Diary: What I did in 2010

Alan Bennett, 16 December 2010

31 December 2009, Yorkshire. Call Rupert to the back door to watch a full moon coming up behind the trees at the end of the garden. It’s apparently a ‘blue moon’, i.e. the...

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At the Gagosian: James Turrell

Peter Campbell, 16 December 2010

When you shut your eyes you still see. If the light is strong you register a red haze as it passes through your eyelids, or the retinal after-images of bright objects. But even without residual...

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Never Mainline: Keith Richards

Jenny Diski, 16 December 2010

I’m going to hang on to Keith Richards’s autobiography, because sometimes I worry that I lead a boring life and wonder if I shouldn’t try harder to have fun. When that happens,...

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Short Cuts: Les WikiLeaks

Jeremy Harding, 16 December 2010

Last month’s release of US diplomatic cables by WikiLeaks raised some eyebrows in France. Le Monde, one of the selected press outlets in the latest syndication, posed as the honest,...

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Let Us Pay: Can newspapers survive?

John Lanchester, 16 December 2010

During 2009, it was difficult to find anybody inside the newspaper business who was not profoundly depressed about the future of the industry. All the trend lines were downwards. The migration of...

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Red silk is the best blood: Sondheim

David Thomson, 16 December 2010

Stephen Sondheim is America’s master of musical theatre, as long as we are prepared for the work to be brilliant but not relaxed. His is a voice of solitude struggling to believe in...

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In the Time of Not Yet: Going East

Marina Warner, 16 December 2010

Edward Said first met Daniel Barenboim by chance, at the reception desk of the Hyde Park Hotel in June 1993; Said mentioned he had tickets for a concert Barenboim was playing that week. They began to...

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The upright canvas, some 4’6’’ by 3’, stood on Salvator Rosa’s easel, prepared with a burnt umber ground. The painter first attacked it, as far as I can see, with a...

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Cézanne, whose work was the touchstone for critical thinking and writing on art for more than a century, cannot be written about any more. After a few minutes in the exhibition at the...

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Diary: My Last Big Road Trip

August Kleinzahler, 2 December 2010

The Maestro is clearly moved by what he has just heard. I’d put us around Bobcat Flats between Fallon and Ely on US 50 in Nevada, which likes to call itself the ‘loneliest road in...

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At the Movies: ‘The Peeping Tom’

Michael Wood, 2 December 2010

Fear, like happiness, has its anniversaries, and 1960 was a good year for watching frightened women’s faces: first Peeping Tom and then Psycho. The second movie is far more famous and more...

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It’s illegal to drive while you’re on your mobile phone, so why do galleries ask you to listen on headsets while you look at pictures? There is plenty of evidence – intuitive,...

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House of Miscegenation: Westerns

Gilberto Perez, 18 November 2010

The hero of the Toy Story trilogy is a toy cowboy. In Toy Story 3 when the toys belonging to Andy, now about to leave for college, find themselves at a daycare centre, and a kindly bear welcomes...

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At the V&A: The Ballets Russes

Peter Campbell, 4 November 2010

The range of materials in the exhibition Diaghilev and the Golden Age of the Ballets Russes, 1909-29 (at the V&A until 9 January) is not limited by beauty or intrinsic interest: if an item...

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Melinda and Sandy: Oprah

Andrew O’Hagan, 4 November 2010

‘Free speech not only lives, it rocks.’ When she was growing up in Mississippi, little Oprah couldn’t have known how much she would come to hate that statement. But Kitty...

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At the Movies: ‘The Social Network’

Michael Wood, 4 November 2010

David Fincher’s The Social Network, which tells the story of Facebook, is fast and intelligent and mean, a sort of screwball comedy without the laughs. It’s written by Aaron Sorkin,...

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At Tate Modern: Gauguin

Peter Campbell, 21 October 2010

Sweeney, in Eliot’s Sweeney Agonistes, says he’ll carry Doris off to a cannibal isle (she’s unimpressed). There will be: Nothing to hear but the sound of the surf. Nothing at...

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At Tate Britain: Rachel Whiteread

Peter Campbell, 7 October 2010

Over the years the empty fourth plinth in Trafalgar Square became a focus for attitudes to monuments and monumentality. There was no agreement about which person, victory or event should be...

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