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Natasha’s Dance: A Cultural History of Russia 
by Orlando Figes.
Allen Lane, 729 pp., £25, October 2002, 0 7139 9517 3
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... combined Russian folk arts and crafts with Art Nouveau stylisations, and a group of young men (Sergei Diaghilev, Alexander Benois, Leon Bakst) now began to see peasant art as falling in line with the new European taste for the exotic and the primitive. The Ballets Russes, arising from an attempt to create a fictive Russian past using artistic techniques ...

Sideswipes

Stephen Walsh: Prokofiev, 25 September 2003

Prokofiev: From Russia to the West 1891-1935 
by David Nice.
Yale, 390 pp., £25, April 2003, 0 300 09914 2
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... Three Oranges (first staged in Chicago in 1921) was given a brilliant Meyerholdian production by Sergei Radlov at the Maryinsky; and when Prokofiev himself returned in January 1927, his first Moscow concert included most of the long concert suite from the Diaghilev ballet Chout, while his solo recitals contained four of the (so far) five piano sonatas and ...

Outfox them!

Sheila Fitzpatrick: Stalin v Emigrés, 8 March 2012

Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union 1921-41 
by Michael David-Fox.
Oxford, 396 pp., £35, January 2012, 978 0 19 979457 7
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Moscow, the Fourth Rome: Stalinism, Cosmopolitanism and the Evolution of Soviet Culture, 1931-41 
by Katerina Clark.
Harvard, 420 pp., £25.95, November 2011, 978 0 674 05787 6
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Being Soviet: Identity, Rumour and Everyday Life under Stalin 
by Timothy Johnston.
Oxford, 240 pp., £55, August 2011, 978 0 19 960403 6
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Stalin’s Last Generation: Soviet Postwar Youth and the Emergence of Mature Socialism 
by Juliane Fürst.
Oxford, 391 pp., £63, September 2010, 978 0 19 957506 0
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All This Is Your World: Soviet Tourism at Home and Abroad after Stalin 
by Anne Gorsuch.
Oxford, 222 pp., £60, August 2011, 978 0 19 960994 9
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... cutting edge in theatre and the cinema (as represented, for example, by Meyerhold and Eisenstein) and in the theory of education (Makarenko). For all the complaints about VOKS’s over-controlling and bureaucratic approach, that was basically what VOKS wanted to show them.David-Fox argues that historians have consistently underestimated the ...

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