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Randolph Quirk, 25 October 1979

Collins Dictionary of the English Language 
by P. Hanks, T.H. Long and L. Urdang.
Collins, 1690 pp., £7.95
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... and Lawrence Urdang move from one dictionary house to another. Oxford (with R.W. Burchfield and John Sykes) is comparatively stable. When work began on the new Collins, Paul Procter and Della Summers were young conductors under impresario Urdang, and they later moved on to make dictionaries for Longman. Patrick Hanks was recruited to complete the Collins ...

Examples

Denis Donoghue, 2 February 1984

Towards 2000 
by Raymond Williams.
Chatto, 273 pp., £9.95, October 1983, 9780701126858
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Writing in Society 
by Raymond Williams.
Verso, 268 pp., £18.50, December 1983, 0 86091 072 5
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Radical Earnestness: English Social Theory 1880-1980 
by Fred Inglis.
Martin Robertson, 253 pp., £15, November 1982, 0 85520 328 5
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... political life’. The writers Inglis presents under this rubric are William Morris, T.H. Green, John Maynard Keynes, R.G. Collingwood, F.R. Leavis, George Orwell, Adrian Stokes, Tony Crosland – as he calls him – Richard Titmuss, Richard Hoggart, Raymond Williams, ...

Zigzags

John Bossy, 4 April 1996

The New Oxford History of England. Vol. II: The Later Tudors 
by Penry Williams.
Oxford, 628 pp., £25, September 1995, 0 19 822820 1
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... and Myres, and Stenton) and Taylor’s. I doubt if the new one will fare any better. John Roberts, the general editor, does not show his hand in detail, and we must keep our fingers crossed about the whole being greater than the parts by giving ‘an account of the development of our country in time’ – ‘our country’ meaning something ...

Dan Dare at the Cosmos Ballroom

John Hartley Williams, 8 July 2004

... amor vincit omnia Venus lies ahead – ball of mists and disenchanted fruitfulness, too hot for charity, too steamy for reproach, my mission crystalline as snow: to conquer what has always conquered us. Airlock doors slide open. They reveal the Mekon, president of Love Unexpurgated, a peagreen Humpty Dumpty on a flying plate, vestigial legs suggesting toxic misadventures at the antenatal stage, the sonic scalpel of his voice sharp inside my brain: Welcome to the planet humans dream of on their cold blue ball ...

Heavy Lifting

John Palattella: John Ashbery, 7 June 2001

Other Traditions 
by John Ashbery.
Harvard, 168 pp., £15.50, October 2000, 0 674 00315 2
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John Ashbery and American Poetry 
by David Herd.
Manchester, 245 pp., £45, September 2000, 0 7190 5597 0
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... A little over thirty years ago, John Ashbery delivered a lecture at the Yale Art School called ‘The Invisible Avant-Garde’, in which he asked whether the distinction between the avant-garde and the mainstream has become obsolete. ‘Looking back only as far as the beginning of this century,’ he remarked, ‘we see that the period of neglect for an avant-garde artist has shrunk for each generation ...

The Quest for Solidarity

John Dunn, 24 January 1980

Politics and Letters: Interviews with ‘New Left Review’ 
by Raymond Williams.
New Left Books, 446 pp., £12.75, September 1980, 0 86091 000 8
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... intrinsically oppressive) and the latter positively (as intrinsically ‘liberating’). Raymond Williams has made a more persistent attempt to grasp the nature of this relation than any living British writer and has certainly avoided sentimentalising imagination, even if his conception of power has proved rather more equivocal. In the present volume he is ...

You can’t prove I meant X

Clare Bucknell, 16 April 2020

Poetics of the Pillory: English Literature and Seditious Libel, 1660-1820 
by Thomas Keymer.
Oxford, 352 pp., £25, October 2019, 978 0 19 874449 8
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... anti-ministerial ‘Advice to a Painter’ satires were absurdly attributed to the royalist poet John Denham); and in the case of published books, the printer’s name and location could be disguised by the use of a false imprint.For Thomas Keymer in his beautifully detailed history, such strategies of evasion are one of the things that make seditious ...
... I sometimes​ argue with my friend Heathcote Williams about his use of pornography as a means of attacking his political enemies. It seems to me an irrelevant weapon in any context, and in the hands of a man with Heathcote’s anarchistic, optimistic, nearly utopian convictions it becomes puzzlingly inconsistent ...

