Is stage-history much use finally? Finally, that is, beyond all this fiddle over plans and parterres and side-boxes, the cost of nails and packthread, the greenroom gossip? I concede straight...
Precipitations fall thickly and heavily in Abel Gance’s Napoleon: snow in the courtyard of the college in Brienne, feathers from savaged pillows, rain and hail on the drums at the siege of...
A family listening as their father reads them the Bible; a philosopher poring over a book; an artist, who turns his back on us as he draws; a secretary absorbed in taking dictation, and another...
While engravers in the 18th century were not regarded as quite as mad as hatters, they carried with them the taint of eccentricity and religious enthusiasm. Among the London engravers of his...
‘Although he was only 17, his interests were iridescent.’ I wonder what Miriam J. Benkovitz, sometime Professor of English, thinks ‘iridescent’ means. The next stage after...
To omit architecture from cultural history would be absurd, but to integrate architecture, with its peculiar blend of abstraction, fantasy and technology, into a general history of culture is...
The ‘homes fit for heroes’ of Mark Swenarton’s title – or some relation of them – can be found on the outskirts of almost any British town. Yet they are more seen...
When, in The Importance of Being Earnest, Lady Bracknell imagined the terrible spectre of social revolution, she spoke feelingly of ‘acts of violence in Grosvenor Square’. In this, as...
With the hyperbole typical of the guidebook writer, Francesco Sansovino asserted in 1561: ‘Take it from me, there are more pictures in Venice than in all the rest of Italy.’ This is...
Wyndham Lewis had a phrase for himself and those of his contemporaries whom he considered worthy of his company: he called them ‘The Men of 1914’. The phrase has a nice martial ring,...
Generalising across the arts is a tricky business. Can we really expect to find anything in common between, say, Ulysses, Der Rosenkavalier, the ‘Donna Velata’ and Donatello’s...
In the preface to his new edition of montaged interviews with Francis Bacon, David Sylvester draws our attention to what has become the last section of the fifth interview. Altogether, there are...
Bernini’s sculpture of Daphne turning into a laurel tree at the touch of Apollo – completed for Cardinal Borghese’s villa on the Pincio in 1625 – has always excited wonder...
If that famous omnibus has not yet reached Clapham, its poor browbeaten passenger, the unwitting touchstone of our century’s discourse, should he turn his thoughts towards art, might...
If Titian’s reputation were to be assessed by the number and quality of the monographs devoted to him during this century, it would be hard to believe that he was one of the greatest...
With his talent for working on a large scale and with the good will which he enjoyed at court, Thomas Couture could easily have been the Rubens of the Second Empire. What he achieved during the...
‘I’m not a very nice man, you know,’ L.S. Lowry said of himself. Mrs Marshall, his friend, would not disagree. Although for the last 14 years of his life she and her husband...
Charles Ashbee – C.R.A., as he asked to be called – must be counted as a successful man. He was an architect whose houses stood up, a designer whose work has always been appreciated,...