At the Royal Academy: Renzo Piano

Daniel Soar, 3 January 2019

There is​ no reliable single view of a big city building. Take London’s tallest skyscraper, the Shard. Here’s one view: it looks like a blown-up version in glass and steel of Kim...

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Can’t Afford to Tell the Truth: Trouble at the BBC

Owen Bennett-Jones, 20 December 2018

BBC managers have become a national joke. The problem is structural. Many start out as capable and engaged producers but they can only win promotion by showing ever greater degrees of editorial caution....

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Rebalancings: Bellini and Mantegna

T.J. Clark, 20 December 2018

I believe that both Mantegna and Bellini were alert to every difficult turn and rebalancing in Luke’s verses, and thought hard as they painted about how to convert such turns into touches, faces, ways...

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At MoMA: Bruce Nauman

Hal Foster, 20 December 2018

When​ the American artist Bruce Nauman was in graduate school in the mid-1960s, the traditional forms of visual art were in deep trouble. The best new work, the Minimalist Donald Judd had...

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Her Haunted Heart: Billie Holiday

John Lahr, 20 December 2018

‘I’ve been told​ that nobody sings the word “hunger” like I do. Or the word “love”,’ Billie Holiday says in her memoir Lady Sings the Blues (written in...

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The​ first feature-length film by RaMell Ross, Hale County This Morning, This Evening, has been praised for creating a new genre within the documentary form and evoking with unusual clarity the...

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At Tate Modern: Anni Albers

Esther Chadwick, 6 December 2018

Anni Albers​ joined the Bauhaus in 1922, four years after the end of the First World War. ‘Outside was the world I came from, a tangle of hopelessness, of undirected energy, of...

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Between them​ France and Britain had more than 450 million imperial subjects at the start of World War One. Germany, despite the geographical size of its African acquisitions, had fewer than 20...

Read more about Ends of the Earth: ‘Mimesis: African Soldier’

The internet hasn’t so much changed people’s relationship to news as altered their self-awareness in the act of reading it. Before, we were isolated recipients of the news; now, we are self-consciously...

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The Swiss artist​ Sophie Taeuber grew up without a father. Carl Emil Taeuber, a pharmacist, succumbed to tuberculosis in 1891, two years after her birth. Her mother, another Sophie, never...

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Photomania

Emilie Bickerton, 22 November 2018

For all Félix Nadar’s gifts with the camera, his interests constantly flitted elsewhere. He was, in the words of his friend Jules Verne, ‘enamoured of the impossible’.

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In May​ 1976, two families of Asian immigrants from Malawi – UK passport-holders – were put up in a hotel while social workers decided what to do with their children. The Sun ran it...

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At the Movies: ‘Some Like It Hot’

Michael Wood, 22 November 2018

Billy Wilder’s​ Some Like It Hot, now showing in a new print at the BFI, was based on a German film called Fanfares of Love, first made in French in 1935 and then remade in 1951....

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The Year of My Father’s Dying

Jane Campbell, 8 November 2018

On 18 October​ 2010 my father, Peter Campbell, was diagnosed with the cancer of which he would die exactly one year and one week later. I do not know precisely how he lived with the knowledge...

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On the Sofa: ‘Killing Eve’

Alice Spawls, 8 November 2018

Eve Polastri​ works for MI5, organising police protection for high-profile foreign visitors. She’s bored, though she doesn’t entirely know it. The girlfriend of Victor Kedrin, a...

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The story is waiting for us, asking us to read it, and reread it, even if it was initially supposed to disappear into the machinery of movie-making, like Harry Lime slipping off into the sewers of Vienna.

Read more about Nothing like metonymy when you’re at the movies: ‘The Third Man & Other Stories’

A small boy​, four years old, ‘parading around’ in his sister’s ‘prettiest dress’, blissfully happy, until: ‘My mother beat the hell out of me, and...

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At the Arts Club: Sanlé Sory

Jeremy Harding, 25 October 2018

The​ photographer Sanlé Sory was born in the 1940s in French West Africa. At independence in 1960 he became a ‘Voltaic’, or a citizen of Haute Volta, and in 1984, a...

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