A Most Consistent Man: Renoir

Barry Schwabsky, 13 September 2018

The retort​ was cutting. Albert C. Barnes, the Philadelphia art collector who by the time of his death in 1951 owned 181 paintings by Auguste Renoir, was trying to one-up Duncan Phillips, who...

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The​ Pastons of Norfolk were an accidentally remarkable family. The survival of their detailed correspondence – the first of its sort in English – means we know the 15th-century...

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Did​ someone say familiarity breeds contempt? In the cinema it often breeds attraction and money. The film series called Mission Impossible began in 1996, picking up from a television show that...

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At Tate Modern: Joan Jonas

Brian Dillon, 2 August 2018

Joan​ Jonas bought her first video camera, a Sony Portapak, also known as the Video Rover, on a trip to Japan in 1970. In the history of video art, there is no more celebrated piece of kit....

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In Bayeux

Thomas Jones, 2 August 2018

We went​ to see the Bayeux Tapestry the other day. In January, Emmanuel Macron promised to lend it to Britain, so it seemed worth taking the children to visit it in Normandy before it got...

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Story: ‘Love Island’

John Lanchester, 2 August 2018

She knew without looking that the other rooms would be bedrooms, and that this meant there would be six of them in the villa. Three girls and three boys. She couldn’t see any cameras or mikes so...

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On the Sofa: ‘Babylon Berlin’

David Thomson, 2 August 2018

Lucy​ and I had been through the whole of Babylon Berlin – or so we thought – all sixteen episodes, swallowing three a night. We were bingeing, and greedy for more just to get away...

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‘But​ where does the Potemkin go?’ That, according to Sergei Eisenstein, was what the people who had just seen his most famous film really wanted to know. At the climax of the film,...

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Lynda Nead​’s new study of the ways in which postwar Britain was represented by what was not yet called its media is tirelessly oblique. She contrives to see everything through the...

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At the Guggenheim Bilbao: Marc Chagall

John-Paul Stonard, 19 July 2018

Moishe Shagal​, later known as Marc Chagall, was raised in the last years of the 19th century in Vitebsk, one of the shtetls in the Pale of Settlement, the part of the Russian Empire to which...

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At Tate Modern: ‘Picasso 1932’

James Attlee, 5 July 2018

Picasso​ turned fifty in October 1931. The following year he began compiling his catalogue raisonnée, a highly unusual activity for a living artist. In June 1932 his first retrospective...

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It looks nothing like me: Dürer

Adam Smyth, 5 July 2018

In​ the late summer or autumn of 1505, Albrecht Dürer travelled on horseback from Nuremberg to Venice. According to Vasari’s Lives of the Artists (1550), Dürer was looking to...

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On David King

Susannah Clapp, 21 June 2018

In the days​ before artists brought colour to the cover, the London Review of Books was black and white. Of course, originally, it had no front at all: the first edition, in 1979, was meekly...

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The Politics of Now: The Last World Cup

David Runciman, 21 June 2018

As the saying goes, hypocrisy is the tribute that vice pays to virtue, and this is the currency in which Fifa likes to trade. But Putin isn’t having any of it. He seems to have treated the award...

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Diary: ‘Vertigo’ after Weinstein

David Thomson, 21 June 2018

It’s irrefutably clear that Vertigo is a confession to the damage done by men’s grooming of women’s desirability. And even if the film is tragic, and even if Kim Novak’s performance...

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At the Pool

Inigo Thomas, 21 June 2018

The​ Biltmore Hotel in Coral Gables, Florida is enormous. So is its pool, which you could say is more of a lake. When Madonna stayed there in the early 1990s, she apparently insisted on having...

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At the Movies: ‘Pandora’s Box’

Michael Wood, 21 June 2018

Pandora’s Box​, G.W. Pabst’s great silent film from 1929, is a classic portrait of the femme fatale. Or is it? The new print showing at the BFI allows us to think again, and the...

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At the Royal Academy: Tacita Dean

Eleanor Birne, 7 June 2018

‘All​ the things I am attracted to are just about to disappear,’ Tacita Dean once told Marina Warner. Dean’s three almost simultaneous new shows – at the Royal Academy,...

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