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“... leading intellectuals, is just not very interesting about radicalism in Felix Holt the Radical. French novelists continue to mull over the French Revolution, English novelists do not. Recalling that Hegel once dubbed Napoleon ‘an idea on a horse’, Miss McCarthy suggests that the Continent’s advantage may be due to ...”

“... A bookseller friend got me a copy of the single edition of her Historical and Moral View of the French Revolution, and both editions of Godwin’s Memoir written after her death, which caused such a scandalous stir when they appeared one after another in 1798; none of these had ever been reprinted. Two out of the four volumes of the Posthumous Works edited ...”

“... The pictures on the walls looked as familiar and predictable as the people. Surely that’s Marilyn. And look – there’s Jackie. There, reassuringly, is the Campbell’s soup can. In fact, there it is again – and again. It’s barely even a shock to see the late Andy Warhol himself, holding a small crowd in the angle of the staircase and sporting ...”

“... epilogue, taken more or less verbatim from the second volume of his mammoth Life of Picasso. Marilyn McCully (who is working on the third volume with Richardson) provides a foreword and biographical notes. Letters from Olivier to Gertrude Stein and Alice B. Toklas are included, too. So Loving Picasso is more complicated than the ‘private journal’ it ...”

“... her collection of ‘English Prose Texts’, Burke, Paine, Godwin and the Revolution Controversy, Marilyn Butler finds it useful to quote Hazlitt when she has to introduce the dull writings of Orator Thelwall. ‘The most dashing orator I ever heard is the flattest writer I have ever read,’ Hazlitt explains. When Thelwall orated, ‘he was the model of a ...”

“... now call a ‘woman-hater’ – a view anticipated, in their own ways, by Leslie Fiedler and Marilyn French – it does at least have the merit of demonstrating just how far the misogynist line can be taken. If Jardine’s interpretations of plays by Shakespeare and other contemporary dramatists are correct, these works ought to be removed from all ...”

“... and obliges us to consider it as a collaborative popular invention. The idea of likening the French Revolution and particularly the Parisian mob to a parricidal monster may have occurred first to Edmund Burke. Already in his Reflections on the Revolution in France (1790), Burke saw the fomentors of revolutions as sinister magicians, the Parisian ...”

“... shoots a film in a Seville square at 2 a.m., Jeanne Moreau cooks rabbit in the kitchen of her French farmhouse, Woody Allen has been spreading glue on the parapet of his New York apartment to discourage the pigeons (though the glue served only to discourage them from leaving). Once the talk begins, the claims for its significance seem distinctly ...”

“... jester and the fool. At about the same time he published a scholarly article on the late medieval French tradition, the annual Feast of Fools, when (as if in anticipation of the French Revolution) the populace invaded the Church and performed obscene, blasphemous rituals there. Scott describes just such rites in The Abbot ...”

“... the Spanish peninsula, the most recent theatre of the long war against France which followed the French Revolution. As the Vietnam War demonstrated in modern times, nothing so divides and demoralises the Western intellectual as a war against a left-wing enemy. Even with its military dictator dressed up in imperial robes, France displayed a more radical ...”

“... accompanied by two colleagues from East Hoathly, one of whom, a prosperous farmer called Jeremiah French, was known to Turner as a scourge of paupers and a depresser of wages – though Vaisey goes further, and shows that for several years French had been systematically evading payment of the poor rate. The delegation from ...”

“... The sexualised view of the breast,’ Marilyn Yalom asserts, is a Western phenomenon. Non-Western cultures, she assures us, ‘have their own fetishes’. This seems dismissive, running the risk of a National Geographic style of condescension, other cultures representing the (scorned) site of an (inferior) idyll in which everything hangs out, and there are no hang-ups ...”

“... Aldous Huxley, who, however, fatally lacked Peacock’s tenderness for women and his poetic grace. Marilyn Butler speaks, at one point, of his Mozartian sparkle. Mozart is indeed a source, The Marriage of Figaro especially, for Peacock’s mischievous spell: but she has far more to say about the formation of Peacock’s mind in a book which is ...”

“... them as political too. Smith’s main topic is the rhetoric developed by English radicals in the French Revolutionary and Napoleonic war period. McGann, more literary, discusses a number of highbrow poets from Crabbe to Christina Rossetti. They both write accessibly, and with a noticeable openness to the wider world, in the early 19th century and now. Half ...”

“... in – natch – Marx, Freud, structuralism, post-structuralism, Lacanianism, and feminism French and American), and then added, not deigning now to specify: ‘plus a couple of weeks for the old verities’.   Is this all that everything from Aristotle to Trilling, from Horace and Sidney to Eliot and Empson, amounts to? The old verities? I find ...”