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“... of 1912, towards the ideals of the United Irishmen, the revolutionary organisation founded by Wolfe Tone and a group of Belfast radicals in 1791. Holland, however, is sceptical about the change that has taken place in Loyalist attitudes: some Loyalists, he says, have replaced ‘a sheep-like willingness to follow their middle-class leaders’ with ...”

“... with R. Blakeslee Gilpin. The irony of Styron’s career is that as a literary son of Faulkner, Wolfe and Hemingway, he expended massive energy and mountaineering stamina into making himself a major prestigious novelist – and succeeded! – yet that ‘slender little volume’ has left its big brothers behind. It is the one book of Styron’s that ...”

“... prose to celestial poetry. (They hadn’t read, these promoters of the Penman in Hollywood fable, Michael Moorcock’s minatory letters to J.G. Ballard, the grind of lost years and aborted projects.) So, obviously, when I met Penman, this Schrader yarn was the one I put to him. Why did he come back? Where did it all go wrong? The truth was less ...”

“... where it threatened the Ascendancy itself, it does not really explain the disparate forces behind Wolfe Tone’s uprising in 1798, nor the subsequent ambiguous behaviour of Ulster Protestants, founders of the Orange Order. Within a decade, it was clear that Protestants had become surrogates for English interests in the Union, unwillingly exposed to a Catholic ...”

“... Paul, called her Doke. Childhood friends called her Dodo or Didi or Priscilla Preoccupied. Michael Curtiz called her Miss Lachrymose (she could weep on cue). Jack Carson called her Zelda. Fans called her Miss Huckleberry Finn. Film crews called her Nora Neat and Dorothy Detail. A staff assistant called her Janie O. Gene Kelly called her Brunhilda. Bob ...”

“... reign of Richard II, and reaches the end of the first year of Henry’s reign. As its printer John Wolfe remarked: ‘No book ever sold better.’ Though many ‘exceptions’ were ‘taken’ to it, it was allowed to circulate freely for four months. By the early summer a thousand copies had been sold and, ‘the people calling for it exceedingly’, a second ...”

“... seeking his approval to get a Sullivanian therapist: ‘There was pressure,’ the sculptor James Wolfe recalled, but if you did it, then suddenly ‘you had access.’ Among those who signed on were the artists Kenneth Noland, Jules Olitski and Larry Poons. Some were just dabbling, but Olitski went all in, bringing his wife and daughters with him, and ...”

“... Isadora Duncan, Alla Nazimova, Pola Negri, Tamara Karsavina, Katharine Cornell, Marie Laurencin, Michael Strange and Eva Le Gallienne in the 1920s and 1930s to Greta Garbo, Marlene Dietrich, Hope Williams, Libby Holman, Ona Munson (Belle Watling in Gone with the Wind), Poppy Kirk (a Schiaparelli model and prominent diplomat’s wife) and many others in ...”

“... European ladies’ and similar barracuda. He doesn’t divulge any gossip or glean any Tom Wolfe-ish observations from these outings, too concerned with keeping tabs on his own progress to tilt the spotlight elsewhere. One of the best-known passages in Making It is its account of the status update running like a stock ticker through the minds of the ...”

“... Angela knew Anthony and Ann when they first met. ‘He had a huge picture of the singer George Michael above his bed,’ said Angela. ‘Everybody teased him about it, but he said: “One day I’ll be famous like him.”’ Angela was wearing huge hooped earrings and slippers covered in hearts. Whenever she got excited she kicked an Argos catalogue that ...”