Poem: ‘Hotel Bar’

J.D. McClatchy, 8 August 2002

The saxophonist winds up ‘My Romance’, the song with a scar. In the red lacquer ceiling, the night’s raw throat, I can just make out lampshades the colour of a smoker’s...

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Böllfrischgrasshandke: Martin Walser

David Midgley, 8 August 2002

At the end of May, Frank Schirrmacher, an editor at the Frankfurter Allgemeine Zeitung, declared in an open letter that he had refused to serialise Martin Walser’s novel Tod eines...

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Poem: ‘The Statistics of Good’

Les Murray, 8 August 2002

Chaplain General (RC) Archbishop Mannix of Melbourne, he who had a bog-oak footstool so his slipper might touch Irish soil first, when alighting from his carriage saved, while a titular...

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Mr Who He? Shakespeare’s Poems

Stephen Orgel, 8 August 2002

In his own time, Shakespeare was much better known to the reading public as a poet than as a playwright. Venus and Adonis went through ten editions before his death in 1616, and another six...

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In 1936, with the Spanish Civil War begun and world war on the horizon, the distinguished Scottish scholar and editor of Donne, H.J.C. Grierson, gave a series of lectures on Milton and...

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It had better be big: Ben Marcus

Daniel Soar, 8 August 2002

In an exam I once took we were presented with a passage that began: ‘To see the wind, with a man his eyes, it is impossible, the nature of it is so fine.’ I found that sentence so...

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Stephen L. Carter has written the kind of novel in which the bad guys say ‘very well’ when they mean ‘OK’; in which the hero calls a visit from old friends ‘a...

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Bard of Friendly Fire: The Radical Burns

Robert Crawford, 25 July 2002

It’s hard to call any poet a ‘bard’ now except as an ironic jab. Few poetic terms have shifted in significance so much. When, around 1500, William Dunbar called a rival Scottish...

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Advertising campaigns for new books have changed their well-established patterns, bringing the old ways of the marketplace up to date. Publishers are using the Internet to drum up business;...

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Saucy to Princes: The Bible

Gerald Hammond, 25 July 2002

Julia Kristeva was in Manchester in March to give a lecture. One of the pleasures of her visit, for me, the day after the lecture and en route to the Manchester United superstore, was to...

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Hong Pong: John Lanchester

Thomas Jones, 25 July 2002

First, let me declare a disinterest. John Lanchester and I are both involved, in different ways, with the London Review of Books, but otherwise have nothing to do with one another. Now...

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Two Poems

August Kleinzahler, 25 July 2002

Hyper-Berceuse: 3 a.m. Imagine in all the debris of space The countless trade names Jugurtha Tuwolomne Chert-Farms Some of these belong to you Can you tell which ones Each has its own sequence...

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Psychodisney: Gary Indiana

Peter Robins, 25 July 2002

Some years ago, Gary Indiana visited Eurodisney, and returned with a suggestion for how it could be improved. ‘If I ran an amusement park,’ he wrote, ‘there would be real...

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Short Cuts: Pop Poetry

Daniel Soar, 25 July 2002

Bloodaxe, the independent poetry publishers, are excited. Their new anthology, Staying Alive: Real Poems for Unreal Times, is, they claim, set to topple The Nation’s Favourite Poems as the...

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Poem: ‘Sir Gammer Vans’

John Ashbery, 11 July 2002

Last Sunday morning at six o’clock in the evening as I was sailing over the tops of the mountains in my little boat a crewcut stranger saluted me, so I asked him, could he tell me whether...

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Short Cuts: The Ryanverse

Thomas Jones, 11 July 2002

Tom Clancy, as his fans already know, has a new novel coming out in August. When he first revealed its gestation, at the beginning of 2001, he said its working title (or ‘codename’,...

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Pillors of Fier: Anthony Burgess

Frank Kermode, 11 July 2002

Arguing – redundantly? disingenuously? – that ‘every Shakespeare-lover’ has the right ‘to paint his own portrait of the man’, Anthony Burgess published his...

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How to Be Good: Carol Shields

Elaine Showalter, 11 July 2002

The debate about women’s writing – is it too restricted, domestic and love-obsessed, in contrast to the more sweeping, historical, socially aware and experimental novels of men?...

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