 2000

Monday, you take the accordion out of its case in rain,...

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Imperiumsinefinism: Virgil

Colin Burrow, 2 March 2000

Virgil is the only Western writer to have been a set work for schoolchildren more or less continuously from the moment his verse appeared. No sooner were the Eclogues and Georgics published, in...

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In Anne Enright’s collection The Portable Virgin (published in 1991) the first story is about Cathy, who works in the handbag department of a large Dublin store. Cathy classifies the...

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Ashamed of the Planet

Ian Hamilton, 2 March 2000

In April 1965, Randall Jarrell’s just published book of verse, The Lost World, was reviewed in the New York Times Book Review by Joseph Bennett. Bennett quite liked four of the poems but...

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Poem: ‘Hectic Red’

John Kinsella, 2 March 2000

Quartz sparks randomly on the pink and white crust of the salt flats, spread out beyond the landing, where bags of grain – wheat and oats in plastic and hessian – lips sewn shut,...

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On the Run: John Lanchester

Adam Phillips, 2 March 2000

The name is ordinary, so the book announces itself as a book about no one special; though, of course, when men without qualities become the subjects of novels a certain gravity (if not grace) is...

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Ralph Ellison wrote his own running commentary on the mammoth fiction he laboured over for the last forty years of his life and failed to finish. When his literary executor John Callahan appended...

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In the mid-1940s, Dalton Trumbo was a screenwriter near the top of his lucrative but precarious line of work: fast, prolific and a consummate professional, he usually wrote at night, often in the...

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Gide’s Cuttlefish

John Bayley, 17 February 2000

The best thing on Stendhal in English is an essay by Lytton Strachey in which he remarks the way the author denovelises the novel while skilfully retaining all its traditional apparatus....

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Poem: ‘The Cake Uncut’

Allen Curnow, 17 February 2000

i Not him – he’s where no fears can find nor torments touch him – it’s his Mum has the details, who told the head- master, who talked to the press....

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swete lavender: Molesworth

Thomas Jones, 17 February 2000

Perhaps, in order to find Molesworth utterly hilarious, it is necessary to have read it as a child. Wendy Cope claims to ‘hav been reading this stuff and roaring with larffter since i was...

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Clubs of Quidnuncs

John Mullan, 17 February 2000

Marginalia can sometimes seem the best way into a writer’s head. Those, like Blake and Coleridge, who could not help scribbling in the margins of what they were reading let us imagine their...

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Poem: ‘On the Road’

John Tranter, 17 February 2000

We met at the bar concealed behind a false front in the alley behind a curtain dyed purple and green down the stairs to the shuttered room baking in the Summer of Love, a country girl, dark...

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Say hello to Rodney: How art becomes kitsch

Peter Wollen, 17 February 2000

The hero of Celeste Olalquiaga’s book is a hermit crab encased in a glass globe which she has chosen to christen ‘Rodney’. She first encountered Rodney, as she recounts, in a...

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Can you spot the source?

Wendy Doniger, 17 February 2000

Young Harry Potter’s parents are dead. So far, so good: many of the heroes and heroines of the classics of children’s literature are orphans, while others have invisible, unmentionable or irrelevant...

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Above all else we are concerned, in whatever form we let it take us, with memory. The idea of memory enables us to believe we can grasp the vanished past, historical or personal, and restructure...

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Four Poems

August Kleinzahler, 3 February 2000

The Swimmer For Brighde The japonica and laurels tremble as the wind picks up out the west-facing wall of the old natatorium, made wholly of glass. The swimmer takes her laps, steady and sure...

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Poem: ‘Famous First Words’

Paul Muldoon, 3 February 2000

Archimedes’ first words were ‘Stand away from my diagram.’ Sir Richard Burton’s first word was ‘Chloroform.’ Chang’s first words were ‘I...

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