Cromwell’s Coven

John Sutherland, 4 June 1987

Witchcraft 
by Nigel Williams.
Faber, 390 pp., £10.95, May 1987, 0 571 14823 9
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Without Falling 
by Leslie Dick.
Serpent’s Tail, 153 pp., £9.95, May 1987, 1 85242 005 7
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Outlaws 
by George V. Higgins.
Deutsch, 360 pp., £10.95, April 1987, 0 233 98110 1
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... in a more seedily charming and futile way than in The British Museum is falling down. Nigel Williams’s Witchcraft opens with a scene in the British Library (as it now is) which neatly defines what the great British institution stands for in the late 1980s: namely, the enemy, a redoubt for Thatcher’s bureaucrat henchmen. Jamie Matheson, youngish TV ...

The Cadaver Club

Iain Sinclair, 22 December 1994

Original Sin 
by P.D. James.
Faber, 426 pp., £14.99, October 1994, 0 571 17253 9
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Dan Leno and the Limehouse Golem 
by Peter Ackroyd.
Sinclair-Stevenson, 282 pp., £14.99, September 1994, 1 85619 507 4
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The Hidden Files: An Autobiography 
by Derek Raymond.
Warner, 342 pp., £5.99, December 1994, 0 7515 1184 6
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Not till the Red Fog Rises 
by Derek Raymond.
Little, Brown, 248 pp., £15.99, December 1994, 0 316 91014 7
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... peglegs: all press-ganged upstream with Adam Dalgleish’s impersonator, Roy Marsden, for the Long John Silver show at the Mermaid. James is left with a heritage trail of selective quotations, a London Dungeon of waxwork crimes exhibited in authentic locations. This is an empty set, a set defined by its architecture (where even Mandy the Temp, in her ...

Respectful Perversion

John Pemble: Gilbert and Sullivan, 16 June 2011

Gilbert and Sullivan: Gender, Genre, Parody 
by Carolyn Williams.
Columbia, 454 pp., £24, January 2011, 978 0 231 14804 7
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... since in traditional comic theatre the Dame was a transvestite role. And now Carolyn Williams, a feminist critic, has published a searching analysis of the thinking behind Gilbert’s libretti, and delivered a verdict of ‘not guilty’ on the charge of misogyny. Her book is, in its way, as unexpected and remarkable as Strachey’s compliment of ...

One Great Good True Thing

Thomas Powers: Tennessee Williams, 20 November 2014

Tennessee WilliamsMad Pilgrimage of the Flesh 
by John Lahr.
Bloomsbury, 765 pp., £30, September 2014, 978 1 4088 4365 9
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... To spend time​ with Tennessee Williams – for months on end in the case of Elia Kazan, the director who put his plays on the stage in the 1940s and 1950s; 12 years in the case of his latest and best biographer, John Lahr; or even as little as six weeks by me while reading Lahr’s absorbing Life, along with the work, and a big chunk of all the stuff Williams wrote and said about the work – is to learn and relearn how soberly Williams was speaking when he told Kazan: ‘I don’t know what it is to take anything calmly ...

John McEnroe plus Anyone

Edward Said: Tennis, 1 July 1999

The Right Set: The Faber Book of Tennis 
edited by Caryl Phillips.
Faber, 327 pp., £12.99, June 1999, 0 571 19540 7
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... your twenties, facing Sampras or Philippoussis or Ivanisevic, or even Navratilova, Hingis or Venus Williams: can’t be done, no way at all even of being on the same court, much less hitting their balls back. Two decades ago, wooden rackets were replaced by high-tech instruments engineered to the utmost in hitting efficiency, and daily restrung, for ever more ...

Full of Glory

John Mullan: The Inklings, 19 November 2015

The Fellowship: The Literary Lives of the Inklings 
by Philip Zaleski and Carol Zaleski.
Farrar, Straus, 644 pp., £11.20, June 2015, 978 0 374 15409 7
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... God, not another fucking elf!’ the English lecturer and long-time Inkling Hugo Dyson cried. John Wain, an attendee at meetings in the late 1940s, described his heart sinking as Tolkien appeared at Lewis’s door with a bulging jacket pocket, yet again. Tolkien looked down on Lewis’s Narnia, which he thought had been created with insufficient ...

Constable’s Plenty

John Barrell, 15 August 1991

Constable 
by Leslie Parris and Ian Fleming-Williams.
Tate Gallery, 544 pp., £45, June 1991, 1 85437 071 5
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Romatic Ecology: Wordsworth and the Environmental Tradition 
by Jonathan Bate.
Routledge, 131 pp., £8.99, May 1991, 0 415 06116 4
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... of the work of a British artist. It is also one of the dullest. Leslie Parris and Ian Fleming-Williams have resisted the tendency of the last fifteen years or so by which the catalogues of major exhibitions have often been presented as major interpretative studies of the artist and his times. Constable is a catalogue, nothing more. It maximises our ...

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