Leaf, Button, Dog: The Sins of Hester Thrale

Susan Eilenberg, 1 November 2001

Who would believe Goldy when he told of a Ghost? a Man whom One could not believe when he told of a Brother. Hester Lynch Thrale Piozzi, marginal annotation to Boswell’s Life of Johnson...

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For Christopher Logue The talk-radio host is trying to shake the wacko with only a minute left to get in the finance and boner-pill spots before signing off, the morning news team already at the...

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Poem: ‘Asterion and the God’

Robin Robertson, 1 November 2001

nec enim praesentior illo est deus Asterion, his name is, King of Stars. Some joke of his father’s, who now stables him here in these spiralled halls, this walled-up palace, where shame...

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What are academic instincts, and are they about more than survival? For Frederick Crews, emeritus professor of English at Berkeley, literary study in the university is a Darwinian battle for...

Read more about Das Nuffa Dat and BigGloria3: Up and Down the Academic Ladder

The Devilish God: T.S. Eliot

David Wheatley, 1 November 2001

Few presences were more imposing in postwar poetry than that of T.S. Eliot, but from his eminence as the Pope of Russell Square, Eliot has now shrunk to something more like a holy ghost....

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We have good reason to be wary of paternal metaphors for authorship, but characterising W.D. Howells as the father of The Whole Family is hard to resist – if only because it reminds us of...

Read more about Deadly Eliza: ‘The Whole Family: A Novel by Twelve Authors’

Story: ‘The Old Masters’

Amit Chaudhuri, 18 October 2001

He glanced at his watch and made an attempt to finish the tea in his cup; he was waiting for a call, and it was his second cup of tea. Five minutes later, the phone began to ring....

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Suffocation: Andrew Miller

Alex Clark, 18 October 2001

Flamboyant historical staging characterised Andrew Miller’s first two novels, Ingenious Pain and Casanova: his third makes use of a very different kind of theatricality. Here, in two...

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At nine fifteen a.m. on the first day of his eighty- first year. Why don’t I first-person myself? I was hoping nobody would ask me that question yet. The strong smell of chlorine for one...

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Philip Larkin once wondered what it would be like for a lover to step inside his skull. ‘She’d be stopping her ears,’ he decided, ‘against the incessant recital/Intoned by...

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‘Très vrai!’

Leah Price, 18 October 2001

The primal scene of Marginalia takes place at a book-signing by the children’s writer Maurice Sendak. Pushed to the front of the queue by his star-struck parents, a boy begs Sendak not to...

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Poem: ‘Bollockshire’

Christopher Reid, 18 October 2001

You’ve zoomed through it often enough on the long grind north, the grim dash south –    why not take a break?    Slip off the motorway at any one of ten...

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Lonely Metal Souls: Haruki Murakami

Theo Tait, 18 October 2001

Haruki Murakami’s translator, Philip Gabriel, describes him as a ‘one-man revolution in Japanese fictional style’. His early novels and short stories of the 1980s –...

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Short Cuts: Scrabble

Thomas Jones, 18 October 2001

In English, zo is not a very useful word. In Scrabble, ZO is the only eligible two-letter word with a Z in it: this makes it almost as useful as QI (neither, incidentally, is allowed in the United States)....

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Poem: ‘Cousins’

Alan Jenkins, 4 October 2001

A Sunday at home, since I still called them that, the house, the garden and the patch of lawn in front long gone to weeds and waist-high grasses that I crawled round, hacking wildly with the...

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Point of View: Atonement by Ian McEwan

Frank Kermode, 4 October 2001

Minor resemblances between this novel by Ian McEwan and Henry James’s What Maisie Knew have already been noticed and are of some interest. James left a quite full record of the development...

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Poem: ‘Pelagius’

Edwin Morgan, 4 October 2001

I, Morgan, whom the Romans call Pelagius,Am back in my own place, my green Cathures*By the frisky firth of salmon, by the open seaNot far, place of my name, at the end of thingsAs it must seem....

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Even now most discussion of Second World War poetry cannot do without reference back to that of the First; and it’s true that Keith Douglas was always conscious of Isaac Rosenberg behind...

Read more about The Old, Bad Civilisation: Second World War poetry