Urgency Is Not Enough

Peter Campbell, 6 April 1995

Put sickness, art and death together and only a handful of images come to mind. Pathetic ones – Munch’s sick child in bed, Picasso’s wasting blue and pink girls and boys. Others...

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What’s It All About?

Tom Lubbock, 6 April 1995

Last autumn, at the award ceremony of the 1994 Turner Prize, Charles Saatchi took the podium at the Tate Gallery. It was a very rare public appearance by Britain’s leading private collector...

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Not Mackintosh

Chris Miele, 6 April 1995

The history of architecture is replete with figures whose careers were tied to the fortunes of great cities. John Nash’s genius for town-planning could only have flourished in London during...

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Fit for a Saint

Nicholas Penny, 6 April 1995

The most significant event to have taken place in Italy in recent years, as far as the art and architecture of that country is concerned, is the institution of an annual opening of numerous...

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Anybody’s

Malcolm Bull, 23 March 1995

They want him back. They always have, but now they want him more than ever: living in Rome for almost his entire career was one thing, posthumous residence in England is another. That the artist...

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Meg, Jo, Beth and Me

Elaine Showalter, 23 March 1995

Who would have thought it? Little Women is on the American bestseller list again, with the name ‘Winona Ryder’ over the title instead of Louisa May Alcott, as if she had written the...

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Loot

Ian Buruma, 9 March 1995

Three episodes, three wars: The Allied armies took possession of Tientsin and Peking and the adjoining districts. At first many of the soldiers of the composite body acted in a brutal and...

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Diary: The Hearing of Rosemary West

Andrew O’Hagan, 9 March 1995

On Monday morning, Dursley is full of talk. Half way down Silver Street, at the Aphrodite café, a couple of women sit bleary-eyed over mugs of coffee. The plastic seats are bendy with age,...

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Fashville

Robert Tashman, 9 March 1995

Hollywood has not covered fashion, as a theme or subject, as well as one might hope, given the importance of American movies in mandating and legitimising styles of dress. The notable exception...

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Glooms

E.S. Turner, 23 February 1995

Which famous Victorian poet-painter was the 20th child of a dodgy stockbroker? Yes, it was the man in the runcible hat, Edward Lear. His latest biographer, Peter Levi, confides to us that, like...

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The Kiss

Gaby Wood, 9 February 1995

Jean Renoir was admired by his followers and contemporaries for the relaxed feel of his films. He himself loved the improvisatory quality of the Commedia dell’Arte, which he saw as a...

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Dat’s de Truth

Terence Hawkes, 26 January 1995

In 1903, on Locust Street in St Louis, Missouri, two Americans found themselves engaged in complex and fateful negotiations with European culture. One was Scott Joplin, black ‘King of...

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Grope or Cuddle

Peter Campbell, 12 January 1995

‘Tiepolo,’ Svetlana Alpers and Michael Baxandall write, ‘is not a difficult painter. He is accessible and easy to like.’ Well, up to a point. For example, while I did not...

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Gotterdämmerung

Christopher Hitchens, 12 January 1995

Forster’s apparently evergreen remark, about choosing to betray your country rather than your friends, has always seemed to me to be – as well as an exercise in moral casuistry...

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Men at Work

Tom Lubbock, 12 January 1995

Personal witness has a peculiar status in the criticism of painting and sculpture, a status which it seems not to have in the criticism of other arts. There’s some feature of the visual...

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It’s a Crime!

Peter Campbell, 8 December 1994

Destroying his Céret paintings became an actual diversion, strangely entertaining to him, enjoyable like the savagery of the wrestling matches he regularly attended. He would install his...

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‘If I Could Only Draw Like That’

P.N. Furbank, 24 November 1994

There is a curious little circumstance about the painter Whistler which catches at one’s imagination. It concerns his draughtsmanship. William Rothenstein recalls Whistler talking to him...

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Tel’s Tale

Ian Hamilton, 24 November 1994

‘I feel like the man who shot Bambi,’ said Alan Sugar in May 1993, shortly after sacking Terry Venables from his job as manager and ‘chief executive’ of Spurs. Sugar...

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