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“... as it continued, albeit in diluted form, in the panegyrics of liberty by Akenside, Collins, Thomson and others. He includes Gray’s Elegy because of its compassion for the poor, but one might expect a radical poet to be a bit less dismayed at the fact that Cromwell was born. Paulin is more at home in the Romantic period: a particular interest of this ...”

“... might have taken his ten-year-old son to Coventry to see the entertainments laid on for Queen Elizabeth is firmly quashed (there’s no evidence for any such excursion and Tudor family life wasn’t like that), and, as if as an emblem of the fate of all such sweetly decorative fancies, even Schoenbaum’s account of the pretty bedroom walls at the Oxford ...”

“... businesslike and not censorious. An exceptional case which drew a stronger reaction was that of Elizabeth Elless, who was taken violently ill and died when only two days from full term. Turner saw there would have to be an autopsy, arranged it and attended it; his unemotional entry records the shape of the incision the surgeon made in the abdomen, a large ...”

“... the earlier 18th century, especially the philologist-philosopher James Harris and the poet James Thomson, author of The Seasons. Actually, it might be truer to say that Barbauld’s most remarkable achievement was to complicate the tenor of most Unitarian writing by including stuff that its prevailing rationalism found quite uncongenial – the fantastical ...”

“... in 1969. The success of Sinn Féin in the May elections added fuel to the fire, while the death of Elizabeth II and the recent census result, showing a Catholic majority in the North, are sure to increase unease.But loyalism has never been just one thing, and in Northern Protestants Susan McKay finds people from staunch unionist backgrounds voting Alliance and ...”

“... A wood engraving​ by the illustrator Joan Hassall, who died in 1988, shows Elizabeth Gaskell arriving at the Brontë parsonage. Patrick Brontë is taking Gaskell’s hand; Charlotte stands between them, arms open in a gesture of introduction. We – the spectators, whose gaze Charlotte seems to acknowledge (or is she looking at her father apprehensively?) – stand in the doorway; the participants are framed in the hallway arch, with the curved wooden staircase behind them ...”