In Anita Desai’s recent novel Fasting, Feasting, there is a delicately framed moment of what looks like reconciliation. An unmarried daughter has seen her last chance of a career and a life...

Read more about Freedom to Tango: contemporary Indian English novels

It seems to be easier for John Updike to stifle a yawn than to refrain from writing a book. It is generally thought niggardly or envious to complain about a writer’s abundance (a book a...

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Poem: ‘Koi’

John Burnside, 5 April 2001

The trick is to create a world from nothing – not the sound a blackbird makes in drifted leaves; not dogwood or the unexpected scent of jasmine by the west gate not the clouds reflected in...

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There is a moment in Jane Barker’s 1723 novel, A Patch-Work Screen for the Ladies, which prefigures Jane Eyre, and makes one wonder how much or how little 19th-century women like Charlotte...

Read more about Escaping the curssed orange: Jane Barker

One day in about 1820, so the story goes, a peasant appeared at the Bibliothèque Nationale with a cart drawn by a mule. In the cart, he said, were ‘tous les papiers de...

Read more about Love is always young and happy: Molière

Bad Shepherd: James Hogg

Robert Crawford, 5 April 2001

For those brought up to associate Scottishness with silence, exile and cunning, much Scots verse sounds megaphonically noisy. ‘You’ve a good Scots tongue in your heid,’...

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The poems in Live from the Hong Kong Nile Club are taken from August Kleinzahler’s first six publications. All were small press books with relatively limited circulations – the first,...

Read more about Flirting with Dissolution: August Kleinzahler

Poem: ‘New Wave’

Derek Mahon, 5 April 2001

On the first day of principal photography they sit outside at a St Germain café with a coffee pot between them on a round table of chequered oilcloth red and grey. The hand-held camera...

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David Lurie, the soured academic who is the protagonist of J.M. Coetzee’s novel Disgrace, earns his living as a professor of ‘communications’ in a Cape Town university (his...

Read more about Bumming and Booing: William Wordsworth

Post-Matricide: Patrick McCabe

Christopher Tayler, 5 April 2001

Just before the violent climax of Patrick McCabe’s novel The Butcher Boy, there’s a short sequence in which the damaged, dangerous young narrator, Francie Brady, pays a visit to the...

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Poem: ‘Disagreeable Glimpses’

John Ashbery, 22 March 2001

After my fall from the 16th floor my bones were lovingly assembled. They were transparent. I was carried into the gorgeous dollhouse and placed on a fainting couch upholstered with brilliant...

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What’s Coming: J.M. Synge

David Edgar, 22 March 2001

There’s a saying that all great English playwrights start out as failed Irish actors. In fact, only the late Restoration dramatist George Farquhar fits the bill completely. But...

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Poem: ‘At Robert Fergusson’s Grave’

Kathleen Jamie, 22 March 2001

A bleary chiel, monger o targes an dirks redds his windae. Neist Holyrood Kirk a shop chock fu o fudge. Taxis judder on the setts. Naething mixter- maxter here: some douce sea-maws tak these...

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Short Cuts: Fastsellers

Thomas Jones, 22 March 2001

Some moderately interesting statistics are thrown up by The Book Sales Yearbook 2001 (Bookseller Publications, £299). For example: the top five consolidated publishing groups –...

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Yeti: Doris Lessing

Elizabeth Lowry, 22 March 2001

When Doris Lessing brought out the first two volumes of her autobiography, Under My Skin (1994) and Walking in the Shade (1997), she did so, as she explained, partly in...

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They came for Comrade Prince D.S. Mirsky, ‘aristocrat of critics’, some time in the night of 2 to 3 June 1937. He lived in a high, bare room which had a fine view over Moscow. It was...

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Poem: ‘The Evening of Greuze’

John Ashbery, 8 March 2001

As a group we were somewhat vulnerable and are so today. My brother-in-law has fixed me a tower in the mill, from whose oriel I can see the bluebottles who nag heaven with their unimportance. But...

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Hegel in Green Wellies: England

Stefan Collini, 8 March 2001

Condition of England writing is the product of a perceived acceleration in the pace of social change. We owe the term to Carlyle, writing in the 1830s, when the ‘Condition of England...

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