The story of artists’ studios intersects with the history of real estate, just as it shadows the expansion of other ‘curated’ spaces in late capitalism. Today hairdressers, potters,...

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Lost in Leipzig: Forgotten Thinkers

Alexander Bevilacqua, 29 June 2023

Research into intellectual auxiliaries has thrived in recent years. Translators, interpreters, secretaries and amanuenses are no longer considered intermediaries, but contributors in their own right....

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Short Cuts: The Rich List

Andrew O’Hagan, 15 June 2023

The idea that an ordinary person can be elevated by riches, transformed by holidays and furs, is more plausible to many than transformation through work or taxation. In Lotto Britain, the Good Life is...

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At Kettle’s Yard: Lucie Rie

Rosemary Hill, 15 June 2023

Could pottery be art? Should a teapot pour? Lucie Rie had no truck with this. When asked about theoretical or critical questions she would answer with crisp finality: ‘I make pots. It is my...

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At the Movies: ‘One Fine Morning’

Michael Wood, 15 June 2023

As Mia Hansen-Løve’s style and interests suggest, any narrative solution is one option among several. That is the force of the other meaning of the film’s title: not hoping against...

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California’s first gold rush was in 1848; its second was Hollywood. Between 1910 and 1925, film industry grosses went from $10 million to $800 million. There were jobs and spondulix galore. Hollywood...

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At Tate Modern: Mária Bartuszová

Anne Wagner, 1 June 2023

Mária Bartuszová made around five hundred sculptures, her productivity aided by her preferred material, plaster. The great majority of her works are plaster casts – and not just any...

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On Hallyu

Krys Lee, 1 June 2023

The story South Korea likes to tell about itself is ‘The Miracle on the Han River’, in which a country rises from the ashes of war and dictatorship to become a stylish economic success story....

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Monumental Guns

Francis Gooding, 18 May 2023

Positioned higgledy-piggledy in London streets, a battery of defunct cannons threatens to destroy ordinary people’s homes and livelihoods, day-to-day infrastructure and basic amenities, art and...

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At the Movies: Éric Rohmer

Michael Wood, 18 May 2023

French moralists​ are not usually moralisers. They explore moral ground by turning its difficulties into aphorisms. They are because they think; they are frightened by the eternal silence of...

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At the V&A: Donatello

Nicholas Penny, 18 May 2023

Donatello was driven to devise original solutions by the success of the older Lorenzo Ghiberti, whose mastery of linear perspective in relief sculpture could never be surpassed. But there can be little...

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I wonder how we got here. How is it that Vermeer’s paintings now strut the world stage, having skulked for two centuries in the wings? And I wonder where Vermeer himself thought he was heading....

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A Dog in the Fight: Am I a fan?

William Davies, 18 May 2023

Fans make no pretence of balance or reason. They are drunk on irrationality and obstinacy, hurling themselves after the fortunes of their chosen team, band, TV show or celebrity. A fan may feel aggrieved...

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What exactly Jim Ede was eludes classification. He was a collector, up to a point, though he never had much money; a patron, but only in a small way; an aspiring artist who never made a career of it;...

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On the Sofa: ‘Wild Isles’

Thomas Jones, 4 May 2023

Wild Isles doesn’t explicitly advocate for returning the water companies to public ownership (a policy backed by 69 per cent of the population but by neither of the leading political parties). But...

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For all Spotify’s talk of ‘discovery’, the thing it really cares about is what Mike, the chief scientist at Willow, calls ‘the hang-around factor’. If someone skips a song,...

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Clive Bell was admired for his intellect and range, but his refusal to settle to one way of life meant that he was also regarded as flippant, a poseur with neither the seriousness nor the intelligence...

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At the Hepworth: Hannah Starkey

Emily LaBarge, 4 May 2023

If only the everyday were so richly textured, bright, precious and considered. Hannah Starkey’s photographs suggest that, given time and the right conditions, transformative details might bring...

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