Hot Air: Robert Hughes

Nicholas Penny, 7 June 2007

Robert Hughes begins his autobiography, as he began his recent book on Goya, by describing the road accident in Western Australia that nearly killed him in 1999, and his subsequent ordeals in...

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A few years ago a friend spent some weeks making a copy of Raeburn’s The Archers: the double portrait had recently been acquired by the National Gallery, their first painting by a Scottish...

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At the Movies: ‘Spider-Man 3’

Michael Wood, 24 May 2007

Money talks, but it doesn’t write all that well, and it can scarcely direct a movie at all. Spider-Man 3, which we are told is the most successful new film release in history, beating even

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In Regent Street: A Mile of Style

Peter Campbell, 10 May 2007

Shopfitting and window-dressing are ephemeral arts that flourish on novelty; even merchants proud of their long histories and royal warrants want up to date selling spaces. Bootmakers and wine...

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At the Movies: ‘300’

Michael Wood, 26 April 2007

Memory is a large part of it. Herodotus tells us the name of Leonidas, the king of Sparta who died at Thermopylae in 480 BC, not exactly holding the multitudinous Persians at bay but at least...

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John White is famous for the drawings he made in the late 1580s which record aspects of the North American littoral: its geography, its inhabitants, their dress, customs and dwellings, and the...

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The Way of the Wobble: Ove Arup

Peter Campbell, 5 April 2007

The meal is over. On the tablecloth there are corks, an orange, a few walnut shells, an empty glass and a coffee spoon. Those of us whose instinct is to see if we can somehow balance these...

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The Flow: ‘The Trap’

Paul Myerscough, 5 April 2007

‘One night in Miami,’ Raymond Williams wrote in 1973, ‘still dazed from a week on an Atlantic liner, I began watching a film and at first had some difficulty adjusting to a much...

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Balls and Strikes: Clement Greenberg

Charles Reeve, 5 April 2007

Enrico Donati’s small painting White to White features an aggressively encrusted pale rectangle with a second rectangle – black, white and brown – in its top left corner. Dated...

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Perfected by the Tea Masters: Japan-ness

Fredric Jameson, 5 April 2007

The three-stage process [of the building of the Katsura Imperial Villa] is perfectly discernible in the layout of the buildings as they survive. Beginning from the Ko-shoin with its celebrated...

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At the Barbican: Alvar Aalto

Peter Campbell, 22 March 2007

The work of the Finnish architect Alvar Aalto is celebrated in an exhibition of drawings, photographs, models and furniture, Alvar Aalto through the Eyes of Shigeru Ban, at the Barbican Art...

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Seriously Uncool: Susan Sontag

Jenny Diski, 22 March 2007

Susan Sontag intended something like the book which is now published as At the Same Time to be her final collection of essays. After that, says her son, David Rieff, in his foreword, she intended...

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Equinox is publishing a series of books called ‘Icons of Pop Music’. The volumes will be designed for ‘undergraduates and the general reader’. Ordinarily, I couldn’t...

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When I left the cinema I had a title of Flannery O’Connor’s running in my head: A Good Man Is Hard to Find. But there is another title that provides a much better clue to the moral...

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Three of Turner’s greatest late watercolours have been brought together for the first time: The Red Rigi (borrowed from Melbourne), The Blue Rigi and The Dark Rigi (both in private hands)....

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At the White Cube: Anselm Kiefer

Peter Campbell, 22 February 2007

The exhibition of Anselm Kiefer’s new work at White Cube Mason’s Yard (until 17 March) is entitled Aperiatur Terra – ‘let the earth open’ – the reference is to...

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At the Movies: Kurosawa

Michael Wood, 22 February 2007

It wouldn’t work without Toshiro Mifune. In this role he remains perfectly Japanese but also manages to look like a mixture of Clark Gable and Gary Cooper – the sly, amused Gable of...

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At Tate Britain: the art of protest

Peter Campbell, 8 February 2007

Mark Wallinger’s State Britain occupies the vaulted and columned Duveen Galleries, Tate Britain’s most solemn and portentous space.* It consists of a meticulous reconstruction,...

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