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“... imperialistic or infectious irony can be. Two notable warnings are not accommodated by Enright. John Crowe Ransom’s: ‘We should be so much in favour of tragedy and irony as not to think it good policy to require them in all our poems, for fear we might bring them into bad fame.’ And T.S. Eliot’s: ‘What we rebel against is neither the use of irony ...”

“... Sweeney, we gotta use words when we talk to people. Or we can wonder where we are, as J.H. Prynne, among many others, did when faced with the case of Ferdinand de Saussure, who busied himself finding unsuspected anagrams in Latin and other poetry. (Lévi-Strauss called Saussure’s readings ‘tinkering’, while Jean-Jacques Lecercle said they were ...”

“... by Philip Gross (three years on) 41; Jouissance by William Scammell (two years) 38; Disbelief by John Ash (three years) 55; Ken Smith’s Wormwood, a collection of poems written during a spell as a writer in residence in Wormwood Scrubs (one year), 30. The justification for such work-rates, beyond the economics of scraping a living and the PR requirement of ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... Dante, Michelangelo and Shakespeare did, as well as more recent experimenters such as Hopkins, John Berryman or the sub-Prynnean Tony Lopez. Donne and Hopkins used sonnets as vehicles for religious anguish because it’s so easy to suggest that they’re buckling under pressure, that the spirit will not run true to the form, or to God. The sonnet has a ...”

“... and Star Trek enthusiast called TCP ‘Germy’ Hinton on the Oxford leg, passing by the grave of John Dee, Elizabeth I’s court wizard, an allegorical theme-park called Milton Keynes and other centres of deep and magical significance, as they go. Why are they doing this? Because they have been sent on a quixotic chase after a texte de fétiche, a putative ...”

“... rants (trashing the proles), small revenges. The Modernist experiment (Mary Butts, Djuna Barnes, John Rodker) was discounted, along with the social realists (Robert Westerby, James Curtis, Alexander Baron), who remain trapped in a ghetto of unfashionable leftist politics and unfashionable locations. The locations – Whitechapel, Notting Hill – have ...”

“... In his Narrative of a Five Years’ Expedition against the Revolted Negroes of Surinam (1796), John Gabriel Stedman describes meeting a man who had been a prince in Africa but was ‘surprized, taken, and bound’ while on a raid ‘to revenge his [father’s] death’. Yet some who wrote about the plantations also correctively maintained that, whatever ...”

“... Scott sentimentality to summon, with bicycle imagery, projections of an England that never was. John Major, a gap-year, work experience prime minister, sleepwalking through the job, as a profile-raising photo opportunity between serious employment in the banking and conference-addressing industries, blundered into a reprise of Orwell’s cycling ...”

“... After J.H. Prynne’s weighty Poems (Bloodaxe) surfaced, like the Kraken, in high-street bookshops in 1999, the complete R.F. Langley looked like a pretty small unnumbered polypus in comparison. Prynne and Langley are of an age (in their early sixties) and, superficially, of a school: both are connected with the small-press poetry world centred on Cambridge, which has, since the 1960s, maintained an alternative aesthetic to the poets and poetry associated with Oxford in the same period ...”