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Long Live Aporia!

Hal Foster: William Gaddis, 24 July 2003

Agapē Agape 
by William Gaddis.
Atlantic, 113 pp., £9.99, January 2003, 1 903809 83 5
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The Rush for Second Place: Essays and Occasional Writings 
by William Gaddis, edited by Joseph Tabbi.
Penguin, 182 pp., $14, October 2002, 0 14 200238 0
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... and The Mechanic Muse, as well as, more distantly, Friedrich Kittler (‘discourse networks’), Gilles Deleuze (‘control society’) and Jacques Attali (‘the political economy of music’). Although more technologically deterministic than these thinkers, Gaddis is not oblivious to social agency. This concern is signalled by his enigmatic ...

Diary

Edward Said: My Encounter with Sartre, 1 June 2000

... he rapidly distanced himself from all things Iranian. Finally, in the late 1980s, I was told by Gilles Deleuze that he and Foucault, once the closest of friends, had fallen out over the question of Palestine, Foucault expressing support for Israel, Deleuze for the Palestinians.Foucault’s apartment, though large and ...

The View from the Top

Sanjay Subrahmanyam: Upland Anarchists, 2 December 2010

The Art of Not Being Governed: An Anarchist History of Upland South-East Asia 
by James C. Scott.
Yale, 442 pp., £16.99, January 2011, 978 0 300 16917 1
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... Clastres broke to an extent from Lévi-Strauss, his master, and became associated for a time with Gilles Deleuze and Félix Guattari, he nevertheless remained true to Lévi-Strauss’s fieldwork techniques, structuralist orientation and geographical preference for Latin America. After a long series of essays and fieldwork reports in the journal L’Homme ...

Massive Egg

Hal Foster: Skies over Magritte, 7 July 2022

Magritte: A Life 
by Alex Danchev with Sarah Whitfield.
Profile, 420 pp., £30, November 2021, 978 1 78125 077 8
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... influenced Richter profoundly). Certainly Foucault saw Warhol’s silkscreens as simulacra, as did Gilles Deleuze, Roland Barthes and Jean Baudrillard, and some of us approached a good deal of postmodernist art in this way too.How does the play with simulacra relate to the left politics that Magritte supported? ‘In life as in my painting, I am also ...

Cheerfully Chopping up the World

Michael Wood: Film theory, 2 July 1998

The Material Ghost: Films and Their Medium 
by Gilberto Perez.
Johns Hopkins, 466 pp., £25, April 1998, 0 8018 5673 6
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On the History of Film Style 
by David Bordwell.
Harvard, 322 pp., £39.95, February 1998, 0 674 63428 4
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Gilles Deleuze's Time Machine 
by D.N. Rodowick.
Duke, 260 pp., £46.95, October 1997, 0 8223 1962 4
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The Aesthetics and Psychology of the Cinema 
by Jean Mitry, translated by Christopher King.
Athlone, 405 pp., £45, February 1998, 0 485 30084 2
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Signs and Meaning in the Cinema 
by Peter Wollen.
BFI, 188 pp., £40, May 1998, 0 85170 646 0
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... Neo-Realism and the French New Wave altered the cinema for good. Bordwell thinks the trouble with Gilles Deleuze’s two volumes on the cinema, The Movement Image (1983) and The Time Image (1985), is that they accept the Revised Standard Version’s history unquestioningly, assume the cinema has an unfolding essence, and find a precise (imaginary) place ...

In the Hothouse

Peter Howarth: Swinburne, 8 November 2018

21st-Century Oxford Authors: Algernon Charles Swinburne 
edited by Francis O’Gorman.
Oxford, 722 pp., £95, December 2016, 978 0 19 967224 0
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... boredom and resentment within the game and delay the end still further. In Coldness and Cruelty, Gilles Deleuze noted how ‘the settings in Masoch, with their heavy tapestries, their cluttered intimacy, their boudoirs and closets, create a chiaroscuro where the only things that emerge are suspended gestures and suspended suffering.’ Part of the ...

Nothing he hasn’t done, nowhere he hasn’t been

Adam Shatz: Claude Lanzmann, 5 April 2012

The Patagonian Hare: A Memoir 
by Claude Lanzmann, translated by Frank Wynne.
Atlantic, 528 pp., £25, March 2012, 978 1 84887 360 5
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... a groupuscule with the future novelists Michel Tournier and Michel Butor, and the charismatic Gilles Deleuze. Lanzmann was not the only one to fall for Deleuze, who began an affair with his sister Evelyne, a 16-year-old with ‘the body of a pin-up, huge cobalt-blue eyes and a beautiful semitic nose’. It didn’t ...

Make for the Boondocks

Tom Nairn: Hardt and Negri, 5 May 2005

Multitude 
by Michael Hardt and Antonio Negri.
Hamish Hamilton, 426 pp., £20, January 2005, 0 241 14240 7
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... were on the trail in the 1980s and 1990s, especially in France. They included Jacques Lacan, Gilles Deleuze and Félix Guattari, as well as a Duke University elite in the US. In a survey of the trend in the journal Anthropoetics in 1997, Douglas Collins wrote that back in 1984 Julia Kristeva had noted that ‘we’re in the middle of a regression ...

I must be mad

Nicholas Spice: Wild Analysis, 8 January 2004

Wild Analysis 
by Sigmund Freud, edited by Adam Phillips, translated by Alan Bance.
Penguin, 222 pp., £8.99, November 2002, 0 14 118242 3
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... the unyielding practice of this technique starts to assume a dominating, even sadistic character. Gilles Deleuze characterises analytic interpretation as a mill that grinds everything to dust: ‘The patient speaks in vain. The whole analytic mechanism seems designed to suppress the conditions for real enunciation . . . Whatever you say, it means ...

Open in a Scream

Colm Tóibín, 4 March 2021

Francis Bacon: Revelations 
by Mark Stevens and Annalyn Swan.
William Collins, 869 pp., £30, January, 978 0 00 729841 9
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... bone structure to become strange fluxes and whorls of matter in fusion’. ‘As a portraitist,’ Gilles Deleuze wrote,Bacon is a painter of heads, not faces, and there is a great difference between the two. The face is a structured, spatial organisation that conceals the head, whereas the head is dependent upon the body, even if it is the point of the ...

Genette

Stephen Bann, 2 October 1980

Narrative Discourse 
by Gérard Genette, translated by Jane Lewin.
Blackwell, 285 pp., £9.95, June 1980, 0 631 10981 1
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... made with another major study of the same period which has already been translated into English, Gilles Deleuze’s Proust and Signs. Delcuze’s work sets up the hypothesis of a Proustian machine (the Proustian machine?) continually involved in the production of the signs of love, the signs of society and the signs of art: his analysis is like the ...

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