Back to the Wall

Nicholas Penny, 21 September 1995

It is often assumed that easel pictures have always hung on walls, but in fact the backs of many small Renaissance panel paintings, both sacred and secular, were decorated, suggesting that they...

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Fascism in the Plural

Alan Ryan, 21 September 1995

The collapse of the satellite Communist regimes of Eastern Europe and the subsequent disintegration of the USSR were supposed to mark the triumph of the liberal democratic ideal and the market...

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Charles Rosen’s new book is about the group of composers who succeeded the great Viennese Classicists Mozart, Beethoven and Haydn, and the aesthetic movement they represented. The...

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Madmen and Specialists

Anthony Appiah, 7 September 1995

If you’ve ever spent some time in a Ghanaian town, such as Kumasi, in Asante region, you will occasionally have seen people half-clothed in filthy rags, hair matted with the red-brown dust...

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With Gods on Their Side

Basil Davidson, 7 September 1995

Long-term ‘endings of an era’ tend nowadays to be announced with remarkable confidence. This may even be the case with an issue as controversial as the ending of territorial...

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Aloha, aloha

Ian Hacking, 7 September 1995

This is a splendid work of refutation and revenge, judicious but remorseless, urbane yet gritty. It is germane to the American culture wars but vastly more interesting. It is an adventure story...

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The Argument from Design

John Barrell, 24 August 1995

The five videotapes of Simon Schama’s BBC 2 series Landscape and Memory must have been sent to me in a wrapping all too suspiciously plain. They never arrived, nicked, we presume, by a...

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Whose war is it anyway?

David Daiches, 24 August 1995

In 1934 I came to Oxford from Edinburgh, where I had obtained my first degree. I found the place to be full of left-wing political feeling. The rise of Hitler had provoked many hitherto...

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Ozymandias Syndrome

Robert Irwin, 24 August 1995

‘Je vous salue, ruines solitaires, tombeaux saints, murs silencieux!’ In 1782, Constantin-François Chassebeuf, alias Volney, travelled through Egypt and Syria. Everywhere he...

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Upper and Lower Cases

Tom Nairn, 24 August 1995

Next time it will be different. Or so almost everyone in Scotland now believes, as they look forward to another election and back over the long trail of wreckage from 1979 to the present. The...

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Diary: Ulster’s Long Sunday

Tom Paulin, 24 August 1995

Late July, hot and humid, I set out for Belfast via the small Shropshire town of Wem. Why Wem? Well, I’m working on a book about William Hazlitt, and feel the need to walk some of the...

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Oppositional

P.N. Furbank, 3 August 1995

From one point of view, Thomas Crow’s remarkable pair of books, Painters and Public Life in 18th-Century Paris (1985) and Emulation: Making Artists for Revolutionary France (1995), can be...

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Without Looking

Anne Hollander, 3 August 1995

The first striking thing about Gilles Lipovetsky’s book is the complete absence of illustrations, even diagrams and graphs. This may be the first book about fashion without pictures –...

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Menswear

Philip Booth, 20 July 1995

Nowadays it’s possible to make a career exclusively within gay journalism. Roger Baker, however, was a journalist of wide-ranging interests whose careful think-pieces were a strong feature...

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Barbie Gets a Life

Lorna Scott Fox, 20 July 1995

‘Barbie can be anything you want her (yourself) to be!’ Thus the sales pitch for a plastic toy that in most people’s minds simply represents the essence of bimbo-ness. But what...

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Hubbub

Nicholas Spice, 6 July 1995

Around eleven o’clock on Monday morning, I phone Dell Computers to query an invoice, but the accounts department is engaged, so I get put through instead to the development section of the...

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North and South

Raphael Samuel, 22 June 1995

‘This is the story of simple working people – their hardships, their humours, but above all their heroism.’ The epigraph which introduced the 1939 screen version of The Stars...

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Bardic

Richard Wollheim, 22 June 1995

One of the essays included in this volume is entitled ‘Eugène Fromentin as Critic’, and it opens: ‘The Old Masters of Belgium and Holland is the first and perhaps the only...

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