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“... nasty like the old time, old no. 7.On ‘Rhymes like Dimes’, Doom sampled Quincy Jones and James Ingram’s ‘One Hundred Ways’, and produced just as many quotable lines. Or, as Dunbar put it in ‘We Wear the Mask’, he mouthed with myriad subtleties. As Doom says in ‘Hey!’, another song from Operation: Doomsday, he expressed himself ‘with ...”

“... ashes. In the present volume he has also to record the death of his wife: ‘People who cry and grieve never remember. I never grieve and never forget.’ So he remembers being inconsiderate towards his unsatisfactory father (‘unlucky, untrained and unsuccessful’) and says he understands why Dr Johnson stood ...”

“... operas don’t merely enact repression, but dramatise it too; we see its operation. We grieve for repression itself (which is doubtless the repressed claim on our sympathies in both Melville and Mann’s works, but made more lucid in Britten’s operas, more urgent). We see repression as we should: ‘working’ and not working – at ...”

“... has all the books, it’s hard to be specific (a Collected Poems as soon as possible, please).’ James MacGibbon’s edition followed in 1975, but it has now been out of print for twenty years. Seamus Heaney reviewed it appreciatively but apologetically: ‘Yet finally the voice, the style, the literary resources are not adequate to the sombre ...”

“... Cavendish Square, north of Oxford Street, but still retained a mansion of 50 rooms in St James’s Square, along with other properties. As a man of commerce he invested in everything from coal to oysters, from soap to slaving, none of which commended him to Old Money. The dukes of Richmond, descended from a royal mistress, notoriously reaped a ...”

“... became ex officio head of the Church of England. On any view this was going to be a problem, and James II as he now was, egged on by his theological advisers, made the worst of it. Among other unwise moves he declared the Test Acts, which barred Catholics and dissenters from public office, to be of no effect, allowing him to commission Catholics as army ...”

“... at a time. The three of us came in and he didn’t really know what to say.‘Do you remember Grieve [MacDiarmid] fondly?’‘No.’‘Did MacCaig have interesting things to say?’‘Not really, no.’‘Are you comfortable in here?’‘It’s all right. A bit noisy. I’m reading a lot of Russian poetry.’ Eddie was tougher, and more difficult, than ...”

“... for a decade. She develops her career as a pianist. Devotes herself to her child. Learns to love James, her not altogether thrilling husband. And when she discovers she is going deaf, she meets this intense misfortune with dignity and a proportionate distress. It’s at the point where her deafness is beginning seriously to disrupt her life that Julia meets ...”

“... riding high are Why Your Life Sucks: And What You Can Do about It by Alan Cohen, When Children Grieve: For Adults to Help Children Deal with Death, Divorce, Pet Loss, Moving and Other Losses by John James and Russell Friedman, and Bodylove: Learning to Like Our Looks and Ourselves: A Practical Guide for Women by the ...”

“... in his revision of Kilmartin, has altered ‘used to go’ to ‘would go’. In addition, James Grieve’s Swann’s Way offers the refreshingly simple ‘Time was when I always went to bed early’, while Richard Howard proposes going into print with ‘Time and again, I have gone to bed early.’ One can argue the toss indefinitely over the ...”

“... to make political statements. Rubens’s Whitehall ceiling pays tribute to Charles’s father, James VI and I, promotes an exalted image of monarchy and attests to the grandeur of the House of Stuart. Its great central panel, The Glorification of James I, shows a scene of apotheosis. ...”

“... of the subject there, and to have scripted the contributions assigned to the Ettrick Shepherd, James Hogg. One scholar has asserted that the imaginary Hogg was an improvement on the real one, but the contributions do not bear this out. What did ‘James Hogg’ think of the ‘proceedings of these two Irish ...”

“... less likely than Faulkner’s to be snatched into a metaphysical empyrean. She doesn’t, as Henry James would say, ‘cultivate the high pitch and beat the big drum’. What interests her is not so much their existential dilemmas as their physical and moral landscape, the enclosing objects, in which she allows herself virtually to disappear: their domestic ...”

“... friend, his firm distinction between profit and humanity, and Shylock very bad because he cannot grieve for his daughter without lamenting his ducats. So much for the scheme. But it is also true that we are discouraged from making Shylock simply a two-dimensional emblem of usury by being told things about him that seem superfluous to the scheme and to the ...”

“... won a scholarship to Howard University. She took Sterling A. Brown’s writing class and acted in James Baldwin’s play The Amen Corner. She became friends with Amiri Baraka (then LeRoi Jones), Roberta Flack and Toni Morrison, who later encouraged her to write her memoirs using dictation to capture her family’s speech. But she felt awkward, embarrassed by ...”