Pseudo-Couples: Kenzaburo Oe

Fredric Jameson, 20 November 2003

It is necessary to study precisely how permanent collective wills are formed, and how such wills set themselves concrete short and long-term ends – i.e. a line of collective action.

Read more about Pseudo-Couples: Kenzaburo Oe

McTeague’s Tooth: Good Fetishism

David Trotter, 20 November 2003

When Robinson Crusoe tries to convey what it felt like to be the sole survivor of a shipwreck, he finds himself at almost as much of a loss now, in the telling, as he was then, gloomily pacing...

Read more about McTeague’s Tooth: Good Fetishism

Diary: in the City of Good Air

Michael Wood, 20 November 2003

When asked what I was planning to do on a brief trip to Buenos Aires, my first visit, I said I was going to take the Borges tour. I thought I was joking but soon learned that in Argentina it...

Read more about Diary: in the City of Good Air

The Lie-World: D.B.C. Pierre

James Wood, 20 November 2003

There used to be something thought of as ‘a Booker novel’ – a big, ambitious balloon sent up to signify seriousness and loftiness of purpose. Such books were not always very...

Read more about The Lie-World: D.B.C. Pierre

Parallax: Henning Mankell

Slavoj Žižek, 20 November 2003

Henning Mankell’s recent series of police procedurals set in the southern Swedish town of Ystad, with Inspector Kurt Wallander as their hero, is a perfect illustration of the fate of the...

Read more about Parallax: Henning Mankell

Early Swerves: Magnus Mills

Leo Benedictus, 6 November 2003

For a brief time, a few years ago, I was employed as a temp at the Public Trust Office, one of the grey government monoliths that no one notices in Central London. What this office does, I never...

Read more about Early Swerves: Magnus Mills

Forget the Dylai Lama: Bob Dylan

Thomas Jones, 6 November 2003

A scene from a concert: on stage, a young Jewish-American folk singer/ songwriter, accompanied only by his own guitar and the harmonica around his neck, with a forceful, nasal voice and...

Read more about Forget the Dylai Lama: Bob Dylan

When the hero of Jonathan Raban’s new novel is scolded for living in a world of his ‘own construction’, the implied rebuke falls flat: this, for Raban, is the whole point of...

Read more about Navigational Aids: Jonathan Raban and the ‘novel-sized city’

Hidden Consequences: Byron

John Mullan, 6 November 2003

The trailer for the recent BBC dramatisation of Byron’s life made no bones about the poet’s appeal. ‘Everything you’ve ever heard about him is true,’ the husky...

Read more about Hidden Consequences: Byron

Two Poems

Carl Rakosi, 6 November 2003

Voices There is the mordant voice from the back alleys of Paris, Villon with Diogenes in his eye, and Robin Starveling, the tailor (he goes with my proletarian bent) and Tom Snout, the tinker (he...

Read more about Two Poems

Two Poems

Ben Sonnenberg, 6 November 2003

Men We often elude the scimitars of the zouaves among the furniture by being geese. Or deodars so that striking at us you also hit your sacred tree. (Ha ha, say we. You say, Just you wait.)...

Read more about Two Poems

The first of these books is the product of an interdisciplinary conference at which literary critics and historians exchanged perspectives on a year conspicuous both for political conflict and...

Read more about Mingling Freely at the Mermaid: 17th-century poets and politics

And That Rug! images of Shakespeare

Michael Dobson, 6 November 2003

Above the entrance to the saloon bar there is a picture of Shakespeare on the swinging sign. It is the same picture of Shakespeare that I remember from my schooldays, when I frowned over Timon of...

Read more about And That Rug! images of Shakespeare

Poem: ‘The Garden’

Harry Clifton, 23 October 2003

It was a closed space. From the moment I saw it I knew I could depend on it. To hell with the endless weathers Passing above, and the high apartments Shadowing it. Down here On the stone bench,...

Read more about Poem: ‘The Garden’

Realism is one of the most elusive of artistic terms. ‘Unrealistic’, for example, is not necessarily the same as ‘non-realist’. You can have a work of art which is...

Read more about Pork Chops and Pineapples: The Realism of Erich Auerbach

Hard Labour: Marvell beneath the Notes

Frank Kermode, 23 October 2003

The task of keeping us interested in the canonical poets seems now to have fallen mainly to the Longman Annotated English Poets series. But who are we? Every time another volume is added somebody...

Read more about Hard Labour: Marvell beneath the Notes

Everyone who reads Paul Muldoon will be dazzled by his linguistic exuberance. He follows the lead of Pope and Byron, engaging in many of the displays of wit that they engage in, particularly an...

Read more about In the Studebaker: ‘With a stink and a stink’

Lunacies: ‘provincial genius’

Ian Campbell Ross, 23 October 2003

In the summer of 1797, William Godwin set out on a tour of the Midlands. He had hoped to visit, among others, Erasmus Darwin, but finding the naturalist away from home, Godwin asked...

Read more about Lunacies: ‘provincial genius’