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Anne Hollander: Wild Lee Miller, 20 July 2006

Lee Miller 
by Carolyn Burke.
Bloomsbury, 426 pp., £12.99, March 2006, 0 7475 8793 0
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... by hectic strings of little flags.In the summer of 1937 she escaped back to Paris, where Max Ernst introduced her to Roland Penrose, a wealthy English artist and collector who worshipped Picasso and frequented the free-loving Surrealists, whose work he had helped launch in England. He had seen Man Ray’s erotic images of Lee Miller and ...

Robbing banks

George Melly, 25 June 1992

Magritte 
by David Sylvester.
Thames and Hudson, 352 pp., £45, May 1992, 0 500 09227 3
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Magritte 
by Sarah Whitfield.
South Bank Centre, 322 pp., £18.95, May 1992, 1 85332 087 0
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... painters (the poets were not at risk) faced the danger of drowning in money To win was to fail. Ernst, Miro and Magritte himself were all eventually dispossessed. Mariën continued the attack after Magritte’s death. His autobiography, published in 1983, maintained that during their friendship Magritte had forged several modern painters and sold them in ...

At the Palazzo Venier

Nicholas Penny: Peggy Guggenheim’s Eye, 9 May 2002

Peggy Guggenheim: The Life of an Art Addict 
by Anton Gill.
HarperCollins, 506 pp., £25, October 2001, 0 00 257078 5
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... Second World War; purchases resumed in 1941, in New York, with André Breton, Howard Putzel and Max Ernst also advising. The catalogue of Guggenheim’s collection, Art of This Century, published in that year, amounted to an ‘anthology of modern art’ – that is, a sourcebook of approved models of thirty years of European avant-garde art. At the ...

Mr Lukacs changes trains

Edward Timms, 19 February 1987

Georg Lukacs: Selected Correspondence 1902-1920 
translated by Judith Marcus and Zoltan Tar.
Columbia, 318 pp., $25, September 1986, 9780231059688
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... in Hungarian and German intellectual life: Karl Polanyi, Oscar Jasci, Emil Lask and Karl Mannheim; Ernst Bloch, Martin Buber, Georg Simmel, Ernst Troeltsch, Karl Jaspers, Max Weber, Paul Ernst and Thomas Mann. By interweaving, in chronological ...

Superhistory

Patrick Parrinder, 6 December 1990

Curfew 
by Jose Donoso, translated by Alfred MacAdam.
Picador, 310 pp., £13.95, October 1990, 0 330 31157 3
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War Fever 
by J.G. Ballard.
Collins, 176 pp., £12.95, November 1990, 0 00 223770 9
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Great Climate 
by Michael Wilding.
Faber, 147 pp., £12.99, November 1990, 0 571 14428 4
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Honour Thy Father 
by Lesley Glaister.
Secker, 182 pp., £13.99, September 1990, 9780436199981
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... the slowing-down of time and the imminence of entropic decay, the landscapes from Tanguy or Max Ernst – all these things, purporting to speak to us of future history, can more plausibly be viewed as Ballard’s version of the myth of the Fall. Ballard celebrated his 60th birthday this year, and his view of what is in store for his fictional ...

Jackson breaks the ice

Andrew Forge, 4 April 1991

Jackson Pollock: An American Saga 
by Steven Naifeh and Gregory White Smith.
Barrie and Jenkins, 934 pp., £19.95, March 1990, 0 7126 3866 0
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Abstract Expressionism 
by David Anfam.
Thames and Hudson, 216 pp., £5.95, August 1990, 0 500 20243 5
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Night Studio: A Memoir of Philip Guston 
by Musa Mayer.
Thames and Hudson, 256 pp., £8.95, February 1991, 0 500 27633 1
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... respected abstract painter in the world had given a lesson in open-minded judgment to the wife of Max Ernst. ‘For American artists,’ the authors observe, ‘the story came to signify the passing of the true flame ...’ Not long after this happened, Guggenheim made a contract with Pollock, an unheard of thing, giving him a monthly salary against his ...

Denatured

Rosemary Hill, 2 December 1993

Karl Friedrich Schinkel: ‘The English Journey’ 
edited by David Bindman and Gottfried Riemann, translated by F. Gagna Walls.
Yale, 220 pp., £35, July 1993, 0 300 04117 9
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The Modernist Garden in France 
by Dorothée Imbert.
Yale, 268 pp., £40, August 1993, 0 300 04716 9
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... schemes discussed in the book could more accurately be described as surrealist. The patrons of Max Ernst and Buñuel, the de Noailles, commissioned a terrace from Robert Mallet-Stevens with rectangular windows in the surrounding wall framing ‘scenes’ in the landscape. These look the Picturesque round the last bend to its illogical conclusion. The ...

