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“... Addington Symonds – two years later, thinking of Symonds in connection with the trial of Oscar Wilde, James calls them ‘fond outpourings’ – which constitute a privately printed pamphlet on love between men. ‘The exhibition is infinitely remarkable,’ James says. ‘It’s a queer place to plant the standard of duty, but he does it with ...”

“... who died at 25, passed his brief life in the fin-de-siècle milieu of Max Beerbohm and Oscar Wilde. Like them, he was his own artefact. Immensely thin and hollow-eyed with long fingers and a large nose, he seemed to the actress Elizabeth Robins, who met him at a lunch party, to be merely the ‘uncertain ghost of Oscar’. Tate Britain’s exhibition ...”

“... locked eyes stopped to talk, and they arranged to meet four days later outside the house where Sir William Wilde, eye surgeon to the queen in Ireland, if she should have ever needed an eye surgeon (which she did not), and his mad wife, Speranza, had lived, where they had raised their son Oscar, who was four years dead by this time. There’s now a funny ...”

“... In 1828 Macaulay identified the press as ‘a Fourth Estate of the Realm’; by the 1850s, when William Russell was reporting from the Crimea for the Times and his editor, John Delane, was fulminating against the mismanagement of the war, nobody could argue with it. ‘This country is ruled by the Times,’ the Saturday Review declared. ‘We all know ...”

“... interested in how the transition from the actual to the utopian is made, in contrast with William Morris’s News from Nowhere, which, as Perry Anderson has noted, is that rarest of socialist utopias, one which describes in some detail how the revolution actually came about. Nor are they especially interested in what their utopias look like. The ...”

“... is eager to proclaim an evangel of some kind, and therefore must be aggressive. A story in William Trevor’s new collection, The Hill Bachelors, treats these themes in a surprising but apposite way. ‘Of the Cloth’ describes the declining days of a Church of Ireland clergyman, the Rev. Grattan Fitzmaurice, rector of the mountain parish of ...”

“... we knew better, agents of prodigious but incomplete hauntings. From The Last Testament of Oscar Wilde to Chatterton, Ackroyd has shown himself an adept in the speech of such ghosts. Indeed his gift for their speech is so great that it can be distracting: we forget to wonder if the ghosts have anything to say. They do have things to say, though; the ...”

“... work belongs to an aesthetic critique of capitalism running from Schiller and John Ruskin to William Morris and Herbert Marcuse. Unlike most realists, Marx does not see art as precious because it reflects reality. On the contrary, it is most relevant to humanity when it is an end in itself. Art is a critique of instrumental reason. John Milton sold ...”

“... about Housman, The Invention of Love, than of Burnett’s scholarly edition of the poems. While Wilde, whom Stoppard uses as a foil for Housman, warned against falling into careless habits of accuracy – as though accuracy (or rigour) were simply conformism, weak morality masquerading as strong epistemology – Housman with his own mordant wit worried that ...”

“... Pound, Lawrence, Wyndham Lewis) though not, as it happens, to a Bloomsbury woman. The advent of William Morris was the point where this ambiguous lineage finally joined the modern world. Morris was of course quite as much a neo-medievalist as Carlyle or Ruskin; but his achievement was to take the Romantic critique of industrial capitalism and harness it for ...”

“... and will be written by Max Beloff. For some years I occupied a house next door to the artist William, commonly known as Bobby, Roberts. Bobby Roberts was the most taciturn person I have ever known. I had been his neighbour for twenty years before he would occasionally acknowledge my existence as we passed each other, and even then no sound escaped from ...”

“... Bow Street Magistrates’ Court, which over its 271-year history provided a stage for Oscar Wilde, Emmeline Pankhurst, Dr Crippen, ‘Lord Haw-Haw’, the Kray twins and General Pinochet, is about to reopen as a hotel called NoMad London. There will be luxury suites costing up to £2500 a night, a cocktail lounge called Common Decency ‘which will ...”

“... in a purely selfish prefiguring of the political future. That other Irish transgressor, Oscar Wilde, understood that his own indolence dimly portended the New Jerusalem in which nobody else would have to work either: just lounge on the couch all day and be your own communist society. But he had to pay a heavy price for this prolepsis, in guilt and morbid ...”

“... walrus’; Gertrude Stein compared him to ‘a very prosperous Mellon’s Food baby’; and Oscar Wilde found his face ‘vague, formless, obscene’. So it is a comfort to find all these cruelties belied in the portrait of Moore by John Butler Yeats, reproduced in Gray’s book. There sits a harmless, walrus-moustached gentleman of 53, a little melancholy in ...”

“... about the painter Whistler which catches at one’s imagination. It concerns his draughtsmanship. William Rothenstein recalls Whistler talking to him contemptuously of Oscar Wilde’s house in Tite Street and doing him a little drawing of it, to illustrate the monotony of such a terrace house. ‘I noticed then,’ says ...”