Make use of me: Olivia Manning

Jeremy Treglown, 9 February 2006

‘A great many novels nowadays are just travel books,’ Ivy Compton-Burnett grumbled to Barbara Pym in 1960. ‘Olivia has just published one about Bulgaria.’ She hadn’t...

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Poem: ‘Apartment in Leme’

Elizabeth Bishop, 26 January 2006

1. Off to the left, those islands, named and renamed so many times now everyone’s forgotten their names, are sleeping. Pale rods of light, the morning’s implements, lie in among them...

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At the Wallace Collection, Poussin’s A Dance to the Music of Time has been taken down into the basement. It can be found there until 5 February, holding a position of honour in Dancing to...

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Forty Acres and a Mule: E.L. Doctorow

Amanda Claybaugh, 26 January 2006

In his historical novels, E.L. Doctorow has written about ragtime and the Rosenbergs, about mobsters and world fairs. His most recent novel deals with one of the most fraught subjects in US...

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On 15 June 1794, Samuel Taylor Coleridge, prodigious, garrulous and chubby, his brilliant undergraduate career in tatters, set out from Cambridge in the company of a steady companion called...

Read more about Self-Management: Southey’s Genius for Repression

Heil Putain! Lydie Salvayre

Lorna Scott Fox, 26 January 2006

The grumble from the camp of the so-called Anglo-Saxon model is that people have too easy a time over there in France. Social safety nets, protection of small businesses, quality food, pampered...

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Poem: ‘No Chance of Sunday’

Hugo Williams, 26 January 2006

I had an idea that would have made everything all right. I outlined a case that was ‘screamingly funny’. No chance of Sunday, I’m afraid. But wait, there may be. I’ll...

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Two Poems

Landis Everson, 5 January 2006

Poet’s Pepper Tree Because I never wrote it, your poem is better than mine. Your birds have more colour. Their songs climb up the down branches of tall, weeping trees the way clever birds...

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Her Proper Duties: Helen Simpson

Tessa Hadley, 5 January 2006

Parenthood happens in sections. The son’s Bildungsroman is the mother’s series of short stories: no sooner has he stopped being the free woman’s dilemma (to reproduce or not to...

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Two Poems

Charles Simic, 5 January 2006

Prophecy The last customer will stagger out of the door. Cooks will hang their white hats. Chairs will climb on the tables. A broom will take a lazy stroll into a closet. The waiters will kick...

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Pfired! Benjamin Kunkel

Daniel Soar, 5 January 2006

When in doubt, toss a coin. If you really can’t decide which alternative is preferable, if everything seems equal and you don’t care a damn, it can’t matter what you settle on....

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For the past half-century Muriel Spark has been the recognised master of detachment. The closer she approaches matters of terror or outrage or betrayal or shame the more controlled her voice. To...

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Poem: ‘Fireguard’

Tony Harrison, 15 December 2005

The best wood to make chips with for our fire was from bakehouse boxes Dad brought smeared with lard. It had a whiplash crack. Its sparks leaped higher. You had to look sharpish with the...

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Carousel: Zagajewski’s Charm

Michael Hofmann, 15 December 2005

For twenty years, since I first read the first poem, ‘To Go to Lvov’, in his first English-language book, Tremor (1985), I have had a happily unexamined admiration for the work of the...

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That Time: Magda Szabó

Liam McIlvanney, 15 December 2005

Straightforwardly enough, The Door begins with a door. In fact, it begins with ‘The Door’, a three-page prologue – a door into the novel – in which a woman recounts a bad...

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Two Poems

Robin Robertson, 15 December 2005

Manifest Try to reconstruct me from the heraldry of the flesh, the thick blur of scar tissue, shreds of clothing, that burst vessel in the eye like a twist in a marble, those frost-feather...

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Two Poems

John Burnside, 1 December 2005

Orange The heaven of childhood had something to do with citrus: back in the coal towns, deep in a season of rain, or out on the farm roads, away from the dangerous world, where children came down...

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Remember me: Bret Easton Ellis

Adam Phillips, 1 December 2005

Bret Easton Ellis has always been interested in the ways in which people don’t pay attention, and in the cost of attention when it is paid. In the comédie humaine he has been writing...

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