Chaotic to the Core

James Davidson, 6 June 1996

Satyrica 
by Petronius, translated by Bracht Branham and Daniel Kinney.
Dent, 185 pp., £18.95, March 1996, 0 460 87766 6
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The Satyricon 
by Petronius and P.G. Walsh.
Oxford, 212 pp., £30, March 1996, 0 19 815012 1
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... First, there was the Surrealist view of a primitive Ancient World already well explored by Max Ernst, Martha Graham and Pasolini: bizarre buildings, tribal costumes, blank walls, labyrinths, minotaurs (‘Who are you? Who are you? Tell me who you are’) – all the discontinuity of a dream. Then this lily of symbolism was gilded with a thick ...

Men’s Work

Adam Kuper: Lévi-Strauss, 24 June 2004

Claude Lévi-Strauss: The Formative Years 
by Christopher Johnson.
Cambridge, 208 pp., £40, February 2003, 0 521 01667 3
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... went foraging for African and Native American art in the city’s antique shops with Breton, Max Ernst and Duchamp. After the war, the local variants of phenomenology and Marxism became international cults. Structuralism, which understood culture according to a linguistic model, as a system of differences and oppositions ...

Long Spells of Looking

Peter Campbell: Pretty Rothko, 17 September 1998

Mark Rothko 
edited by Jeffrey Weiss.
Yale/National Gallery of Art, Washington, 352 pp., £40, April 1998, 0 300 07505 7
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Mark Rothko: The Works on Canvas 
by David Anfam.
Yale/National Gallery of Art, Washington, 708 pp., £75, August 1998, 0 300 07489 1
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... by anyone who only knows what he painted in the Fifties. His work was a bit surrealist (an echo of Max Ernst here and there), sometimes almost social realist – for example, in a subway painting more flat and decorative than Hopper’s, but with the same taste for the look of the ordinary urban scene. ‘The most interesting painting,’ he said in ...

Pure Mediterranean

Malcolm Bull: Picasso and Nietzsche, 20 February 2014

Picasso and Truth: From Cubism to Guernica 
by T.J. Clark.
Princeton, 352 pp., £29.95, May 2013, 978 0 691 15741 2
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... talks about his boyhood in France in the 1930s: ‘The return to savagery – to the Minotaur, for Max Ernst, to Picasso’s paganism – I still see these today as the atrocious forces unleashed on society during that era … my generation still sees Guernica falling on painting … the way the Nazi planes bombarded the town.’ Latour, slightly ...

Nothing to Do with Me

Gaby Wood: Henri Cartier-Bresson, 4 June 2014

Henri Cartier-Bresson 
Pompidou Centre, until 8 June 2015Show More
‘Voir est un tout’: Entretiens et conversations 1951-98 
by Henri Cartier-Bresson.
Centre Pompidou, 176 pp., €19.90, January 2014, 978 2 84426 639 2
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Henri Cartier-Bresson: Here and Now 
edited by Clément Chéroux.
Thames and Hudson, 400 pp., £45, March 2014, 978 0 500 54430 3
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... the edges of the group – worshipping André Breton, befriending René Crevel, looking up to Max Ernst – he preferred their talk of revolution to any art they made, and never said a word at their gatherings. His photographs from that time feel as timid as he professed to be in their company. He was under no illusions about some of the early phases ...

Rain, Blow, Rustle

Nick Richardson: John Cage, 19 August 2010

No Such Thing As Silence: John Cage’s 4'33" 
by Kyle Gann.
Yale, 255 pp., £16.99, April 2010, 978 0 300 13699 9
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... rehearsal and performance of experimental music.’ Among those impressed by Cage in Chicago was Max Ernst, who arranged for his wife, Peggy Guggenheim, to celebrate the opening of her new gallery in New York with a concert of Cage’s percussion music. So John and Xenia upped sticks yet again, arriving in the city in the spring of 1942 with 25 cents ...

At MoMA

Mary Ann Caws: Dadaglobe Reconstructed, 7 September 2016

... with the originals. Many of the works here are early versions of later and more famous pieces: Max Ernst’s collage The Chinese Nightingale, with the hands uplifted to the single eye underneath the fan, makes us think of the raised arm in his Celebes of 1921 in the Tate, and of the threatening bird-headed creatures in Oedipus Rex of 1922. Anton ...

Boxing the City

Gaby Wood, 31 July 1997

Utopia Parkway: The Life and Work of Joseph Cornell 
by Deborah Solomon.
Cape, 426 pp., £25, June 1997, 0 224 04242 4
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... to squeeze violets on top of mushroom soup to make it lilac-coloured.’ If he had not seen some Max Ernst collages on his wanderings about Manhattan and decided to cut up his collected photostats on the kitchen table, Cornell might have been known only to Utopia locals. Although he left traces of his scattered preoccupations in diaries and ...

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