When I started work in the Sunday Times newsroom in 1970, my colleagues would sometimes describe the Observer half-admiringly as ‘a writers’ paper’, to be enjoyed for the quality of its prose rather...
For once the difficult architectural layout of the Barbican Art Gallery works in favour of the current exhibition. Strange and Familiar: Britain as Revealed by International Photographers,...
The National Portrait Gallery’s Russia and the Arts: The Age of Tolstoy and Tchaikovsky (until 26 June) displays a small but rich body of works made between 1867 and 1914, focused on...
The places were Philadelphia and New York, the names were John Coltrane, Miles Davis, Bill Evans and a few others, heirs to Charlie Parker and Dizzy Gillespie, spoken of with awe in every...
For a while now, Smith has been the sort of feel-good, feels-real celeb who gets invited to ‘guest edit’ Vogue when the Dalai Lama is resting. Does anyone much like any of her post-Horses work?
‘Work … has been a pleasure throughout,’ Pevsner wrote in the introduction to the first edition of Suffolk. ‘The weather was clement, the natives friendly, the scenery and the buildings a delight.’
The first picture you come across in Tate Modern’s vast and various exhibition Performing for the Camera (until 12 June) is Yves Klein’s arresting and now iconic Leap into the Void...
Late last year, Rangers played host to Hibernian. Both teams are currently in the Scottish Championship, the second tier of Scottish football – after going into administration in 2012...
On a spring day in New York City in 1960, Grace Hartigan, then 38 years old, took the train uptown. To anyone who saw her on the subway, she wouldn’t have looked like a painter.
‘You’re an idiot.’ On its own that sentence is an insult, but add an emoji and it can seem self-deprecatory, even affectionate. Emoji – just in case you’ve been in...
‘Without you,’ Hugh Hefner said to the Playmates he’d assembled for a party to celebrate the 25th anniversary of Playboy, ‘I’d have been the publisher of a...
‘We’d all be human if we could,’ a sinister character sings in The Threepenny Opera. His hypocrisy is unmistakable, but the ironic implication may also be right. We...
When a beloved building goes dark, a hole opens in the urban fabric: so it was when the Whitney Museum left its old home on New York’s Upper East Side, constructed by Marcel Breuer in...
Giorgione (c.1477-1510) is unique among famous European painters in that at different periods he has been credited with entirely different pictures. Even today, there is great disagreement...
No one at Oxford, or anywhere else in the UK, talked much about Cecil Rhodes before the protests began. Portraits and statues of dead white men are like air in Oxford, ubiquitous and generally unremarked....
A canvas begun in the autumn of 1848 and finished the following spring is, at four foot eight inches wide, one of the heftier items in Delacroix and the Rise of Modern Art, an exhibition...
Long before electronic media came up with the phrase, literature had been relegated to the status of preferred ‘content provider’ for films. Bestsellers achieve special ontological...
Eddie Mannix, in the Coen Brothers’ new movie, Hail, Caesar!, is not a devout or informed Catholic but he does like to confess. He’s not doing well with his plan of giving up...