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Princess Diane

Penny Boumelha, 21 February 1985

Diane Arbus: A Biography 
by Patricia Bosworth.
Heinemann, 367 pp., £14.95, January 1985, 0 434 08150 7
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Inside the Onion 
by Howard Nemerov.
Chicago, 63 pp., £8.45, April 1984, 0 226 57244 7
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... worlds was there, including Emile de Antonio, Henry Geldzahler, Andy Warhol, Robert Frank, Walker Evans, Tom Hess, Lisette Model, Richard Avedon, Marvin Israel, and the pop art collectors Robert and Ethel Scull.’ Bosworth’s concentration on the sex-and-society aspect of her subject’s life means that she rarely illuminates the work for ...

Mad Monk

Jenny Diski: Not going to the movies, 6 February 2003

The New Biographical Dictionary of Film 
by David Thomson.
Little, Brown, 963 pp., £25, November 2002, 0 316 85905 2
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Nobody’s Perfect: Writings from the ‘New Yorker’ 
by Anthony Lane.
Picador, 752 pp., £15.99, November 2002, 0 330 49182 2
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Paris Hollywood: Writings on Film 
by Peter Wollen.
Verso, 314 pp., £13, December 2002, 1 85984 391 3
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... few directors mostly long gone and others not notable for their movie credits – Karl Lagerfeld, Walker Evans, Ernest Shackleton and Lego. In Thomson’s view film ought to be enough to detain a film-loving writer, but it isn’t. Perhaps Lane is merely keeping his options open and, who knows, doesn’t want to be a writer exclusively on film. The ...

Say hello to Rodney

Peter Wollen: How art becomes kitsch, 17 February 2000

The Artificial Kingdom: A Treasury of the Kitsch Experience 
by Celeste Olalquiaga.
Bloomsbury, 321 pp., £20, November 1999, 0 7475 4535 9
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... and Photo-Realism, finding it difficult to square his admiration for a photographer like Walker Evans with his distrust of any movement away from abstraction in painting. Hyper-realism returned to the art world, however, in the much more popular form of installation art. Damien Hirst’s notorious shark suspended in formaldehyde could well be ...

At the Whitechapel

Peter Campbell: ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, 6 January 2005

... in themselves. The show is visually disjunctive but intellectually suggestive.For example, both Walker Evans’s 1938-41 photographs of subway riders and Käthe Kollwitz’s Prisoners, an etching made thirty years earlier, have their place in an iconography of suppressed individuality. In both cases the faces seem to look inward – painfully (in the ...

Diary

Paul Foot: Awaiting the Truth about Hanratty, 11 December 1997

... had stayed in her house on the night of the murder, 22 August 1961. She was backed up by Terry Evans, whom Hanratty had met in Rhyl some months before the murder. Evans had not been in Rhyl on 22 August but he had heard later from several people that a young Londoner had been looking for him that night. Could he find any ...

Got to keep moving

Jeremy Harding, 24 May 1990

Crosstown Traffic: Jimi Hendrix and Post-War Pop 
by Charles Shaar Murray.
Faber, 247 pp., £7.99, November 1989, 0 571 14936 7
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Autobiography 
by Miles Davis and Quincy Troupe.
Macmillan, 400 pp., £13.95, February 1990, 0 333 53195 7
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... from the rock canon. One of them, ‘Little Wing’, was often performed by the jazz arranger, Gil Evans. ‘Every time I listen to his tunes,’ Evans said of Hendrix, ‘I hear something new. That’s the mark of a great composer.’ In 1970, Jimi Hendrix and Gil Evans had planned a live ...

Buy birthday present, go to morgue

Colm Tóibín: Diane Arbus, 2 March 2017

Diane Arbus: Portrait of a Photographer 
by Arthur Lubow.
Cape, 734 pp., £35, October 2016, 978 0 224 09770 3
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Silent Dialogues: Diane Arbus and Howard Nemerov 
by Alexander Nemerov.
Fraenkel Gallery, 106 pp., $30, March 2015, 978 1 881337 41 6
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... Israel, who became her lover and one of the great influences on her life. He introduced her to Walker Evans, who was, in 1938, the first photographer ever to have a solo show at MoMA. ‘He was totally overwhelmed’ by Arbus’s work, Evans’s wife recalled. ‘He saw that the pictures were posed. He admired that ...

Bad News at the ‘Observer’

Colin Legum, 4 November 1982

Powers of the Press: The World’s Great Newspapers 
by Martin Walker.
Quartet, 401 pp., £15, July 1982, 0 7043 2271 4
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Goodbye Gutenberg: The Newspaper Revolution of the 1980s 
by Anthony Smith.
Oxford, 367 pp., £3.95, January 1982, 9780198272434
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New Technology and Industrial Relations in Fleet Street 
by Roderick Martin.
Oxford, 367 pp., £17.50, October 1981, 9780198272434
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News Ltd: Why you can’t read all about it 
by Brian Whitaker.
Minority Press Group, 176 pp., £3.25, June 1981, 0 906890 04 7
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... however, exists between newspapers and the national Establishment. On this point Martin Walker quotes approvingly the views of Wilbur Schramm: ‘Prestige papers are shaped, to an important degree, by what the leadership in the country wants to know and wants known. The leadership in the country is also shaped, to an important degree, by what the ...

