Halls and Hovels

Colin Richmond, 19 December 1991

This is a big book: 29 x 25 centimetres, 372 photographs (between a third and a half of them coloured, a large number of them full-page), a densely written, authoritative and properly referenced...

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Looked at with any sympathy at all, late Seventies punk rock in Britain was an astonishing thing. Punk rockers looked ugly, partly because, being ill-favoured, gangly and for the most part...

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Diary: What is rugby for?

Karl Miller, 5 December 1991

By most of those who watched it, I imagine, the Rugby Union World Cup will be seen, now that the dust has settled, as a success, for all the aspects and episodes that there were to object to and...

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Art and Men

Michael Shelden, 5 December 1991

Rich and eccentric, Edward Perry Warren was used to indulging his whims. After seeing Rodin’s The Kiss in 1900, he was determined to have a replica carved by the sculptor himself. It was to...

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Unfair to Furtwängler

Nicholas Spice, 5 December 1991

The special venom we reserve for collaborators has something defensive about it, as though we reviled them so as to separate ourselves from them, warding off the fear that in their situation we...

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Catching up with Sammy

John Lanchester, 21 November 1991

A scene from provincial life: one Saturday about twelve months ago I was sitting in the press box of a football ground in the Midlands. The game had just finished (the home side lost) and I and...

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Diary: On Peter Fuller

Andrew Brighton, 7 November 1991

Saturday evening on Radio 3, a prattle of Oxbridge voices reviewing an exhibition selected by and posthumously mounted as a tribute to Peter Fuller. The wannabe Oxbridge voice of Giles Auty, art...

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A Welcome for Foreigners

Peter Burke, 7 November 1991

‘I Judge that Spain is a pious mother to foreigners and a very cruel stepmother to her own native sons,’ complained the 17th-century painter Jusepe de Ribera, a Valencian who spent...

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Perfectly dressed

Peter Campbell, 7 November 1991

Words about pictures are often commentaries which justify categories. They give reasons for inclusions, exclusions and orderings. Connoisseurs distinguish genuine works from misattributions, and...

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Harrison Rex

Carey Harrison, 7 November 1991

Famous faces. Anyone at home behind them? Let’s begin with Brando, now a famously corpulent body beneath the spoiltangel head. The magnificently instinctual film performer belongs to a past...

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Off the edge

Frank Kermode, 7 November 1991

The Wellek Library Lectures at the University of California, Irvine, are meant to be about Critical Theory, and up to now they have, for good or ill, been faithful (in their fashion) to that...

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In praise of work

Dinah Birch, 24 October 1991

Ford Madox Brown’s greatest picture is called Work, and it depicts the laying of a sewer. It is not beautiful. But that is part of Brown’s point, for he was after qualities that...

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Tales from the Bunker

Christopher Hitchens, 10 October 1991

The Beirut Golf Club possesses many advantages for the overseas visitor seeking a vigorous nine, or even 18, holes. For one thing, its greens and fairways provide the only remaining enclosed...

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Richardson’s Rex

Richard Wollheim, 10 October 1991

Written in a strong, clear, slightly salty style, carrying effortlessly a great deal of information, much of it new, and illustrated so profusely that at every turn the narrative seems to play...

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Absolute Modernity

Paul Driver, 26 September 1991

The near-simultaneous appearance of these volumes prompts thoughts on the development of French music out of the last century and into the next. One’s first thought, though, is bound to be:...

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As seen on TV

Keith Kyle, 26 September 1991

For many people the BBC Foreign Affairs Editor John Simpson, who stayed behind in Baghdad when Armageddon was scheduled to begin, was the civilian hero of the Gulf War. The only thing that may...

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Laundering Britain’s Past

Marilyn Butler, 12 September 1991

Paul Johnson’s thousand-page book is geared to the present age of long print runs and mass marketing. It is one of the currently popular narrative histories written by Britons who position...

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Watching a black man in the shower

Michael Wood, 12 September 1991

The heart of Young Soul Rebels, visually and dramatically, is a scene in an East London club, noisy, cheerful, full of glitter and bounce. Punk and soul music alternate on the disco deck; punk...

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