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“... Meanwhile he was supposed to be studying English literature at Oxford, where he befriended T.E. Lawrence, whose wartime adventures Graves was to relate in a rather Boy’s-Own style in Lawrence and the Arabs (1927). In the early 1920s he and Lawrence planned their very own Boy’s Own ...”

“... From the moment he announced his staff and cabinet appointments (Rahm Emanuel, Timothy Geithner, Lawrence Summers, Hillary Clinton, Robert Gates et al) it was clear that Obama meant to play by the same Washington rules that created the policy disasters he inherited from George W. Bush. Obama had retreated into politics as usual. He never looked back. One did ...”

“... version of the Modernist dream has become real, with nightmarish results. The focus then shifts to Jackson Pollock, whose drip paintings become a variant of the dilemma that had faced Braque and Picasso: irreducible difference confronting anonymous identity, a dilemma restaged in a different key of agonised inquiry. Pollock, in turn, is followed by a ...”

“... Kingdom, the so-called Diplock Courts in Northern Ireland. In their study of those courts, John Jackson and Sean Doran suggest that the arrangement leads to an ‘adversarial deficit’ – the judge’s increased inquisitorial role changes the nature of the proceedings. Pressure is placed on defendants to refrain from contesting the prosecution case on its ...”

“... and of course there was the doubtless related matter of Housman’s sterile love for Moses Jackson, a friend and fellow undergraduate capable of inspiring the deep devotion of the young Housman but lacking any intention of responding in the manner desired. Moses Jackson was certainly important to the poetry, and I ...”

“... might verge on narrow-mindedness; the game might bore us. But the rulings were clear: by 1954, Jackson Pollock’s paintings were ‘forced’ and ‘dressed up’; Clyfford Still never left the minor league; Marcel Duchamp was a joker (not in a good way); Morris Louis painted as brilliantly as Raphael. In a 1959 essay, ‘The Case for Abstract Art’, he ...”

“... Managing editor: Alfred Perles; society editor: Anais Nin; sports editor: Charles Nordon (aka Lawrence Durrell); butter news editor: Walter Lowenfels; department of metaphysics and metapsychosis: Michael Fraenkel; fashion editor: Earl of Selvage (aka Henry Miller); and Lawrence Durrell and William Saroyan as the ...”

“... love it here; real mad fun. Especially the evening game of gin rummy before beddy-by (9.30); the 8 p.m. cup of cocoa.’ The letter was written on 15 November 1951, a few days after James Schuyler had been admitted to Bloomingdale Hospital, a mental institution in White Plains, New York. Schuyler still gets his semi-colons right, and his appetite for gossip is ...”

“... automobiles and television. New names will appear: Clement Greenberg, Alfred Barr, Josef Albers, Jackson Pollock, Andy Warhol, Francis Bacon. All but the stodgiest departments – though this exempts many – will make gestures towards what has for the last thirty years been referred to, again tautologically, as ‘Theory’. Somewhere along the line, art ...”

“... what will come next, and how soon. In New Orleans’s first hundred years, the period covered by Lawrence Powell’s The Accidental City, its existence was imperilled more than a dozen times. The first catastrophic flood occurred in 1719, less than a year after the site was claimed by French settlers. It was ‘the worst overflow the local Indians ...”

“... is a tremendous biographical document with flashes of power. It has a striking portrait of D.H. Lawrence being foxy while Frieda gets on with her knitting. But as fiction it’s inert: tendril-waving and clumpingly spelled out. All psychologies underlined. Things said twice. What happened to the poet’s ear for tautology when she talks of someone as having ...”

“... immersion in it – as only a detailed biography such as this can show. Hardy was not, like Lawrence, continually engaged on his own bildungsroman: but the wry situations in the novels, the ironic plots behind the poems, are again and again found to have their roots in direct experience, observed or lived through; and the power of the best scenes in the ...”

“... The book bears the marks of its origin as a TV series: potted biographies of the founding heroes (Jackson Pollock and Picasso) interpolated here and there, scenic shoots in studios far and wide, and a haphazard structure. It does well, though, to place the Sensation lot in a family tree, with Goya, Munch, Picasso, America, Modernism and Matisse. Collings has ...”

“... Stonewall Jackson, the deeply neurotic but irresistibly romantic, swashbuckling Confederate commander, thought that the great and swift destruction of life and property seen in the American Civil War was the essence of war generally. But this war was not swift. It was long and gruelling: 425 men, on average, died every day for 1458 days ...”

“... continuously’ and drinking a lot; he got in fights, too, including one abortive dust-up with Jackson Pollock. Partly to escape urban temptation, Creeley, his wife, Ann, and their two young sons relocated in 1948 to a farm in New Hampshire, where he bred pigeons and poultry and tried to write. ‘I learned more about poetry as an actual activity from ...”