Diary

Iain Sinclair: London’s Lost Cinemas, 6 November 2014

... Bergman), were challenged. The screening at the Italian Cultural Institute, attended by Muriel Walker, who had been part of the production, and who brought a spellbinding sense of witness, confirmed an episode that was vaguely remembered but legendary. Soon afterwards, the presentation of Antonioni’s Il Grido above a hip pizza house next to the Olympic ...

In place of fairies

Simon Schaffer, 2 December 1982

Stolen Lightning: The Social Theory of Magic 
by Daniel O’Keefe.
Martin Robertson, 581 pp., £17.50, September 1982, 0 85520 486 9
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Scienze, Credenze Occulti, Livelli di Cultura 
edited by Paola Zambelli.
Leo Olschki, 562 pp., April 1982, 88 222 3069 8
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... to have emerged from that study. The classics of modern social science, whether Durkheim, Mauss, Evans-Pritchard or Weber, have all been obsessed by these issues, which they connect more or less closely with the very origins of our own society. Here the origins of social science and the origins of modern society are traced to the same source. Stolen ...

How Movies End

David Thomson: John Boorman’s Quiet Ending, 20 February 2020

Conclusions 
by John Boorman.
Faber, 237 pp., £20, February, 978 0 571 35379 8
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... or anyone, would walk away from the money. It was probably tactful of Boorman not to mention that Walker (Parker’s new name) was possibly dead, or else dreaming the whole story, like Charles Foster Kane.Isn’t this heady, inside movies stuff just what you hoped for? Well, I should tell you now that much of what I’ve talked about so far comes from ...

2000 AD

Anne Sofer, 2 August 1984

The British General Election of 1983 
by David Butler and Dennis Kavanagh.
Macmillan, 388 pp., £25, May 1984, 0 333 34578 9
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Militant 
by Michael Crick.
Faber, 242 pp., £3.95, June 1984, 0 571 13256 1
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... House of Commons were in revolt, and early in 1986 she was forced to resign in favour of Mr Peter Walker. Traditional “one nation” Toryism reasserted itself.’ The third. ‘The second Thatcher Government set about establishing a police state and mounted savage attacks on socialist local authorities and militant unions like the mine-workers. The ...

A Common Playhouse

Charles Nicholl: The Globe Theatre, 8 January 2015

Shakespeare and the Countess: The Battle That Gave Birth to the Globe 
by Chris Laoutaris.
Fig Tree, 528 pp., £20, April 2015, 978 1 905490 96 7
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... said to have ‘secret passages towards the water’. Shakespeare bought it for £140 from Henry Walker, ‘citizen and minstrel of London’. The deed of sale is dated 10 March 1613: he put down £80 and the following day signed a mortgage agreement with Walker for the remaining £60. Whether Shakespeare ever lived in ...

Outside Swan and Edgar’s

Matthew Sweet: The life of Oscar Wilde, 5 February 1998

The Wilde Album 
by Merlin Holland.
Fourth Estate, 192 pp., £12.99, October 1997, 1 85702 782 5
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Cosmopolitan Criticism: Oscar Wilde’s Philosophy of Art 
by Julia Prewitt Brown.
Virginia, 157 pp., $30, September 1997, 9780813917283
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The Cambridge Companion to Oscar Wilde 
edited by Peter Raby.
Cambridge, 307 pp., £37.50, October 1997, 9780521474719
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Wilde The Novel 
by Stefan Rudnicki.
Orion, 215 pp., £5.99, October 1997, 0 7528 1160 6
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Oscar Wilde 
by Frank Harris.
Robinson, 358 pp., £7.99, October 1997, 1 85487 126 9
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Moab is my Washpot 
by Stephen Fry.
Hutchinson, 343 pp., £16.99, October 1997, 0 09 180161 3
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Nothing … except My Genius 
by Oscar Wilde.
Penguin, 82 pp., £2.99, October 1997, 0 14 043693 6
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... Stephen Fry was cast in Wilde long before Mitchell had written the script and everyone from Chris Evans to Merlin Holland agreed that he was born to play the part. ‘Stephen Fry is Oscar Wilde,’ insists the Foreword to Rudnicki’s novelisation. Reviews of the film have elided the difference between actor and role. In the Evening Standard, Alexander ...

Diary

Rebecca Solnit: After the Oil Spill, 5 August 2010

... the chunky brown stuff looks like vomit. ‘Just globs of death out there,’ one diver, Al Walker, says in a Southern accent. ‘Oil so thick it blocks out almost all the light below,’ says another diver. An AP photograph by Dave Martin shows one of the gentle little waves of the Gulf Coast in close-up, a wave on Orange Beach that’s brownish gold ...

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