Search Results

Advanced Search

1 to 4 of 4 results

Sort by:

Filter by:


Article Types



Velvet Gentleman

Nick Richardson: Erik Satie

3 June 2015
A Mammal’s Notebook: The Writings of Erik​ Satie 
edited by Ornella Volta, translated by Antony Melville.
Atlas, 224 pp., £17.50, June 2014, 978 1 900565 66 0
Show More
Show More
... One​ thing everyone knows about ErikSatie is that he was an eccentric. There are many kinds of eccentric and Satie was most of them. He presented himself as a nutty professor figure, not a composer but a ‘gymnopedist’ and ‘phonometrician’. He dined – or so he claimed in his autobiography – only on ...

I have nothing to say and I am saying it

Philip Clark: John Cage’s Diary

15 December 2016
The Selected Letters of John Cage 
edited by Laura Kuhn.
Wesleyan, 618 pp., £30, January 2016, 978 0 8195 7591 3
Show More
Diary: How to Improve the World (You Will Only Make Matters Worse) 
by John Cage, edited by Richard Kraft and Joe Biel.
Siglio, 176 pp., £26, October 2015, 978 1 938221 10 1
Show More
Show More
... sound from Western scales – he scored his Imaginary Landscape pieces (1939-52) for instruments including gongs, tin cans, drums, buzzers, radios and coils of wire. Cage’s first mention of ErikSatie comes in a letter from 1944 to the dancer and choreographer Merce Cunningham, Cage’s partner. Socrate, Satie’s piece for voice and piano, he enthuses, is ‘an incredibly beautiful work. There is ...

The Cool Machine

Stephen Walsh: Ravel

25 August 2011
by Roger Nichols.
Yale, 430 pp., £25, April 2011, 978 0 300 10882 8
Show More
Show More
... of the third, ‘Sirènes’, which in 1901 earned him an inscribed copy of the full score from Debussy. Mixing these influences together, and adding one or two other ingredients (the café music of ErikSatie, whom Ravel met in 1893; the fashionable hispanism of Chabrier and Bizet, which I like to think stirred his Basque blood), he was able to concoct a state-of-the-art ‘French idiom’. One ...
22 September 2011
The Music of Painting 
by Peter Vergo.
Phaidon, 367 pp., £39.95, November 2010, 978 0 7148 5762 6
Show More
Show More
...  Schoenberg, Stravinsky, Webern etc – never abandoned classical instrumentation. In pieces such as Things Seen from Right and Left (Without Spectacles) and Chapters Turned in All Directions, ErikSatie (who once declared a desire for his music to resemble perfume) implied that he was mimicking in music the smashed perspectives of Cubism, but they were essentially moody miniatures for piano ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Read More

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences