At Tate Britain
Eleanor Birne: Rachel Whiteread, 2 November 2017
“... one interviewer that she must have seen Nauman’s concrete chair-imprint when it was exhibited by Nicholas Serota at the Whitechapel, but she hadn’t really noticed it – and she was clearly frustrated by the critics’ insistence that everything she had done was derived from an early work by Nauman, who soon moved on from casting. His chair, she said, was ... ”