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“... complete and coercive, self-sacrificing and non-negotiable. I had with me my seven-year-old son, Jacob. We were given the smaller of the two rooms as our bedroom, while Sasha lodged with friends nearby, and Natasha, Tania and Nikolai slept in the larger room. No question of a hotel or of my staying with neighbours. Knowing their poverty, I had brought a bag ...”

“... and had become almost obsessed by the series of pictures Avedon had made of his elderly father, Jacob, over a period of several years, culminating in a deeply moving final set in which the old man, previously dressed in formal jacket and tie, was shown in a hospital gown. Later Avedon wrote: At first he merely agreed to let me photograph him, but I think ...”

“... during an extended ramble through the woods, Turtle encounters a pair of young men from town, Jacob and Brett. She knows them from school; they know her as that weird girl with the scary dad. They’re lost. Turtle agrees to lead them back to town, but darkness falls, and they end up having to make camp together; in doing so, Turtle amazes them with her ...”

“... North and the difficulties of race relations. The lecturing effect is mitigated by the magnificent Jacob Lawrence paintings in the background, and effectively collapses when the text asserts that ‘change was inevitable.’ One major point of the movie is how little has changed since 1967, and Bigelow has said as much in interviews. Unless of course the ...”

“... the fact that Matthew and Mark record the last words of Jesus as spoken in Aramaic, while Luke and John offer a different version, in Greek. But although Mark, followed by Matthew, offers various sayings in Aramaic he immediately translates them into Greek. The evangelists were addressing not only Gentiles but the large number of Jews whose ordinary language ...”

“... The tale of the apostle Thomas is a sea unspeakably vast.’ Thus the Syriac poet Jacob of Sarugh, who lived in upper Mesopotamia in the late fifth and early sixth centuries. The words are stirring but to our ears perhaps surprising, because in the West we think we know Thomas’s ‘tale’ and its significance pretty well ...”

“... B. Priestley, G. Wilson Knight, George Steiner, Angus Wilson) have been booming the name of John Cowper Powys for many years, outraged that other big guns will not join the salute. In the first number of the Powys Review, in 1977, George Steiner blamed Dr Leavis for praising Theodore Francis Powys above ...”

“... Most of us are familiar with Jacob Burckhardt’s thesis that the Italian Renaissance witnessed the ‘discovery of the individual’ while Medieval man’s self-consciousness simply took corporate form: ‘Man was conscious of himself only as a member of a race, a people, a party, a corporation, a family.’ This view is no longer held in its crude state, and sophisticated work by Colin Morris and other Medievalists has made a strong case for the 12th century, with its ‘Renaissance’, as the era of the discovery of individual self-consciousness ...”

“... There’s a scene in Tarantino’s Pulp Fiction in which John Travolta’s character, a hitman called Vincent Vega, who has escorted his boss’s wife home after an evening out, returns from the bathroom to find her unconscious on the floor. Mia (Uma Thurman) has taken a bag of heroin from his jacket pocket and, mistaking the white powder for cocaine, snorted a line and collapsed ...”

“... whom bought oil leases in the hope of generating an unstoppable flow of cash. In The Bush Tragedy, Jacob Weisberg shows how Bush family traits explain some of George W.’s tactics and modes of decision-making. ‘What makes the family drama unusual,’ Weisberg says, ‘is the way it played out on a national and world stage.’ But the Bushes are less of a ...”

“... for its ‘gentleness and refinement’. On the other hand, the fact that so many portraits by John Opie ‘are thoroughly dull, if not frankly bad’, was owed to the fact that as the son of a carpenter ‘he had no elegance in his make-up, but was commissioned to do portraits of fashionable persons.’ Remarkable for its range as Waterhouse’s book ...”

“... piece on radical pirates after the Restoration; Wilson Hays offers an interesting study of John Everard; and there is some predictably tough and valuable political analysis from David Underdown and Nicholas Rogers. What emerges from most of these essays, however, is not so much the undoubted ideological confluence of English and American radicals, as ...”

“... apparent soon enough almost anywhere. The clientele of the Ladbroke Arms is mostly European – Jacob Rees-Mogg would label such people ‘economic migrants’, the term he favours for anyone from the European Union who isn’t British and who lives and works in Britain. In the Brexit lexicon, anything migrant is suspect – illegal immigration is ...”

“... will live in a nice house in the middle of London, but it won’t be his house. Nigel Farage, Jacob Rees-Mogg and Arron Banks bought it for him. They own 10 Downing Street, and they own him. Amid a cascade of extreme events and consequences, we all tend to lose focus – not just the humble citizen but those charged with steering us through. Early in the ...”

“... allegiance of the individual talent to the collective identity of the team. In this light John Major’s cricketpersonhood is no accident, since the person who put the ‘gray’ back in Great Britain knows very well that cricket washes whiter. Nash avoids such immediately topical reference in favour of an old and valued sitting duck, Newbolt’s ...”