Quod erat Hepburn

John Bayley, 3 April 1986

As Sartre demonstrates in his play Kean, the great actor, however many different roles he plays, has to become an actor in the absolute sense, has to play that role in life, so that living and...

Read more about Quod erat Hepburn

Joining up

Angus Calder, 3 April 1986

A major in the Royal Anglian Regiment talks to Tony Parker about battle: I’ve only been in that kind of situation where someone’s been shooting at me, a total of about twelve times...

Read more about Joining up

Holy Relics

Alan Milward, 3 April 1986

Whose is the second most valuable signature on the American autograph market after that of Abraham Lincoln? Which is the better investment, the penis of Napoleon or the handwriting of Hitler? The...

Read more about Holy Relics

Dreadful Sentiments

Tom Paulin, 3 April 1986

Towards the end of his inaugural lecture at the Collège de France, Roland Barthes observed that ‘the myth of the great French writer, the sacred depository of all higher values, has...

Read more about Dreadful Sentiments

Carré on spying

John Sutherland, 3 April 1986

John le Carré has patiently established himself over the last twenty-five years as the discriminating reader’s favourite thriller writer. The BBC’s adaptations of the George...

Read more about Carré on spying

Women are nicer

John Bayley, 20 March 1986

Trotsky, who had a certain wit, even in literary matters, thought that women wrote poetry for only two reasons: because they desired a man and because they needed God, ‘as a combination of...

Read more about Women are nicer

Sunflower

Peter Burke, 20 March 1986

The rise of the professional art historian in the later 19th century has been a mixed blessing. Making paintings, statues or buildings are activities which are as much a part of history as making...

Read more about Sunflower

Misunderstandings

J.H. Burns, 20 March 1986

Only in the imagination of the authors of 1066 and All That was there ever a custom of executing public men ‘for being left over from the last reign’. Had such a custom prevailed...

Read more about Misunderstandings

English Art and English Rubbish

Peter Campbell, 20 March 1986

In England, where the opposite can easily seem to be the case, there is always someone around to say that the visual arts matter. Not just that they are life-enhancing or give pleasure, but that...

Read more about English Art and English Rubbish

Geraniums and the River

Nicholas Penny, 20 March 1986

‘Impressionism became very quickly the house style of the haute bourgeoisie,’ T.J. Clark observes at the close of The Painting of Modern Life. Few seem to have resisted the...

Read more about Geraniums and the River

Squelching

Patricia Craig, 6 March 1986

Rosemary Curb and Nancy Manahan (a well-named pair) have assembled the testimonies of a lot of naughty American nuns and ex-nuns who chafed under the restrictions of convent life. One restriction...

Read more about Squelching

Sick mother be damned

P.N. Furbank, 6 March 1986

It is difficult, yet not impossible, to imagine Bernard Shaw at a loss for words. The thing indeed occurred in 1928 at Thomas Hardy’s funeral, when Shaw and Kipling were paired in the...

Read more about Sick mother be damned

Decisions

John Kenneth Galbraith, 6 March 1986

The most sordid, even depraved literature of our time, soft-core pornography possibly apart, is the political memoir or biography. In the United States these are now rushed to the press within a...

Read more about Decisions

More about Marilyn

Michael Church, 20 February 1986

‘A suicide kills two people, Maggie. That’s what it’s for.’ Thus Quentin, the tormented Prospero-figure in Arthur Miller’s autobiographical play After the Fall....

Read more about More about Marilyn

Can there be such a thing as music criticism?

John Deathridge, 20 February 1986

Musicologists are notorious both in and outside academic circles for their arcane habits of mind and their usually enraptured view of the mediocre and obscure. Paul Henry Lang – doyen of...

Read more about Can there be such a thing as music criticism?

The Exotic West

Peter Burke, 6 February 1986

To anyone with a sense of irony, the history of encounters between cultures is peculiarly fascinating, so often have the consequences been the opposite of what their initiators either intended or...

Read more about The Exotic West

Now that the main ideas at large in the 18th century have been elaborately described, students of the period have been resorting to more oblique procedures. In 1968, in The Counterfeiters, Hugh...

Read more about Denis Donoghue writes about the Age of Rawson, and Rogers

Horrors and Hidden Money

D.A.N. Jones, 6 February 1986

Would we buy a used car from Norman Lewis? He certainly seems to know a lot about them. There is a picture on the dust-cover of the young Lewis (he was born in 1918) proudly at the wheel of a...

Read more about Horrors and Hidden Money